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Overview
Fleur Adcock is one of Britain's most accomplished poets. Her poised, ironic poems are tense and tightly controlled as well as shrewdly laconic, and often chilling as she unmasks the deceptions of love or unravels family lives. Disarmingly conversational in style, they are remarkable for their psychological insight and their unsentimental, mischievously casual view of personal relationships. Born in New Zealand, she has explored questions of identity and rootedness throughout her work, both in relation to her personal allegiances to her native and adopted countries as well as her family history, whose long-dead characters she brings to life. She has also written movingly of birth, death and bereavement, and has tackled political issues with honest indignation and caustic wit. This first Collected edition of her poetry replaces her "Selected Poems", with the addition of work from her later Oxford collections "The Incident Book", "Time-Zones" and "Looking Back". It does not cover her later collection "Dragon
Talk" (2010).
Talk" (2010).
Product Details
ISBN-13: | 9781780370040 |
---|---|
Publisher: | Bloodaxe Books |
Publication date: | 07/21/2011 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 288 |
File size: | 807 KB |
Age Range: | 9 - 12 Years |
About the Author
Fleur Adcock writes about men and women, childhood, identity, roots and rootlessness, memory and loss, animals and dreams, as well as our interactions with nature and place. Her poised, ironic poems are remarkable for their wry wit, conversational tone and psychological insight, unmasking the deceptions of love or unravelling family lives. Born in New Zealand in 1934, she spent the war years in England, returning with her family to New Zealand in 1947. She emigrated to Britain in 1963, working as a librarian in London until 1979. In 1977-78 she was writer-in-residence at Charlotte Mason College of Education, Ambleside. She was Northern Arts Literary Fellow in 1979-81, living in Newcastle, becoming a freelance writer after her return to London. She received an OBE in 1996, and the Queen’s Gold Medal for Poetry in 2006 for Poems 1960-2000 (Bloodaxe Books, 2000). Fleur Adcock published three pamphlets with Bloodaxe: Below Loughrigg (1979), Hotspur (1986) and Meeting the Comet (1988), as well as her translations of medieval Latin lyrics, The Virgin & the Nightingale (1983). She also published two translations of Romanian poets with Oxford UniversityPress, Orient Express by Grete Tartler (1989) and Letters from Darkness by Daniela Crasnaru (1994). All her other collections were published by Oxford UniversityPress until they shut down their poetry list in 1999, after which Bloodaxe published her collected poems Poems 1960-2000 (2000), followed by Dragon Talk (2010), Glass Wings (2013), The Land Ballot (2015), Hoard (2017) and The Mermaid's Purse (2021). Poems 1960-2000 and Hoard are Poetry Book Society Special Commendations while Glass Wings is a Poetry Book Society Recommendation. In October 2019 Fleur Adcock was presented with the New Zealand Prime Minister’s Award for Literary Achievement in Poetry 2019 by the Rt Hon Jacinda Ardern.
Table of Contents
Early Poems From: The Eye of the Hurricane (1964) and Tigers (1967) | ||
Note on Propertius | 14 | |
Flight, with Mountains | 15 | |
Beauty Abroad | 17 | |
Knife-play | 18 | |
Instructions to Vampires | 19 | |
Incident | 19 | |
Unexpected Visit | 20 | |
For Andrew | 21 | |
For a Five-Year-Old | 21 | |
Comment | 22 | |
Miss Hamilton in London | 22 | |
The Man Who X-Rayed an Orange | 23 | |
Composition for Words and Paint | 24 | |
Regression | 25 | |
I Ride on My High Bicycle | 26 | |
Parting Is Such Sweet Sorrow | 27 | |
Hauntings | 28 | |
Advice to a Discarded Lover | 29 | |
The Water Below | 30 | |
Think Before You Shoot | 31 | |
The Pangolin | 32 | |
High Tide in the Garden (1971) | ||
A Game | 34 | |
Bogyman | 35 | |
Clarendon Whatmough | 36 | |
A Surprise in the Peninsula | 38 | |
Purple Shining Lilies | 39 | |
Afterwards | 40 | |
Happy Ending | 40 | |
Being Blind | 41 | |
Grandma | 42 | |
Ngauranga Gorge Hill | 43 | |
Stewart Island | 44 | |
On a Son Returned to New Zealand | 44 | |
Saturday | 45 | |
Trees | 47 | |
Country Station | 48 | |
The Three-toed Sloth | 49 | |
Against Coupling | 49 | |
Mornings After | 50 | |
Gas | 52 | |
The Scenic Route (1974) | ||
The Bullaun | 60 | |
Please Identify Yourself | 61 | |
Richey | 62 | |
The Voyage Out | 62 | |
Train from the Hook of Holland | 63 | |
Nelia | 64 | |
Moa Point | 64 | |
Briddes | 65 | |
The Famous Traitor | 65 | |
Script | 66 | |
In Memoriam: James K. Baxter | 68 | |
St John's School | 69 | |
Pupation | 70 | |
The Drought Breaks | 70 | |
Kilpeck | 71 | |
Feverish | 72 | |
Folie a Deux | 73 | |
Acris Hiems | 74 | |
December Morning | 75 | |
Showcase | 76 | |
Over the Edge | 76 | |
The Net | 77 | |
An Illustration to Dante | 77 | |
Tokens | 77 | |
Naxal | 78 | |
Bodnath | 79 | |
External Service | 80 | |
Flying Back | 80 | |
Near Creeslough | 81 | |
Kilmacrenan | 82 | |
Glenshane | 82 | |
The Inner Harbour (1979) | ||
Beginnings | ||
Future Work | 84 | |
Our Trip to the Federation | 85 | |
Mr Morrison | 86 | |
Things | 87 | |
A Way Out | 87 | |
Prelude | 88 | |
Accidental | 89 | |
A Message | 89 | |
Proposal for a Survey | 90 | |
Fairy-tale | 92 | |
At the Creative Writing Course | 92 | |
The Ex-Queen Among the Astronomers | 93 | |
Off the Track | 94 | |
Beaux Yeux | 94 | |
Send-off | 95 | |
In Focus | 95 | |
Letter from Highgate Wood | 96 | |
Poem Ended by a Death | 97 | |
Having No Mind for the Same Poem | 98 | |
Syringa | 99 | |
The Thing Itself | ||
Dry Spell | 100 | |
Visited | 100 | |
The Soho Hospital for Women | 101 | |
Variations on a Theme of Horace | 103 | |
A Walk in the Snow | 105 | |
A Day in October | 105 | |
House-talk | 107 | |
Foreigner | 107 | |
In the Dingle Peninsula | 108 | |
In the Terai | 108 | |
River | 109 | |
To and Fro | ||
The Inner Harbour | 110 | |
Immigrant | 111 | |
Settlers | 112 | |
Going Back | 113 | |
Instead of an Interview | 115 | |
Londoner | 116 | |
To Marilyn from London | 116 | |
Below Loughrigg (1979) | ||
Below Loughrigg | 118 | |
Three Rainbows in One Morning | 119 | |
Binoculars | 119 | |
Paths | 120 | |
Mid-point | 120 | |
The Spirit of the Place | 121 | |
The Vale of Grasmere | 121 | |
Letter to Alistair Campbell | 122 | |
Declensions | 123 | |
Weathering | 124 | |
Going Out from Ambleside | 124 | |
Selected Poems (1983) | ||
In the Unicorn, Ambleside | 128 | |
Downstream | 128 | |
The Hillside | 129 | |
This Ungentle Music | 129 | |
The Ring | 130 | |
Corrosion | 130 | |
4 May 1979 | 131 | |
Madmen | 131 | |
Shakespeare's Hotspur | 132 | |
Nature Table | 132 | |
Revision | 133 | |
Influenza | 134 | |
Crab | 135 | |
Eclipse | 135 | |
On the Border | 136 | |
The Prize-winning Poem | 136 | |
An Emblem | 137 | |
Piano Concerto in E Flat Major | 138 | |
Villa Isola Bella | 139 | |
Lantern Slides | 140 | |
Dreaming | 141 | |
Street Song | 142 | |
Across the Moor | 142 | |
Bethan and Bethany | 143 | |
Blue Glass | 143 | |
Mary Magdalene and the Birds | 145 | |
Hotspur (1986) | ||
Hotspur | 148 | |
Notes | 153 | |
The Incident Book (1986) | ||
Uniunea Scriitorilor | 156 | |
Leaving the Tate | 156 | |
The Bedroom Window | 157 | |
The Chiffonier | 158 | |
Tadpoles | 159 | |
For Heidi with Blue Hair | 161 | |
The Keepsake | 162 | |
England's Glory | 163 | |
The Genius of Surrey | 164 | |
Loving Hitler | 165 | |
Schools | ||
Halfway Street, Sidcup | 166 | |
St Gertrude's, Sidcup | 166 | |
Scalford School | 166 | |
Salfords, Surrey | 167 | |
Outwood | 168 | |
On the School Bus | 169 | |
Earlswood | 169 | |
Scalford Again | 170 | |
Neston | 170 | |
Chippenham | 171 | |
Tunbridge Wells | 172 | |
The High Tree | 173 | |
Telling Tales | ||
Drowning | 174 | |
'Personal Poem' | 175 | |
An Epitaph | 176 | |
Being Taken from the Place | 176 | |
Accidents | 177 | |
On the Land | 177 | |
Icon | 178 | |
Drawings | 179 | |
The Telephone Call | 179 | |
Incidentals | ||
Excavations | 181 | |
Pastoral | 182 | |
Kissing | 182 | |
Double-take | 183 | |
Choices | 184 | |
Thatcherland | ||
Street Scene, London N2 | 185 | |
Gentlemen's Hairdressers | 186 | |
Post Office | 187 | |
Demonstration | 188 | |
Witnesses | 189 | |
Last Song | 190 | |
Time-Zones (1991) | ||
Counting | 192 | |
Libya | 193 | |
What May Happen | 193 | |
My Father | 194 | |
Cattle in Mist | 195 | |
Toads | 196 | |
Under the Lawn | 197 | |
Wren Song | 198 | |
Next Door | 199 | |
Heliopsis Scabra | 200 | |
House-martins | 200 | |
Wildlife | 201 | |
Turnip-heads | 202 | |
The Batterer | 203 | |
Roles | 203 | |
Happiness | 204 | |
Coupling | 204 | |
The Greenhouse Effect | 204 | |
The Last Moa | 205 | |
Creosote | 206 | |
Central Time | 206 | |
The Breakfast Program | 208 | |
From the Demolition Zone | 209 | |
On the Way to the Castle | 210 | |
Romania | 211 | |
Causes | ||
The Farm | 212 | |
Aluminium | 213 | |
A Hymn to Friendship | 214 | |
Smokers for Celibacy | 215 | |
Mrs Fraser's Frenzy | 217 | |
Meeting the Comet | 222 | |
Looking Back (1997) | ||
I | ||
Where They Lived | 234 | |
Framed | 234 | |
The Russian War | 235 | |
227 Peel Green Road | 236 | |
Nellie | 237 | |
Mary Derry | 238 | |
Moses Lambert: the Facts | 240 | |
Samuel Joynson | 240 | |
Amelia | 241 | |
Barber | 242 | |
Flames | 242 | |
Water | 243 | |
A Haunting | 243 | |
The Wars | 244 | |
Sub Sepibus | 245 | |
Anne Welby | 246 | |
Beanfield | 247 | |
Ancestor to Devotee | 247 | |
Frances | 248 | |
At Great Hampden | 250 | |
At Baddesley Clinton | 251 | |
Traitors | 252 | |
Swings and Roundabouts | 254 | |
Peter Wentworth in Heaven | 255 | |
Notes | 256 | |
II | ||
Tongue Sandwiches | 257 | |
The Pilgrim Fathers | 258 | |
Paremata | 259 | |
Camping | 259 | |
Bed and Breakfast | 260 | |
Rats | 261 | |
Stockings | 261 | |
A Political Kiss | 262 | |
An Apology | 262 | |
Festschrift | 263 | |
Offerings | 263 | |
Danger: Swimming and Boating Prohibited | 264 | |
Risks | 265 | |
Blue Footprints in the Snow | 265 | |
Summer in Bucharest | 266 | |
Moneymore | 267 | |
The Voices | 267 | |
Willow Creek | 268 | |
Giggling | 269 | |
Trio | 269 | |
The Video | 270 | |
New Poems (2000) | ||
Easter | 272 | |
High Society | 272 | |
For Meg | 273 | |
A Visiting Angel | 274 | |
It's Done This | 275 | |
Kensington Gardens | 276 | |
Index of Titles and First Lines | 281 |
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