Race and Modern Architecture: A Critical History from the Enlightenment to the Present

by Irene Cheng (Editor), Charles L Davis (Editor), Mabel O Wilson (Editor)

Overview

Although race—a concept of human difference that establishes hierarchies of power and domination—has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality—from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants—Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.

Product Details

ISBN-13:	9780822987413
Publisher:	University of Pittsburgh Press
Publication date:	05/26/2020
Series:	Culture Politics & the Built Environment
Sold by:	Barnes & Noble
Format:	eBook
Pages:	448
File size:	54 MB
Note:	This product may take a few minutes to download.

About the Author

Irene Cheng (Editor)
Irene Cheng is an architectural historian and associate professor at the California College of the Arts.

Charles L. Davis II (Editor)
Charles L. Davis II is an assistant professor of architectural history and criticism at the University at Buffalo, SUNY.

Mabel O. Wilson (Editor)
Mabel O. Wilson is the Nancy and George E. Rupp Professor at the Graduate School of Architecture, Planning, and Preservation and a professor in African American and African Diasporic Studies at Columbia University.

Table of Contents

Contents Acknowledgments Introduction-Irene Cheng, Charles L. Davis II, and Mabel O. Wilson I. Race and the Enlightenment 1. Notes on the Virginia Capitol/Nation, Race, and Slavery in Jefferson’s America-Mabel O. Wilson 2. American Architecture in the Black Atlantic/William Thornton’s Design for the United States Capitol-Peter Minosh 3. Drawing the Color Line/Silence and Civilization from Jefferson to Mumford-Reinhold Martin 4. From “Terrestrial Paradise” to “Dreary Waste”/Race and the Chinese Garden in European Eyes-Addison Godel II. Race and Organicism 5. Henry Van Brunt and White Settler Colonialism in the Midwest-Charles L. Davis II 6. The “New Birth of Freedom”/The Gothic Revival and the Aesthetics of Abolitionism-Joanna Merwood-Salisbury 7. Structural Racialism in Modern Architectural Theory-Irene Cheng III. Race and Nationalism 8. Race and Miscegenation in Early Twentieth-Century Mexican Architecture-Luis E. Carranza 9. Modern Architecture and Racial Eugenics at the Esposizione Universale di Roma-Brian L. McLaren 10. The Invention of Indigenous Architecture-Kenny Cupers IV. Race and Representation 11. Erecting the Skyscraper, Erasing Race-Adrienne Brown 12. Modeling Race and Class/Architectural Photography and the U.S. Gypsum Research Village, 1952–1955-Dianne Harris V. Race and Colonialism 13. Race and Tropical Architecture/The Climate of Decolonization and “Malayanization”-Jiat-Hwee Chang 14. “Compartmentalized World”/Race, Architecture, and Colonial Crisis in Kenya and London-Mark Crinson 15. Style, Race, and a Mosque of the “Òyìnbó Dúdú” (White-Black) in Lagos Colony, 1894-Adedoyin Teriba VI. Race and Urbanism 16. Black and Blight-Andrew Herscher 17. And Thus Not Glowing Brightly/Noah Purifoy’s Junk Modernism-Lisa Uddin 18. Open Architecture, Rightlessness, and Citizens-to-Come-Esra Akcan Notes Bibliography Contributors Index

Editorial Reviews

For practitioners, this carefully edited history may fill in gaps in historical knowledge and illuminate racial injustices playing out in contemporary cities. Anyone interested in beginning these difficult conversations will find this book invaluable.— Canadian Architect

In looking at the history of architecture as a history of racialized cultures, seemingly everywhere, this volume makes a major contribution to the literature.— CHOICE

It is difficult to recall an academic anthology so appropriately timed and so desperately needed as this volume. . . . Race and Modern Architecture promises to be a widely consulted text, a useful resource for architectural scholars and practitioners looking for a concise introduction to racial frameworks for reading the built environment as well as for scholars of other disciplines engaged in the theoretical and methodological debates.— Journal of the Society for Architectural Historians

Race and Modern Architecture is a pioneering contribution and will guide scholars, educators, and students for years in better interpreting and illuminating the hidden histories of race in Western architecture. Carefully filling a lacuna in historical knowledge and methodology, this edited history will help to build complex and long-due conversations.— Arris

The volume . . . could hardly have come at a more appropriate time, as discussions of systemic racism in the United States spread from the classroom to the streets, from the streets to the halls of government. . . . the essays are equally strong, based upon significant archival and on-the-ground scholarship, with vigorous, fresh arguments.— The Plan Journal

Race and Modern Architecture challenges the suppression of race in canonical histories of modern architecture, revealing the discipline’s foundation on hierarchies of racial difference, its absorption of racial thought, and the racial origins of modernism’s narrative of universalism and progress. These incisive essays resonate beyond architectural history and reflect on the inextricable intertwining of race and modernism.— Patricia Morton, University of California, Riverside

This book will enlighten many. By exposing how modern architectural discourse and thought have been influenced quite heavily by racism, this critical and important scholarship sheds new light on the built environment. Race and Modern Architecture ultimately reveals how architecture and design have been silent partners in oppression in the United States and around the globe.— Lee Bey, author of Southern Exposure: The Overlooked Architecture of Chicago's South Side

From the Publisher