Raid on the Articulate: Comic Eschatology in Jesus and Borges
John Dominic Crossan's In Parables demonstrated how Jesus's parables demolished an idolatry of time. In this book, he shows how the parables likewise preclude an idolatry of language. In a new, creative synthesis, Raid on the Articulate juxtaposes the sayings and parables of Jesus with the works of modern Argentine writer Jorge Luis Borges to reveal fresh interpretations. Crossan locates both men as literary iconoclasts, parablers who can evoke for us the other side of silence. The gift they bring is "cosmic eschatology," the ability to "stand on the brink of nonsense and absurdity and not be dizzy." The discussion begins with Comedy and Transcendence, "a comedy too deep for laughter." Language is seen most openly and acknowledged most freely as structured play, opening the narrow gate to transcendence. This precludes language being mistaken for the gate itself. This in turn raises the question of Form and Parody. As Crossan writes, "Why mock the craftsman skilled in silver and gold and not mock the artisan skilled in form and genre? What if the aniconic God became trapped in icons made of language?" In Jesus we find the most magisterial warning against graven words and encapsulation of God in case law, proverb, or beatitude. When Jesus says, "Whoever seeks to gain his life will lose it" he presents a paradox insoluble by faith in language. Borges performs a similar function in literature when he inserts footnotes referring to nonexistent books. Both are arguing against the idolatry of imprisoning reality in the words that point to it. Parable and Paradox makes the case for parable as paradox formed into story. It is in this context that Jesus and Borges must be understood. Analyzing many of Jesus's parables, especially "The Good Samaritan," and comparing them structurally to Borges's work, Crossan sees them as single or double reversals of their audiences" most profound expectations. It is these that lend them both their power and their paradox. Raid on the Articulate concludes with considerations of the plasticity of time in Jesus and Borges and what, finally, we can say about them as men from their "fragile and aphoristic art." Emphasizing both biblical and literary materials, John Dominic Crossan achieves a deepened understanding of New Testament texts and forms, an understanding possible only when the unique literary aspect of Jesus's sayings is acknowledged.
1112051309
Raid on the Articulate: Comic Eschatology in Jesus and Borges
John Dominic Crossan's In Parables demonstrated how Jesus's parables demolished an idolatry of time. In this book, he shows how the parables likewise preclude an idolatry of language. In a new, creative synthesis, Raid on the Articulate juxtaposes the sayings and parables of Jesus with the works of modern Argentine writer Jorge Luis Borges to reveal fresh interpretations. Crossan locates both men as literary iconoclasts, parablers who can evoke for us the other side of silence. The gift they bring is "cosmic eschatology," the ability to "stand on the brink of nonsense and absurdity and not be dizzy." The discussion begins with Comedy and Transcendence, "a comedy too deep for laughter." Language is seen most openly and acknowledged most freely as structured play, opening the narrow gate to transcendence. This precludes language being mistaken for the gate itself. This in turn raises the question of Form and Parody. As Crossan writes, "Why mock the craftsman skilled in silver and gold and not mock the artisan skilled in form and genre? What if the aniconic God became trapped in icons made of language?" In Jesus we find the most magisterial warning against graven words and encapsulation of God in case law, proverb, or beatitude. When Jesus says, "Whoever seeks to gain his life will lose it" he presents a paradox insoluble by faith in language. Borges performs a similar function in literature when he inserts footnotes referring to nonexistent books. Both are arguing against the idolatry of imprisoning reality in the words that point to it. Parable and Paradox makes the case for parable as paradox formed into story. It is in this context that Jesus and Borges must be understood. Analyzing many of Jesus's parables, especially "The Good Samaritan," and comparing them structurally to Borges's work, Crossan sees them as single or double reversals of their audiences" most profound expectations. It is these that lend them both their power and their paradox. Raid on the Articulate concludes with considerations of the plasticity of time in Jesus and Borges and what, finally, we can say about them as men from their "fragile and aphoristic art." Emphasizing both biblical and literary materials, John Dominic Crossan achieves a deepened understanding of New Testament texts and forms, an understanding possible only when the unique literary aspect of Jesus's sayings is acknowledged.
27.0 In Stock
Raid on the Articulate: Comic Eschatology in Jesus and Borges

Raid on the Articulate: Comic Eschatology in Jesus and Borges

by John Dominic Crossan
Raid on the Articulate: Comic Eschatology in Jesus and Borges

Raid on the Articulate: Comic Eschatology in Jesus and Borges

by John Dominic Crossan

eBook

$27.00 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

John Dominic Crossan's In Parables demonstrated how Jesus's parables demolished an idolatry of time. In this book, he shows how the parables likewise preclude an idolatry of language. In a new, creative synthesis, Raid on the Articulate juxtaposes the sayings and parables of Jesus with the works of modern Argentine writer Jorge Luis Borges to reveal fresh interpretations. Crossan locates both men as literary iconoclasts, parablers who can evoke for us the other side of silence. The gift they bring is "cosmic eschatology," the ability to "stand on the brink of nonsense and absurdity and not be dizzy." The discussion begins with Comedy and Transcendence, "a comedy too deep for laughter." Language is seen most openly and acknowledged most freely as structured play, opening the narrow gate to transcendence. This precludes language being mistaken for the gate itself. This in turn raises the question of Form and Parody. As Crossan writes, "Why mock the craftsman skilled in silver and gold and not mock the artisan skilled in form and genre? What if the aniconic God became trapped in icons made of language?" In Jesus we find the most magisterial warning against graven words and encapsulation of God in case law, proverb, or beatitude. When Jesus says, "Whoever seeks to gain his life will lose it" he presents a paradox insoluble by faith in language. Borges performs a similar function in literature when he inserts footnotes referring to nonexistent books. Both are arguing against the idolatry of imprisoning reality in the words that point to it. Parable and Paradox makes the case for parable as paradox formed into story. It is in this context that Jesus and Borges must be understood. Analyzing many of Jesus's parables, especially "The Good Samaritan," and comparing them structurally to Borges's work, Crossan sees them as single or double reversals of their audiences" most profound expectations. It is these that lend them both their power and their paradox. Raid on the Articulate concludes with considerations of the plasticity of time in Jesus and Borges and what, finally, we can say about them as men from their "fragile and aphoristic art." Emphasizing both biblical and literary materials, John Dominic Crossan achieves a deepened understanding of New Testament texts and forms, an understanding possible only when the unique literary aspect of Jesus's sayings is acknowledged.

Product Details

ISBN-13: 9781725221840
Publisher: Wipf & Stock Publishers
Publication date: 03/01/2008
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 18 MB
Note: This product may take a few minutes to download.

About the Author

John Dominic Crossan is Professor Emeritus of Religious Studies at DePaul University, Chicago. He has written twenty books on the historical Jesus in the last thirty years, four of which have become national religious bestsellers: The Historical Jesus (1991), Jesus: A Revolutionary Biography (1994), Who Killed Jesus? (1995), and The Birth of Christianity (1998). He is a former co-chair of the Jesus Seminar, and a former chair of the Historical Jesus Section of the Society of Biblical Literature, an international scholarly association for biblical study based in the United States.
John Dominic Crossan is Professor Emeritus of Religious Studies at DePaul University, Chicago. He has written twenty books on the historical Jesus in the last thirty years, four of which have become national religious bestsellers: The Historical Jesus (1991), Jesus: A Revolutionary Biography (1994), Who Killed Jesus? (1995), and The Birth of Christianity (1998). He is a former co-chair of the Jesus Seminar, and a former chair of the Historical Jesus Section of the Society of Biblical Literature, an international scholarly association for biblical study based in the United States.





Table of Contents


Preface     xiii
Theme     1
Variations     7
Comedy and Transcendence     9
Prelude: The People of the Secret     9
Tragedy     11
A Greek Prejudice
Oedipus the King
The Dark Laughter of Zeus
The Victory of the Comic
Comedy     16
A Narrow Escape into Faith
The New Sense of the Comic
Dark Comedy
The Bias of Comedy
Death unto Resurrection
Play     23
The Search of Averroes
Homo Ludens
Homo Ludens Revisited
The Play of World
Breaks, Fissures, and Cracks
The Range of Comic Play
Structure     33
A System of Transformations
Structured Play
In the Beginning
The Ritual Process
Literature     38
Language as Play
Language as Supreme Play
The Conscience of Language
Defamiliarization
The New in Literature
Transcendence     43
A Great and Secret Plan
The Comic and the Holy
Biblical Laughter
At the Limits of Language
Postlude: The Secret of the People     50
Form and Parody     55
Iconoclasm     55
No Graven Images
From Images to Words
No Graven Words
Genre     60
Literature as System
Generic Transformations
Law     63
Case Law
Case Interpretation
Case Parody
Beyond Morality
Proverb     69
Proverbial Wisdom?
ParadoxicalAphorism
Beyond Wisdom
Beatitude     73
Proverb to Prayer
Blessed the Poor
From an Apocryphal Gospel
Novel     77
Footnotes in Stories
Reviews of Unwritten Books
Projects for Unwritten Books
Real and Imaginary Authors
Small, Hard, and Bright
Mimesis     89
The Book as Too Much
The Book as Too Little
The Mimetic Fallacy
Towards the Source
Paradox and Parable     93
Paradox     93
Contemporary Parable
Biblical Parable
Myth and Parable
Parable     99
Borges on Jesus
The Good Samaritan
Metonymy and Metaphor
Borges as Parabler
Allegory     115
Ideas or Images
Borges on Allegory
Motives for Allegory
Allegory as Play
Parables and Allegories
Time and Finitude     133
Time     133
Six Distinctions
Star-Time and Story-Time
Circle     138
Borges on Time
Circular Time
The Circle of Play
Line     144
Prophecy and Apocalyptic
Immortality as Idolatry
Jesus on Apocalyptic
Borges on Immortality
Plot     153
The Hidden Treasure
Other Stories, Other Treasures
Time and Theme
Person and Persona     165
Persona     165
Intention and Personality
Revelation's Imminence
Borges     170
Borges and "Borges"
Borges as "Borges"
Borges and Comic Eschatology
Jesus      174
Jesus, Christ, and Lord
The Historical Jesus
Jesus and Comic Eschatology
Orpheus     179
Lyre and Voice
Play and Death
Notes     183
Abbreviations, Editions, Bibliographies     199
Index of Citations     201
Index of Authors     205
From the B&N Reads Blog

Customer Reviews