Reality Principles: From the Absurd to the Virtual

Reality Principles: From the Absurd to the Virtual

by Herbert Blau
Reality Principles: From the Absurd to the Virtual

Reality Principles: From the Absurd to the Virtual

by Herbert Blau

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Overview

“Herbert Blau’s long sustained inquiry into theater’s most provocative questions—presence, liveness, and finitude—are, at their deepest level, queries into life. Reality Principles returns us to Blau’s inspiring provocations and extends them to new subjects—9/11 and Ground Zero, the nature of charisma, Pirandello and Strindberg.”
—Peggy Phelan, Stanford University

Reality Principles gathers recent essays by esteemed scholar and theater practitioner Herbert Blau covering a range of topics.  The book’s provocative essays—including “The Emotional Memory of Directing,” “The Faith-Based Initiative of the Theater of the Absurd,” “Virtually Yours: Presence, Liveness, Lessness,” “The Human Nature of the Bot”—were given as keynotes and/or memorial lectures and are collected here for the first time. The essays take up a remarkable array of topics—from body art and the self-inflicted punishments of Stelarc, Orlan, and the Viennese Actionists, to Ground Zero and 9/11—and allow Blau to address critical questions of theater and theory, performance and relevance, the absurd and the virtual, history and illusion, community and memory. Reality Principles offers a panoramic view of Herbert Blau’s perspectives on life and the imitation of life on stage.


Product Details

ISBN-13: 9780472027903
Publisher: University of Michigan Press
Publication date: 06/22/2011
Sold by: Barnes & Noble
Format: eBook
Pages: 320
File size: 650 KB

About the Author

Herbert Blau is Byron W. and Alice L. Lockwood Professor in the Humanities at the University of Washington and author of many influential and prize-winning books, including Blooded Thought: Occasions of Theater, Take Up the Bodies: Theater at the Vanishing Point, and Sails of the Herring Fleet: Essays on Beckett.

Table of Contents

Contents Introduction 1. Relevance: The Shadow of a Magnitude 2. The Faith-Based Initiative of the Theater of the Absurd 3. The Soul-Complex of Strindberg: Suffocation, Scopophilia, and the Seer 4. From the Dreamwork of Secession to Orgies Mysteries Theater 5. Performing in the Chaosmos: Farts, Follicles, Mathematics, and Delirium in Deleuze 6. Seeming, Seeming: The Illusion of Enough 7. Who’s There?—Community of the Question 8. The Emotional Memory of Directing 9. The Commodius Vicus of Beckett: Vicissitudes of the Arts in the Science of Affliction 10. Among the Deepening Shades: The Beckettian Moment(um) and the Brechtian Arrest 11. Apnea and True Illusion: Breath(less) in Beckett 12. Art and Crisis: Homeland Security and the Noble Savage 13. Ground Zero: The Original Vision (May 16, 2008) 14. Blessings to The Pope and the Witch 15. The Pathos of Dialogue: Unable to Speak a Word 16. Thinking History, History Thinking 17. Why “WHAT History?” 18. The Human Nature of the Bot 19. Virtually Yours: Presence, Liveness, Lessness 20. Auto Archive Publication History Index
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