Reconstruction Fiction: Housing and Realist Literature in Postwar Britain
Reconstruction Fiction: Housing and Realist Literature in Postwar Britain by Paula Derdiger assesses the impact of World War II and the welfare state on literary fiction by focusing on one of the defining issues of the postwar period: housing. Through compelling close readings and lively historical and cultural analysis, Derdiger argues that literary realism was a necessary, generative response to the war and welfare state since they impacted the built environment and landscape. Wartime decimation of buildings and streets called for reconstruction, and reconstruction called not just for bricks and mortar, architectural drawings, town plans, preservation schemes, and new policies but also for fiction that invited particular ways of inhabiting an environment that had been irrevocably changed. Derdiger argues that fiction, like actual buildings, creates a sheltered space for the mediation between individual subjects and the social and geographical environments that they encounter. Realist fiction, specifically, insists that such mediation is possible and that it is socially valuable. Covering writers spanning various social positions and aesthetic tendencies—including Elizabeth Bowen, Graham Greene, Patrick Hamilton, Doris Lessing, Colin MacInnes, and Elizabeth Taylor—Derdiger shows how these authors responded to the war with realistic technique, investing in external conditions just as much as or more than their characters’ interior lives. In doing so, their reconstruction fiction helped to shape postwar life.
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Reconstruction Fiction: Housing and Realist Literature in Postwar Britain
Reconstruction Fiction: Housing and Realist Literature in Postwar Britain by Paula Derdiger assesses the impact of World War II and the welfare state on literary fiction by focusing on one of the defining issues of the postwar period: housing. Through compelling close readings and lively historical and cultural analysis, Derdiger argues that literary realism was a necessary, generative response to the war and welfare state since they impacted the built environment and landscape. Wartime decimation of buildings and streets called for reconstruction, and reconstruction called not just for bricks and mortar, architectural drawings, town plans, preservation schemes, and new policies but also for fiction that invited particular ways of inhabiting an environment that had been irrevocably changed. Derdiger argues that fiction, like actual buildings, creates a sheltered space for the mediation between individual subjects and the social and geographical environments that they encounter. Realist fiction, specifically, insists that such mediation is possible and that it is socially valuable. Covering writers spanning various social positions and aesthetic tendencies—including Elizabeth Bowen, Graham Greene, Patrick Hamilton, Doris Lessing, Colin MacInnes, and Elizabeth Taylor—Derdiger shows how these authors responded to the war with realistic technique, investing in external conditions just as much as or more than their characters’ interior lives. In doing so, their reconstruction fiction helped to shape postwar life.
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Reconstruction Fiction: Housing and Realist Literature in Postwar Britain

Reconstruction Fiction: Housing and Realist Literature in Postwar Britain

by Paula Derdiger
Reconstruction Fiction: Housing and Realist Literature in Postwar Britain
Reconstruction Fiction: Housing and Realist Literature in Postwar Britain

Reconstruction Fiction: Housing and Realist Literature in Postwar Britain

by Paula Derdiger

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Overview

Reconstruction Fiction: Housing and Realist Literature in Postwar Britain by Paula Derdiger assesses the impact of World War II and the welfare state on literary fiction by focusing on one of the defining issues of the postwar period: housing. Through compelling close readings and lively historical and cultural analysis, Derdiger argues that literary realism was a necessary, generative response to the war and welfare state since they impacted the built environment and landscape. Wartime decimation of buildings and streets called for reconstruction, and reconstruction called not just for bricks and mortar, architectural drawings, town plans, preservation schemes, and new policies but also for fiction that invited particular ways of inhabiting an environment that had been irrevocably changed. Derdiger argues that fiction, like actual buildings, creates a sheltered space for the mediation between individual subjects and the social and geographical environments that they encounter. Realist fiction, specifically, insists that such mediation is possible and that it is socially valuable. Covering writers spanning various social positions and aesthetic tendencies—including Elizabeth Bowen, Graham Greene, Patrick Hamilton, Doris Lessing, Colin MacInnes, and Elizabeth Taylor—Derdiger shows how these authors responded to the war with realistic technique, investing in external conditions just as much as or more than their characters’ interior lives. In doing so, their reconstruction fiction helped to shape postwar life.

Product Details

ISBN-13: 9780814280768
Publisher: Ohio State University Press
Publication date: 10/28/2020
Sold by: Barnes & Noble
Format: eBook
Pages: 230
File size: 3 MB

About the Author

Paula Derdiger is Assistant Professor of English at the University of Minnesota Duluth.

Table of Contents

Contents

Acknowledgments

Introduction    “We Shall Look Out Through Glass”

Chapter 1        An Urgent Invitation: Theorizing Postwar Realist Writing

Chapter 2        Billets and Boardinghouses: Shared Space and the Reconstruction Novel

Chapter 3        Mobile Housing: Realizing Movement in 1950s City Fiction

Chapter 4        Country Houses: Nostalgia and the Realist Challenge

Chapter 5        Safe Houses: Seeking Shelter and Connection Post-Consensus

Conclusion      Reconstruction as Departure and Return

Bibliography

Index

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