Refugee Boy

by Benjamin Zephaniah

Overview

'Playful, obstinate and courageously humorous ... hilarious and later heartbreaking' Guardian
'Sweet, funny, highly inventive' Yorkshire Post

The personal, funny and poignant tale of a young refugee, from acclaimed storyteller Benjamin Zephaniah

Acclaimed performance poet and novelist Benjamin Zephaniah's honest, wry and poignant story of a young refugee left in London is of even more power and pertinence today than when it was first published.

Life is not safe for Alem. His father is Ethopian, his mother Eritrean. Their countries are at war, and Alem is welcome in neither place.

So Alem is excited to spend a holiday in London with his father – until he wakes up to find him gone. What seems like a betrayal is in fact an act of love, but now Alem is alone in a strange country, and he must forge his own path...
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Brilliantly written and with a real ear for dialogue, fans of Angie Thomas and Malorie Blackman will love Benjamin Zephaniah's novels for young adult readers:

Refugee Boy
Face
Gangsta Rap
Teacher's Dead

Product Details

ISBN-13:	9781408825402
Publisher:	Bloomsbury Publishing
Publication date:	07/04/2011
Sold by:	Barnes & Noble
Format:	eBook
Pages:	224
File size:	3 MB
Age Range:	12 Years

About the Author

Benjamin Zephaniah is probably one of the most high-profile international authors writing today, with an enormous breadth of appeal, equally popular with both adults and children. Most well-known for his performance poetry with a political edge for adults and ground-breaking performance poetry for children, Benjamin also has his own rap/reggae band, and has appeared on desert Island Discs. He is in constant demand internationally to perform his work: he is (he thinks) Nelson Mandela's favourite poet, and is the only Rastafarian poet to be short-listed for the Chairs of Poetry for both Oxford and Cambridge University. Benjamin lives in East Ham, London and this is his second novel.
A high-profile international author with an enormous breadth of appeal, Benjamin Zephaniah was perhaps best known for his performance poetry with a political edge for adults and ground-breaking performance poetry for children. Alongside his poetry he created novels and plays, wrote and performed music and had a recurring role as preacher Jeremiah Jesus in the BBC series Peaky Blinders. In his novels for young people, which include Face, Refugee Boy, Gangsta Rap and Teacher's Dead, Zephaniah tackled vital themes that resonate as much today as they did upon their first publication.

Editorial Reviews

Zephaniah, a London-based performance poet, sends a strong political message in his realistic account of a young refugee's struggles. With both of his parents' homelands at war, 14-year-old Alem is persecuted because of the family's mixed nationality; his Ethiopian father and Eritrean mother decide that their son will be safest abroad. As the novel opens, Alem's father brings him to London "on holiday" and then abandons him, leaving only a letter to explain his reasoning. While Alem's parents fight for the unification of Ethiopia and Eritrea thousands of miles away, Alem must mount a battle for political asylum. After being moved from an institution to a more welcoming foster home, Alem musters an army of friends and compassionate social workers who help him combat a cold and impersonal system. Rather than delving deeply into his protagonist's emotions, the author adopts a relatively objective stance. Readers see Alem's reactions from the outside, not as an internal process, as the government initially refuses to grant him asylum and later, when both of his parents are killed (his mother in Africa, his father in London). While audience members may feel distanced from the young hero, they will be outraged by the injustice he confronts and moved by the tragedies he endures. Ages 10-up. (July) Copyright 2002 Cahners Business Information.

Publishers Weekly

Gr 6-9-A dust jacket that resembles an airmail envelope complete with stamp cancellation will lure readers to this somewhat disappointing tale. Alem Kelo is caught in the current political disputes raging between Ethiopia and Eritrea. He and his father flee to London where Alem is left alone to seek asylum with British authorities while his father returns to Africa, where he discovers that his wife is missing. The child is caught in the web of the judicial system as his foster care and sanctuary are determined. While the story has all the elements of a gripping tale, it often reads like a first, rough draft. A prelude to the book, titled "Ethiopia," finds soldiers barging into the Kelos' house. Shooting and shouting result, and the family is ordered to leave the country. An almost duplicate scene labeled "Eritrea" follows. In an effort to show that neither country embraces the union of this Ethiopian man and Eritrean woman and its progeny, the question immediately arises, are the soldiers Ethiopian or Eritrean? Throughout the author merely tells, rarely shows. Wording is awkward and often repetitive. The result is the ponderous text of a story about war and refugees that needs to be told; unfortunately, this effort falls short.-Daniel L. Darigan, West Chester University, PA Copyright 2002 Cahners Business Information.

School Library Journal

"Look at me, look at all the things that I am capable of, and think of all the things you could call me-a student, a lover of literature, a budding architect, a friend, a symbol of hope even, but what am I called? A refugee." This is the fate of the refugee. Not only does he flee desperate circumstances, he is ever a stranger in a strange land, ever an outsider with a single identity: refugee. Alem Kelo's father is Ethiopian, his mother Eritrean, and war is being waged between the two countries. Since his parents' lives are in danger, Alem is brought to England. Alem thinks he is on a brief pleasure trip, but when his father leaves him there without saying goodbye, he is overnight a refugee in a land of refugees: Asians, Africans, Romanians, Kosovars, and Chileans. After a brief stint in a hotel and an awful time in a children's home, Alem is lucky to be placed in a foster home with the Fitzgeralds. There he thrives, goes to school, and gradually becomes active in the refugee movement. Though he faces difficult times in England too, the Fitzgeralds provide a safe place. Sometimes the prose is awkward and overwritten, but the story is compelling. And, somehow, even with so much tragedy in a young boy's life, it doesn't get bogged down. Alem is a survivor. He says, "Circumstances beyond my control brought me here, and all that I can do now is pick myself up and try my best to make something out of what is left of my life. If good can come from bad, I'll make it." Alem is a refugee who transcends his identity as such; he becomes a hero, even a role model and readers will care about him. (Fiction. 10+)

Kirkus Reviews

Stunning. Alem is drawn so winningly . . . in his moving tale.” —The Horn Book

“The story is compelling. [Alem] becomes a hero, even a role model and readers will care about him.” —Kirkus Reviews

From the Publisher