Richard Brinsley Sheridan: The Impresario in Political and Cultural Contextby Jack DeRochi, Daniel Ennis
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This new collection of essays on Richard Brinsley Sheridan brings the most important British playwright of the eighteenth century back to the forefront of literary and cultural studies of the era. While his pyrotechnic life as a romantic hero, playwright, Member of Parliament, and theatre manager has generated a number of recent biographies, it is Sheridan’s works—not just plays but also poetry and orations—that endure. These essays reclaim the legacy of the man of letters and partisan bon vivant who burst from obscurity to become a powerful cultural force in Georgian London. This collection covers the many lives of Sheridan, taking into account both his variegated career and the competing accounts of the man, as well as his early verse, which lays the foundation for his success as a playwright. Chapters are devoted to Sheridan’s theatre, and provide innovative readings of his most famous dramatic pieces: The Rivals, The Duenna, The School for Scandal, The Critic, and Pizarro. The volume also includes extensive discussion of the dramatic highs of Sheridan’s long political career, thus placing the playwright-politician firmly in the world in which performance and politics were inextricably entwined.
Contributors: Mita Choudhury, Jack E. DeRochi, Marianna D’Ezio, Daniel J. Ennis, Emily Friedman, Steven Gores, David Haley, Robert W. Jones, Daniel O’Quinn, Glynis Ridley, John Vance, David Francis Taylor
- Bucknell University Press
- Publication date:
- Transits: Literature, Thought & Culture, 1650-1850
- Sold by:
- Barnes & Noble
- NOOK Book
- File size:
- 30 MB
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Meet the Author
Jack E. DeRochi is associate professor of English at Winthrop University. He has published several articles on late eighteenth-century drama and satire in such publications as Restoration and Eighteenth-Century Research and Studies in American Humor. His essay on the emergence of the masculine gothic was included in Prologues, Epilogues, Curtain-Raisers and Afterpieces: The Rest of the Eighteenth-Century London Stage (2007).
Daniel J. Ennis is professor of English at Coastal Carolina University. He is the author of Enter the Press-Gang: Representations of Naval Impressment in Eighteenth-Century British Literature (2002) and edited, with Judith B. Slagle, a collection of essays entitled Prologues, Epilogues, Curtain-Raisers and Afterpieces: The Rest of the Eighteenth-Century London Stage (2007). He has published essays on John Dryden, Christopher Smart and Lord Byron among others.
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