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4.2 10
by Simon Sebag Montefiore

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In the bestselling tradition of Doctor Zhivago and Sophie's Choice, a sweeping epic of Russia from the last days of the Tsars to today's age of oligarchs -- by the prizewinning author of Young Stalin.

Winter 1916: St. Petersburg, Russia, is on the brink of revolution. Outside the Smolny Institute for Noble Girls, an English governess


In the bestselling tradition of Doctor Zhivago and Sophie's Choice, a sweeping epic of Russia from the last days of the Tsars to today's age of oligarchs -- by the prizewinning author of Young Stalin.

Winter 1916: St. Petersburg, Russia, is on the brink of revolution. Outside the Smolny Institute for Noble Girls, an English governess is waiting for her young charge to be released from school. But so are the Tsar's secret police...

Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and their dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction.

Twenty years on, Sashenka is married to a powerful, rising Red leader with whom she has two children. Around her people are disappearing, while in the secret world of the elite her own family is safe. But she's about to embark on a forbidden love affair that will have devastating consequences.

Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heartbreaking tale of betrayal and redemption, savage cruelty and unexpected heroism -- and one woman forced to make an unbearable choice.

Editorial Reviews

From the Publisher
"Furiously readable. A brilliantly plotted novel that brings home with unique intimacy the joys and hopes of Russian families, the Revolution, the horror of the thirties." -- Thomas Keneally, author of Schindler's List

"A dramatic, gripping tale. Sashenka's story, set against richly textured backgrounds -- some lavish, some grim -- makes this novel extraordinarily difficult to put down." -- Robert K. Massie, author of Nicholas and Alexandra

"The world of the Russian Revolution and of Stalin's Terror comes vividly to life in this deeply intimate novel, full of Russian atmosphere and color. I felt as if I'd lived through an epic movie." -- Edward Rutherfurd, author of Sarum

"Intensely moving, with an unforgettable climax that will touch the hardest heart." -- Jung Chang, author of Wild Swans and Mao

"The perfect mixture of history and clever storytelling, with wonderful female characters and a seriousness of purpose that stands out. Gripping from start to finish." -- Kate Mosse, author of Labyrinth

"He writes beautifully, vividly, and passionately." -- Fay Weldon, author of The Life and Loves of a She-Devil

Dinitia Smith
Sashenka is an intriguing portrait of the people who brought down the czars and went on to serve the Soviet state during Stalinism…has some pleasures of the great Russian novels
—The New York Times
Malena Watrous
Simon Montefiore's first novel, is a historical whodunit with the epic sweep of a Hollywood movie. The author of the bestselling biography Young Stalin, Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters like the ice of St. Petersburg…Here's hoping we get more spellbinding historical fiction from him.
—The Washington Post
Publishers Weekly

In this sweeping historical novel, a Russian girl from a wealthy Jewish family turns revolutionary and marries a high-level Bolshevik. She embarks on a disastrous affair years later that endangers her two children and twists her from a loyal Communist into yet another of Stalin's victims. The history and characters are fascinating, but the narration is marred by Anne Flosnik's flat characterization and implausible Russian accent, which evokes a bad Bela Lugosi imitation. Furthermore, her self-conscious diction prevents listeners from relaxing into the flow of the story. A Simon & Schuster hardcover (Reviews, Sept. 15).(Jan.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

Through the prisms of the years 1917, 1939, and 1994, Montefiore digs into the tribulations of one family as it strives to survive the upheavals of 20th-century Russia. The pampered darling of a bourgeois Jewish family, Sashenka converts to Bolshevism in her teens. She becomes a highly placed apparatchik, but that does not save her from the 1930s Stalinist purges. By 1994, families separated by war and exile are digging in the archives to find lost connections. Not-so-blind fate intervenes to produce a surprise ending for Sashenka's progeny. Montefiore, already a celebrated historian (Young Stalin), makes his fiction debut chillingly realistic with his close knowledge of Stalin and his circle. Indeed, the telling details of the era redeem the novel's somewhat stilted opening chapters. The Russian voices of Vassily Aksyonov and Boris Pasternak have recounted the personal tragedies of the era in their captivating books The Generations of Winter and Dr. Zhivago, respectively; Montefiore's Sashenka shows us that the Soviet interlude in Russia's blood-spattered history still makes for a gripping read in the 21st century. Highly recommended. [See Prepub Alert, LJ7/08.]
—Barbara Conaty

Product Details

Simon & Schuster
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6.10(w) x 9.22(h) x 1.27(d)

Read an Excerpt


The shy northern sun had already set by teatime when three of the Tsar's gendarmes took up positions at the gates of the Smolny Institute for Noble Girls. The end of term at the finest girls' boarding school in St. Petersburg was no place for policemen but there they were, unmistakable in their smart navy-blue tunics with white trimming, shiny sabers, and lambskin helmets with sultan-spikes. One clicked his fingers impatiently, another opened and closed the leather holster of his Mauser revolver and the third stood stolidly, legs wide, with his thumbs stuck into his belt. Behind them waited a traffic jam of horse-drawn sleighs, emblazoned gold and crimson with family crests, and a couple of gleaming limousines. The slow, slanting snowfall was visible only in the flickering halo of streetlights and the amber lamps of touring cars.

It was the third winter of the Great War and it seemed the darkest and the longest so far. Through the black gates, down the paved avenue, the white splendor of the pillared Institute rose out of the early twilight like an ocean liner adrift in the mist. Even this boarding school, of which the Empress herself was patron and which was filled with the daughters of aristocrats and war profiteers, could no longer feed its girls or heat its dormitories. Term was ending prematurely. The shortages had reached even the rich. Few could now afford the fuel to run a car, and horsepower was fashionable again.

The winter darkness in wartime St. Petersburg had a sticky arctic gloom all of its own. The feathery snow muffled the sounds of horses and engines but the burning cold made the smells sharper: gasoline, horse dung, the alcohol on the breath of the snoring postilions, the acrid cologne and cigarettes of chauffeurs in yellow- and red-trimmed uniforms, and the flowery perfumes on the throats of the waiting women.

Inside the burgundy leather compartment of a Delaunay-Belleville landaulet, a serious young woman with a heart-shaped face sat with an English novel on her lap, lit by a naphtha lamp. Audrey Lewis — Mrs. Lewis to her employers and Lala to her beloved charge — was cold. She pulled the bushy lambskin up over her lap; her hands were gloved, and she wore a wolf-fur hat and a thick coat. But still she shivered. She ignored the driver, Pantameilion, when he climbed into his seat, flicking his cigarette into the snow. Her brown eyes never left the door of the school.

"Hurry up, Sashenka!" Lala muttered to herself in English. She checked the brass clock set into the glass division that kept the chauffeur at bay. "Not long now!"

A maternal glow of anticipation spread across her chest: she imagined Sashenka's long-limbed figure running toward her across the snow. Few mothers picked up their children from the Smolny Institute, and almost no fathers. But Lala, the governess, always collected Sashenka.

Just a few minutes, my child, she thought; my adorable, clever, solemn child.

The lanterns shining through the delicate tracery of ice on the dim car windows bore her away to her childhood home in Pegsdon, a village in Hertfordshire. She had not seen England for six years and she wondered if she would ever see her family again. But if she had stayed there, she would never have known her darling Sashenka. Six years ago, she had accepted a position in the household of Baron and Baroness Zeitlin and a new life in the Russian capital, St. Petersburg. Six years ago, a young girl in a sailor suit had greeted her coolly, examined her searchingly and then offered the Englishwoman her hand, as if presenting a bouquet. The new governess spoke scarcely a word of Russian but she knelt on one knee and enclosed that small hot hand in her own palms. The girl, at first hesitantly then with growing pressure, leaned against her, finally laying her head on Lala's shoulder.

"Mne zavout Mrs. Lewis," said the Englishwoman in bad Russian.

"Greetings to a bespoke guest, Lala! I am be-named Sashenka," replied the child in appalling English. And that had been that: Mrs. Lewis was henceforth "be-named" Lala. The need met the moment. They loved each other on sight.

"It's two minutes to five," said the chauffeur tinnily through the speaking tube.

The governess sat forward, unhooked her own speaking tube and spoke into the brass cup in excellent Russian (though with an English intonation). "Thank you, Pantameilion."

"What are the pharaohs doing here?" said the driver. Everyone used the slang term for the political police, the Gendarmerie. He chuckled. "Maybe the schoolgirls are hiding German codes in their petticoats?"

Lala was not going to discuss such matters with a chauffeur. "Pantameilion, I'll need you to come in and get her trunk," she said sternly. But why were the gendarmes there? she wondered.

The girls always came out on time. Madame Buxhoeven, the headmistress, known to the girls as Grand-maman, ran the Institute like a Prussian barracks — but in French. Lala knew that Grand-maman was a favorite of the Dowager Empress Maria Fyodorovna and the reigning Empress Alexandra.

A cavalry officer and a gaggle of schoolboys and students in gold-buttoned uniforms and caps walked through the gates to meet their sweethearts. In Russia, even schoolboys had uniforms. When they saw the three gendarmes, they started, then walked on, glancing back: what were the political police doing at a boarding school for noble girls?

Waiting to convey their masters' daughters home, the coachmen, in ankle-length padded robes lined with thick white lamb's fur, red sashes and bowler hats, stamped their feet and attended to their horses. They too observed the gendarmes.

Five o'clock. The double doors of the Smolny swung open, casting a ribbon of canary light down the steps toward the gates.

"Ah, here they come!" Lala tossed her book aside.

At the top of the steps, Madame Buxhoeven, severe in her black cape, serge dress and high white collar, appeared in the tent of light — as if on wheels like a sentry on a Swiss clock, thought Lala. Grand-maman's mottled bosom, as broad as an escarpment, was visible even at this distance — and her ringing soprano could crack ice at a hundred paces. Even though it was freezing, Lala pulled down her window and peered out, excitement rising. She thought of Sashenka's favorite tea awaiting her in the little salon, and the cookies she had bought specially from the English Shop on the Embankment. The tin of Huntley & Palmers was perched beside her on the burgundy leather seat.

The coachmen clambered up onto their creaking conveyances and settled themselves, whips in hand. Pantameilion pulled on a beribboned cap and jacket trimmed in scarlet and gold and, stroking a well-waxed mustache, winked at Lala. Why do men expect us to fall in love with them just because they can start a motorcar? Lala wondered, as the engine chugged, spluttered and burst into life.

Pantameilion smiled, revealing a mouthful of rotten fangs. His voice came breathily through the speaking tube. "So where's our little fox then! Soon I'll have two beauties in the car."

Lala shook her head. "Hurry now, Pantameilion. A trunk and a valise, both marked Aspreys of London. Bistro! Quick!"

Copyright © 2008 by Simon Montefiore


It was the last class: sewing for the Tsar and Motherland. Sashenka pretended to stitch the khaki breeches but she could not concentrate and kept pricking her thumb. The bell was about to ring, releasing her and the other girls from their eighteenth-century prison with its draughty dormitories, echoing refectories and alabaster ballrooms.

Sashenka decided that she would be the first to curtsy to the teacher — and therefore first out of the classroom. She always wanted to be different: either the first or the last but never in the middle. So she sat at the very front, nearest the door.

She felt she had grown out of the Smolny. Sashenka had more serious matters on her mind than the follies and frivolities of the other schoolgirls in what she called the Institute for Noble Imbeciles. They talked of nothing but the steps of obscure dances, the cotillion, the pas d'espagne, the pas de patineur, the trignonne and the chiconne, their latest love letters from Misha or Nikolasha in the Guards, the modern style for ball dresses and, most particularly, how to present their décolletage. They discussed this endlessly with Sashenka after lights-out because she had the fullest breasts in her class. They said they envied her so much! Their shallowness not only appalled but embarrassed her because, unlike the others, she had no wish to flaunt her breasts.

Sashenka was sixteen and, she reminded herself, no longer a girl. She loathed her school uniform: her plain white dress made of cotton and muslin with its precious pinafore and a starched shoulder cape, which made her look young and innocent. Now she was a woman, and a woman with a mission. Yet despite her secrets, she could not help but crave her darling Lala waiting outside in her father's landaulet with the English cookies on the backseat.

The staccato clap of "Maman" Sokolov (all the teachers had to be addressed as Maman) broke into Sashenka's daydreams. Short and lumpy with fuzzy hair, Maman boomed in her resounding bass: "Ladies, time to collect up your sewing! I hope you have worked well for our brave soldiers, who are sacrificing their lives for our Motherland and his Imperial Majesty the Emperor!"

That day, sewing for Tsar and Motherland had meant attaching a newfangled luxury — zippers — to breeches for Russia's long-suffering peasant conscripts, who were being slaughtered in their thousands under Nicholas II's command. This task inspired much breathless giggling among the schoolgirls.

"Take special care," Maman Sokolov had warned, "with this sensitive work. A badly sewn zipper could in itself be an added peril for the Russian warrior already beset by danger."

"Is it where he keeps his rifle?" Sashenka had whispered to the girl next to her. The other girls had heard her and laughed. None of them was sewing very carefully.

The day seemed interminable: leaden hours had passed since breakfast in the main hall — and the obligatory curtsy to the huge canvas of the Emperor's mother, the Dowager Empress Maria Fyodorovna with her gimlet eyes and shrewish mouth.

Once the ill-zippered trousers were collected, Maman Sokolov again clapped her hands. "A minute until the bell. Before you go, mes enfants, I want the best curtsy of the term! And a good curtsy is a..."

"LOW curtsy!" cried the girls, laughing.

"Oh yes, my noble ladies. For the curtsy, mes enfants, LOW is for NOBLE GIRLS. You'll notice that the higher a lady stands on the Table of Ranks granted to us by the first emperor, Peter the Great, the LOWER she curtsies when she is presented to Their Imperial Majesties. Hit the floor!" When she said "low," Maman Sokolov's voice plunged to ever more profound depths. "Shopgirls make a little curtsy comme ça — " and she did a little dip, at which Sashenka caught the eyes of the others and tried to conceal a smile — "but LADIES GO LOWWWWWW! Touch the ground with your knees, girls, comme ça — " and Maman Sokolov curtsied with surprising energy, so low that her crossed knees almost touched the wooden floor. "Who's first?"

"Me!" Sashenka was already up, holding her engraved calf-leather case and her canvas bag of books. She was so keen to leave that she gave the lowest and most aristocratic curtsy she had ever managed, lower even than the one she had given to the Dowager Empress on St. Catherine's Day. "Merci, Maman!" she said. Behind her she heard the girls whisper in surprise, for she was usually the rebel of the class. But she did not care anymore. Not since the summer. The secrets of those hazy summer nights had shattered and recast everything.

The bell was ringing and Sashenka was already in the corridor. She looked around at its high molded ceilings, shining parquet and the electric glare of the chandeliers. She was quite alone.

Her satchel — engraved in gold with her full name, Baroness Alexandra Zeitlin — was over her shoulder but her most treasured possession was in her hands: an ugly canvas book bag that she hugged to her breast. In it were precious volumes of Zola's realist novels, Nekrasov's bleak poetry and the passionate defiance of Mayakovsky.

She started to run down the corridor toward Grand-maman, who was silhouetted against the lamps of limousines and the press of governesses and coachmen, all waiting to collect the Noble Young Ladies of the Smolny. But it was too late. The doors along the corridor burst open and suddenly it was flooded with laughing girls in white dresses with white lacy pinafores, white stockings and soft white shoes. Like an avalanche of powdery snow, they flowed down the corridor toward the cloakrooms. Coming the other way, the herd of heavy-hoofed coachmen, their long beards white with hoarfrost and bearing the freezing northern night in their cloaks, trudged forward to collect the girls' trunks. Resplendent in his flashy uniform with its peaked cap, Pantameilion stood among them, staring at Sashenka as if in a trance.


"Oh, Mademoiselle Zeitlin!" He shook himself and reddened.

What could have embarrassed the ladykiller of the servants' quarters? she wondered, smiling at him. "Yes, it's me. My trunk and valise are in dormitory twelve, by the window. Wait a minute — is that a new uniform?"

"Yes, mademoiselle."

"Who designed it?"

"Your mother, Baroness Zeitlin," he called after her as he lumbered up the stairs to the dormitories.

What had he been staring at, Sashenka asked herself: was it her horrible bosom or her overwide mouth? She turned uneasily toward the cloakroom. After all, what was appearance? The shallow realm of schoolgirls! Appearance was nothing compared to history, art, progress and fate. She smiled to herself, mocking her mother's scarlet and gold taste: Pantameilion's garish uniform made it obvious that the Zeitlins were nouveaux riches.

Sashenka was first into the cloakroom. Filled with the silky furs of animals, brown, golden and white, coats, shapkas and stoles with the faces of snow foxes and mink, the room seemed to be breathing like the forests of Siberia. She pulled on her fur coat, wrapped her white fox stole around her neck and the white Orenburg shawl around her head and was already heading for the door when the other girls poured in, homebound, their faces flushed and smiling. They threw down shoes, slipped on little boots and galoshes, unclipped leather satchels and bundled themselves into fur coats, all the time chattering, chattering.

"Captain de Pahlen's back from the front. He's paying a visit to Mama and Papa but I know he's coming to see me," said little Countess Elena to her wide-eyed companions. "He's written me a letter."

Sashenka was almost out of the room when she heard several girls calling to her. Where was she going, why was she in such a hurry, couldn't she wait for them, what was she doing later? If you're reading, can we read poetry with you? Please, Sashenka!

The end-of-term crowd was already pushing, shoving through the door. A schoolgirl cursed a sweating old coachman who, carrying a trunk, had trodden on her foot. Freezing outside, it was feverishly hot in the hall. Yet even here Sashenka felt herself quite separate, surrounded by an invisible barrier that no one could cross, as she heaved her canvas bag, coarse against the lushness of her furs, over her shoulder. She thought she could feel the different books inside — the anthologies of Blok and Balmont, the novels of Anatole France and Victor Hugo.

"Mademoiselle Zeitlin! Enjoy your holidays!" Grand-maman, half blocking the doorway, declared fruitily. Sashenka managed a merci and a curtsy (not low enough to impress Maman Sokolov). Finally, she was outside.

The stinging air refreshed and cleansed her, burning her lungs deliciously as the oblique snow nipped her cheeks. The lamps of the cars and carriages created a theater of light twenty feet high but no more. Above her, the savage, boundless sky was Petrograd black, tempered with specks of white.

"The landaulet is over there!" Pantameilion, bearing an Asprey traveling trunk over his shoulder and a crocodile-skin valise in his hand, gestured across the drive. Sashenka pushed through the crowd toward the car. She knew that, whatever happened — war, revolution or apocalypse — her Lala would be waiting with her Huntley & Palmers cookies, and maybe even an English ginger cake. And soon she would see her papa too.

When a valet dropped his bags, she leaped over them. When the way was blocked by a hulking Rolls with a grand-ducal crest on its glossy flank, Sashenka simply opened the door, jumped in and climbed out the other side.

Engines chortled and groaned, horns hooted, horses whinnied and stamped their hooves, servants tottered under pyramids of trunks and cases, and cursing coachmen and chauffeurs tried to find a route through the traffic, pedestrians and grimy ice. It was as though an army were breaking camp, but it was an army commanded by generals in white pinafores, chinchilla stoles and mink coats.

"Sashenka! Over here!" Lala was standing on the car's running-board, waving frantically.

"Lala! I'm coming home! I'm free!" For a moment, Sashenka forgot that she was a serious woman with a mission in life and no time for fripperies or sentimentality. She threw herself into Lala's arms and then into the car, inhaling its reassuring aroma of treated leather and the Englishwoman's floral perfume. "Where are the cookies?"

"On the seat, darling! You've survived the term!" said Lala, hugging her tightly. "You've grown so much! I can't wait to get you home. Everything's ready in the little salon: scones, ginger cake and tea. Now you can have the Huntley & Palmers."

But just as she opened her arms to release Sashenka, a shadow fell across her face.

"Alexandra Samuilovna Zeitlin?" A gendarme stood on either side of the car door.

"Yes," said Sashenka. She felt a little dizzy suddenly.

"Come with us," said one of the gendarmes. He was standing so close that she could see the pores of his pockmarked skin and the hairs of his ginger mustache. "Now!"

Copyright © 2008 by Simon Montefiore

Meet the Author

Simon Sebag Montefiore’s bestselling and prize-winning books are now published in over forty-five languages. His new book The Romanovs: 1613–1918 has been universally acclaimed and is already a bestseller in the UK, Australia, and the USA where it was on the New York Times bestseller list for eight weeks. Montefiore has won literary prizes for both fiction and nonfiction. His latest novel, One Night in Winter won the Best Political Novel of the Year Prize and was longlisted for the Orwell Prize. He is now writing the third novel in this trilogy. Follow Simon on Twitter at @SimonMontefiore. For more information visit SimonSebagMontefiore.com.

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Sashenka 4.2 out of 5 based on 0 ratings. 10 reviews.
aimee1 More than 1 year ago
I am suprised Sashenka has not been reviewed by others. It is a delectable, fast-paced historical book. I LOVED IT! Sashenka (The Book) enlightened me on just how ruthless Stalin really was. Some of the henious things the bolsheviks did, at Stalins command, made Hitler look like Ronald McDonald (OK, maybe a bit of an exageration). The ending of this book is heartbreaking: Sashenka's carefully constructed world crumbles because of an easily misconstrued, fatal mistake. There are many twists the reader will not see coming. READ THIS BOOK.
ivyNYC More than 1 year ago
It's one of the most wonderful books that I read in a long time. I'm surprised that there isn't yet a movie in the works based on this gripping plot. It both satisfied my hunger for historical/ cultural references and painted a surprisingly vivid picture of the times. The characters of this book really come to life. I could not put the book down for several days. I fell asleep and woke up with it, I read it in the car and while eating. I hope that more people will read it based on the positive reviews, as it's really amazing!
lee_s More than 1 year ago
I just finished this wonderful book. I had difficulty putting the book down. The characters were rich, the travel through the dramatic times in Russian history was engaging. Most books I've read focus on one of the three time periods portrayed in this story. I enjoyed seeing how the characters transition from one era to the next. I highly recommend it to those who want a great love story and an accurate depiction of tumultuous times. Here's hoping Simon Montefiore continues writing fiction.
Anonymous More than 1 year ago
really opened my eyes to russian communism! I knew so little about their way of life because in America you learn absolutely nothing about it! Its so sad to hear Sashenka's story and to watch her family be torn apart! This book is a great read on many aspects and one makes you really appreciate the freedom and right we take for granted! This would be a great book for high school history teachers to have their class read to coincide a unit on the this era!
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