Table of Contents
Contents: Introduction. Part I History and Biography: Poor Schubert: images and legends of the composer, Christopher H. Gibbs; Franz Schubert and the peacocks of Benvenuto Cellini, Maynard Soloman; The peacock’s tale: Schubert’s sexuality reconsidered, Rita Steblin; Constructing a Victorian Schubert: music, biography and cultural values, David Gramit; Unfinished considerations: Schubert's ‘unfinished’ symphony in the context of his Beethoven project, John Gingerich. Part II Reception and Interpretation: Schubert’s Symphony in C, Robert Schumann; Schubert (1928), Theodor W. Adorno; Schubert’s promissory note: an exercise in musical hermeneutics, Edward T. Cone; Schubert and the sound of memory, Scott Burnham. Part III Harmony and Tonality: Tonality, Donald Francis Tovey; As wonderful as star clusters: instruments for gazing at tonality in Schubert, Richard L. Cohn; Three examples of functional chromatic mediant relations in Schubert, David Kopp; ‘Die junge Nonne’ (D. 828), David Damschroder with David Kopp. Part IV Instrumental Music: Schubert’s sonata form and Brahms’s first maturity, James Webster; Sonata form in Schubert: the first movement of the G-Major String Quartet, Op. 161 (D. 887), Carl Dahlhaus; On the subject of Schubert’s ‘unfinished’ symphony: was bedeutet die Bewegung?, Richard Kurth; Schubert’s homecoming, Nicholas Marston; Schubert’s sonata forms and the poetics of the lyric, Su Yin Mak. Part V Song: A romantic detail in Schubert’s Schwanengesang, Joseph Kerman; ‘Auf dem Flusse’: image and background in a Schubert song, David Lewin; Behind the scenes: die schöne Müllerin before Schubert, Susan Youens; The Schubert Lied: romantic form and romantic consciousness, Lawrence Kramer; The shadow of midnight in Schubert's ‘Gondelfahrer’ settings, David T. Bretherton. Name index.
