Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth
At the outset of the American Civil War, the Union Army's sharpshooters were initially equipped with the M1855 Colt revolving rifle, but it was prone to malfunction. Instead, the North's sharpshooters preferred the Sharps rifle, an innovative breech-loading weapon capable of firing up to ten shots per minute – more than three times the rate of fire offered by the standard-issue Springfield .58-caliber rifled musket. Other Union sharpshooters were equipped with the standard-issue Springfield rifled musket or the .56-56-caliber Spencer Repeating Rifle.

Conversely, the Confederacy favoured the Pattern 1853 Enfield rifled musket for its sharpshooters and also imported from Britain the Whitworth Rifle, a .45-caliber, single-shot, muzzle-loading weapon distinguished by its use of a twisted hexagonal barrel. Featuring specially commissioned artwork, this is the engrossing story of the innovative rifles that saw combat in the hands of sharpshooters on both sides during the Civil War.
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Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth
At the outset of the American Civil War, the Union Army's sharpshooters were initially equipped with the M1855 Colt revolving rifle, but it was prone to malfunction. Instead, the North's sharpshooters preferred the Sharps rifle, an innovative breech-loading weapon capable of firing up to ten shots per minute – more than three times the rate of fire offered by the standard-issue Springfield .58-caliber rifled musket. Other Union sharpshooters were equipped with the standard-issue Springfield rifled musket or the .56-56-caliber Spencer Repeating Rifle.

Conversely, the Confederacy favoured the Pattern 1853 Enfield rifled musket for its sharpshooters and also imported from Britain the Whitworth Rifle, a .45-caliber, single-shot, muzzle-loading weapon distinguished by its use of a twisted hexagonal barrel. Featuring specially commissioned artwork, this is the engrossing story of the innovative rifles that saw combat in the hands of sharpshooters on both sides during the Civil War.
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Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth

Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth

Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth

Sharpshooting Rifles of the American Civil War: Colt, Sharps, Spencer, and Whitworth

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Overview

At the outset of the American Civil War, the Union Army's sharpshooters were initially equipped with the M1855 Colt revolving rifle, but it was prone to malfunction. Instead, the North's sharpshooters preferred the Sharps rifle, an innovative breech-loading weapon capable of firing up to ten shots per minute – more than three times the rate of fire offered by the standard-issue Springfield .58-caliber rifled musket. Other Union sharpshooters were equipped with the standard-issue Springfield rifled musket or the .56-56-caliber Spencer Repeating Rifle.

Conversely, the Confederacy favoured the Pattern 1853 Enfield rifled musket for its sharpshooters and also imported from Britain the Whitworth Rifle, a .45-caliber, single-shot, muzzle-loading weapon distinguished by its use of a twisted hexagonal barrel. Featuring specially commissioned artwork, this is the engrossing story of the innovative rifles that saw combat in the hands of sharpshooters on both sides during the Civil War.

Product Details

ISBN-13: 9781472815934
Publisher: Bloomsbury Publishing
Publication date: 08/24/2017
Series: Weapon , #56
Sold by: Barnes & Noble
Format: eBook
Pages: 80
File size: 26 MB
Note: This product may take a few minutes to download.

About the Author

Martin Pegler has a BA Hons in Medieval and Modern History and an MA in Museum Studies, both from University College, London, and was for many years the Senior Curator of Firearms at the Royal Armouries Museum, Leeds. He is the author of a number of books including The Military Sniper since 1914 (Osprey, 2001), Firearms in the American West 1700-1900 (The Crowood Press, 2002) and the highly acclaimed Out of Nowhere: A History of the Military Sniper (Osprey, 2004), and he has also contributed to a number of magazines.

Johnny Shumate works as a freelance illustrator living in Nashville, Tennessee. He began his career in 1987 after graduating from Austin Peay State University. Most of his work is rendered in Adobe Photoshop using a Cintiq monitor. His greatest influences are Angus McBride, Don Troiani and Édouard Detaille.

Born in Malaya in 1949, Alan Gilliland spent 18 years as the graphics editor of The Daily Telegraph, winning 19 awards in that time. He now writes, illustrates and publishes fiction (www.ravensquill.com), as well as illustrating for a variety of publishers (alangillilandillustration.blogspot.com).
Martin Pegler has a BA Hons in Medieval and Modern History and an MA in Museum Studies, both from University College, London, and was for many years the Senior Curator of Firearms at the Royal Armouries Museum, Leeds. Martin has established The Somme Historical Centre (www.martinpegler.com), where visitors can see the technology used in the 1914-18 trench warfare. He is currently an author and firearms consultant and he also lectures at local Great War museums.

He is the author of a number of books including The Military Sniper since 1914 (Osprey, 2001), Firearms in the American West 1700-1900 (The Crowood Press, 2002), and the highly acclaimed Out of Nowhere: A History of the Military Sniper (Osprey, 2004). In the 1980s he had the privilege of interviewing many World War I veterans about their wartime experiences, and the recordings are now part of the sound archives of the Imperial War Museum, London.
Johnny Shumate works as a freelance illustrator living in Nashville, Tennessee. He began his career in 1987 after graduating from Austin Peay State University. Most of his work is rendered in Adobe Photoshop using a Cintiq monitor. His greatest influences are Angus McBride, Don Troiani, and Édouard Detaille.
Alan Gilliland, a contributor to more than 70 Osprey titles, notably in the Weapon series, writes, illustrates and publishes fiction (www.ravensquill.com), as well as illustrating for a variety of publishers (alangillilandillustration.blogspot.com).

Table of Contents

Introduction 4

Development 7

The emerging rifle

Use 30

Sharpshooters in combat

Impact 64

Sharpshooting - an assessment

Conclusion 75

Glossary 77

Bibliography 78

Index 80

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