She Who Imagines: Feminist Theological Aesthetics

The idea and ideal of "beauty" has been used to oppress women of different ages, body types, skin color, and physical ability. The theoretical discussion of aesthetics has also been conditioned by these same dynamics of power and oppression. In She Who Imagines, a diverse set of scholars challenges the exclusion and false definitions while constructing capacious ideas that discover beauty in unexpected places.

In these essays, the authors draw on a variety of arts media-painting, photography, portraiture, craftwork, poetry, and hip-hop music-thereby joining beauty to truth and, in a richly defining way, to the practice of justice. In a variety of ways all the essays link women's definitions of beauty with experiences of suffering and hence with the yearning for justice. All clearly prize resistance to degradation as an essential element of thought. 

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She Who Imagines: Feminist Theological Aesthetics

The idea and ideal of "beauty" has been used to oppress women of different ages, body types, skin color, and physical ability. The theoretical discussion of aesthetics has also been conditioned by these same dynamics of power and oppression. In She Who Imagines, a diverse set of scholars challenges the exclusion and false definitions while constructing capacious ideas that discover beauty in unexpected places.

In these essays, the authors draw on a variety of arts media-painting, photography, portraiture, craftwork, poetry, and hip-hop music-thereby joining beauty to truth and, in a richly defining way, to the practice of justice. In a variety of ways all the essays link women's definitions of beauty with experiences of suffering and hence with the yearning for justice. All clearly prize resistance to degradation as an essential element of thought. 

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She Who Imagines: Feminist Theological Aesthetics

She Who Imagines: Feminist Theological Aesthetics

She Who Imagines: Feminist Theological Aesthetics

She Who Imagines: Feminist Theological Aesthetics

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Overview

The idea and ideal of "beauty" has been used to oppress women of different ages, body types, skin color, and physical ability. The theoretical discussion of aesthetics has also been conditioned by these same dynamics of power and oppression. In She Who Imagines, a diverse set of scholars challenges the exclusion and false definitions while constructing capacious ideas that discover beauty in unexpected places.

In these essays, the authors draw on a variety of arts media-painting, photography, portraiture, craftwork, poetry, and hip-hop music-thereby joining beauty to truth and, in a richly defining way, to the practice of justice. In a variety of ways all the essays link women's definitions of beauty with experiences of suffering and hence with the yearning for justice. All clearly prize resistance to degradation as an essential element of thought. 


Product Details

ISBN-13: 9780814680285
Publisher: Liturgical Press
Publication date: 11/01/2012
Sold by: Barnes & Noble
Format: eBook
Pages: 248
File size: 7 MB

About the Author

Laurie Cassidy, PhD, is a theologian and spiritual director currently teaching in the Christian Spirituality Program at Creighton University. An award-winning author and editor, her books include InterruptingWhite Privilege: Catholic Theologians Break the Silence, edited with Alex Mikulich. Her latest book, The Scandal of White Complicity in US Hyper-Incarceration: A Non-Violent Spirituality of White Resistance, is co-authored Alex Mikulich and Margaret Pfeil. As well as being an anti-racist activist, she has ministered in the area of spirituality for the past thirty years and provided spiritual direction, retreats, and workshops across the United States. Her research and writing explore the political and cultural impact of Christian mysticism in personal and social transformation.
Maureen H. O'Connell is associate professor of theology at Fordham University. She is the author of If These Walls Could Talk: Community Muralism and the Beauty of Justice (Liturgical Press, 2012) and Compassion: Loving Our Neighbor in an Age of Globalization(Orbis, 2009).

Table of Contents

Foreword Elizabeth A. Johnson vii

Introduction Laurie Cassidy Maureen H. O'Connell ix

Acknowledgments xix

Part 1 She Who Imagines

For the Beauty of the Earth: Women, Sacramentality, and Justice Susan A. Ross 3

Theological Aesthetics and the Encounter with Tonantzin Guadalupe Jeanette Rodriguez 17

Kollwitz: The Beauty and Brutality of the Pietà Jayme M. Hennessy 37

Contemplating the Landscapes of Motherhood: The Discovery of Beauty in a Place We Thought We Knew Colleen Mary Carpenter 53

Part 2 She Who Is Imagined

The Critical Aesthetics of Race M. Shawn Copeland 73

The Jennifer Effect: Race, Religion, and the Body Michelle A. Gonzalez 87

Picturing Suffering: The Moral Dilemmas in Gazing at Photographs of Human Anguish Laurie Cassidy 103

AIDS, Accountability, and Activism: The Beauty of Sue Williamson's Resistance Art Kimberly Vrudny 125

Part 3 She Who Imagines

Picturing Paradise: Imagination, Beauty, and Women's Lives in a Peruvian Shantytown Rebecca Berru Davis 145

A Harsh and Dreadful Beauty: The Aesthetic Dimension of Dorothy Day's Ethics Maureen H. O'Connell 161

Being Immaculate: Images of Oppression and Emancipation Mary Ann Zimmer 181

The Feminine Face of God Is My Face: On the Empowerment of Female Self-Portraiture Susie Paidik Babka 205

List of Contributors 225

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