Shooter's Bible, 104th Edition: The World's Bestselling Firearms Reference

Shooter's Bible, 104th Edition: The World's Bestselling Firearms Reference

Shooter's Bible, 104th Edition: The World's Bestselling Firearms Reference

Shooter's Bible, 104th Edition: The World's Bestselling Firearms Reference

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Overview

Published annually for more than eighty years, the Shooter’s Bible is the most comprehensive and sought-after reference guide for new firearms and their specifications, as well as for thousands of guns that have been in production and are currently on the market. Every firearms manufacturer in the world is included in this renowned compendium. The 104th edition also contains new and existing product sections on ammunition, optics, and accessories, plus up-to-date handgun and rifle ballistic tables along with extensive charts of currently available bullets and projectiles for handloading.
With timely features on such topics as the fiftieth anniversary of the Remington Model 700, and complete with color and black-and-white photographs featuring various makes and models of firearms and equipment, the Shooter’s Bible is an essential authority for any beginner or experienced hunter, firearm collector, or gun enthusiast.

Product Details

ISBN-13: 9781620875162
Publisher: Skyhorse
Publication date: 10/01/2012
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 608
File size: 47 MB
Note: This product may take a few minutes to download.

About the Author

About The Author
Jay Cassell, editorial director at Skyhorse Publishing and the editor of this compendium, has hunted all over North America. He has written for Field & Stream, Sports Afield, Outdoor Life, Petersen’ s Hunting, Time, and many other publications and has published numerous books. He lives in Katonah, New York.

Read an Excerpt

CHAPTER 1

The Road of Dreams

"I am an American citizen and feel I am entitled to the same rights as any other citizen."

— Nat King Cole

Peter and I arrived in Chicago on separate flights. We were to meet up that night at the once-famous Midland Hotel, which had since taken leave of that name and was now the W Hotel. The W stood mere blocks from Route 66's original starting point, where the next morning we would begin our road trip through history.

I had a monthly book club to attend as a guest author. A few months earlier, a book on my travels to Timbuktu had been published, and Rachael, a friend in Chicago, thought it would be a grand idea to have me appear at her club's gathering at her home. With that invitation in hand, I'd taken an earlier flight to Chicago. I'd been met at O'Hare Airport by her friend Zeke. En route from the airport to Rachael's house, Zeke listened carefully to my plans.

His response was sharp. "Get out of Illinois. There's nothing to see here. Might be a few hundred miles of 66 in this state, but it's not what you're after. Put it behind you. Route 66 is about open lands and backcountry, and for that you need Missouri. Oklahoma." I mentioned that Illinois's side roads might mean less to its residents than to someone in awe of Route 66. Zeke, though, was adamant. "Route 66 heads south and west, and it's been shifted and over-passed by more and more interstates every decade."

It was an early fall evening as Zeke delivered me to a Chicago neighborhood of elegant homes, where trees were shedding their autumn colors over cobblestone walkways. The scene felt bookish, and my mind turned away from the road trip and toward the evening's reading event.

A dozen of the club's members chose to attend that night, lured as much by Rachael's promise of African cuisine as by the promise of a real live author. The topic lent itself to a dinner of couscous and vegetable sprigs, accompanied by chicken fried in olive oil and sprinkled with tarragon — all with the host's Italian twist.

The conversation shifted quickly from the rigors of West Africa to talk of "travel" and why people choose to do it. I told them of my experience: "My wife, Janice, and I differ in many ways. I love sleeping under a million stars. She likes sleeping under five, all on the back of the hotel door." I added, "This trip, I'm with a friend, looking to find the now-remote sections of Route 66."

From the end of the dinner table, a lady wearing a knit sweater and jeans said, "Route 66 is legendary — Main Street U.S.A., I've heard."

"It's an antique road, all beaten up, is what I know about it," her seatmate responded.

"What makes a road antique?" asked another.

"Aged, battered, treasured, maybe even priceless. Isn't that it?" The speaker was Anne. "They say there's magic to Route 66."

Rachael said, "You must have seen that Disney movie, Cars. It's all about a race car getting lost on Route 66."

Many in the room hadn't seen the movie, so she filled in the storyline. "This cute race car — animated — accidentally gets dropped off the back of a truck that's carrying it across America. Named ..." She hesitated before it came to her. "Lightning McQueen. He finds himself on the slow road, one he knows nothing about. Signs say it's 'Route 66.' He drives into a cartoon town from the 1950s called Radiator Springs — it's in Carburetor County. It's loaded with cars that talk and relic buildings — and no business."

"That's it?" asked Michaela, seated next to me.

"There's more. I've got three kids, and I've seen it three times," added Anne, looking around the table as she stood to pour red wine in my glass. "Like the real Route 66, the movie town's been bypassed by the interstate. Left alone. It's falling down, board by board. Sign by sign."

"Sounds sad," I said. "But that's what we're looking for on our trip. We want to find the places left behind."

"I think there are lots of ghost towns," a dark-haired woman said. "And restoration — places getting attention again. I remember one of the characters in Cars saying something like, 'We're a town worth fixing.'"

My heading out on this mythical road meant more to these book club members than my having been to Timbuktu. To them, for whom Route 66 began on their doorstep, the road remained a mystery. It was within reach, but most had traveled it only vicariously, through movies and novels.

Jane, a tall woman smartly dressed in a red blouse, red slacks, and black shoes, poured more red wine for us. "I thought Route 66 was dead, disappeared," she said. "I didn't know it was there to be found. Or that people still cared."

"See Cars," Rachael encouraged. "Near the movie's end, the flashy car whines about Route 66, saying that it's just a road, and the smarter one says something like, 'It was much more than that.'"

Those who have driven Route 66 can't wait to recall it and talk about it. "I've been on it, most of it, over the years," said another member. "Never drove it all at once, but I've been to every spot mentioned in that song." She began to sing, "Amarillo, Gallup, New Mexico ..."

Zeke dropped me off at the W, where I was to meet Peter at midnight. "Don't worry about 66 in this state," Zeke said to reinforce his earlier advice. "The interstate is only as good as its exits. Hit the four-lane and be off. Out. Get beyond the city and into the farmlands."

Shucking my canvas satchel and shoulder pack onto the hotel's marble floor, I was struck by the mezzanine's spaciousness, its balustrades and pillars, and the ceiling's sculpted bas-relief, fashioned in the early 1900s in the city that defined the era. Architect V. H. Vitzthun's beaux arts edifice, intended to debut in 1928 as the Midland Club, was situated in the heart of Chicago's theater district. Like so much of America, those plans were redrawn by the 1929 stock market crash. The times were harsh: suddenly, Phillips Petroleum dropped from $32 a share to $3; wheat lost 75 percent of its price, eventually landing at 33 cents per bushel.

The ensuing Depression and the ragged regrouping of the nation would influence our travels over the coming days. It seemed appropriate that our first night's lodging was in a corollary of those times — a building which, like Route 66 and the people along it, symbolized both success and failure.

I approached the concierge. Peter cornered into view in the luxurious lobby, looking at my wool shirt of checkered browns and reds, sad orange-colored jeans, khaki desert boots, and unkempt hair.

"You look like a logger," he said. Greetings are not Peter's forte.

He'd landed in Chicago an hour earlier, picked up our rental vehicle, signed on as the primary driver, and made his way to the hotel on his very first trip to downtown Chicago. I'd made him promise that the rental car would not come with a computerized map screen or an intrusive GPS guiding system that would ensure drivers always found their way out of a quandary — where's the fun in that? Peter had kept his promise — and had gotten lost driving to the hotel.

We were in a city where jazz lives, breathes, and is talked about as much as baseball — one of the places it calls home. I wanted very much to find a late-night club where the legends of jazz had played in the 1930s.

Chicago in 1935 was more than a railway town, more than the capital of Midwest commerce, more than the eastern terminus of Highway 66; it was the epicenter of jazz. The new music had its stars, the likes of Earl "Fatha" Hines and Louis Armstrong. It also had its up-and-comers, such as the eighteen-year-old pianist and vocalist Nathaniel Adams Coles (he dropped the s when he took the name Nat "King" Cole). Cole had been born in Montgomery, Alabama, and was then a twelve-year resident of Chicago's South Side. The area was known as Bronzeville, due to the influx of more than 200,000 blacks between 1910 and 1930 in search of jobs in the industrial powerhouse. Promoters were soon pushing Cole to perform as the "sepia Frank Sinatra" to take advantage of "colored jukeboxes"— feeling that his listening audience and commercial opportunities were limited. Rejecting the suggestion, Cole responded, "I am an American citizen and feel I am entitled to the same rights as any other citizen." It was time for the barriers to come down.

In February 1946, the celebrated Nat King Cole serendipitously met the young songwriter Bobby Troup, and together they gave the world a wonderful road song, forever changing 66's moniker from a "highway" to a "route."

A taxi dropped Peter and me far away from the W, at the Underground Wonder Bar — a recommendation of the W's staff in response to our asking for a jazz club. We slid into slate-backed chairs, took out a map, and started to chart our unplanned journey.

"We'll take every Route 66 detour we can find between here and L.A.," Peter enthused. "That'll add 500 miles of driving, but it'll be worth the rubber."

Nothing had ever come easy to Peter, and he was determined not to let this be a relaxed drive. He had an attitude of exerting influence, which I thought came from contemplating the unpredictability of our days ahead. I shrugged off the lack of a clock and the absence of a plan, but couldn't help noticing his early pangs of separation from a GPS. "We might get lost," he said that evening.

"We can only hope so," I replied.

Overcooked pizza arrived on our small table. The dim room had no need to be well lit; the twenty patrons were there for the music. It was a narrow hall, with the bar forcing a thin walkway until the room split open in front of a six-piece band squeezed into a space that would comfortably accommodate a trio. Luiz Ewerling & A Cor do Brasil jammed into being, leveling our conversation with music so loud that Peter and I had to shout our plans back and forth at one another over the next twenty minutes.

"Road in the morning! Early!" I yelled. "Fellow I met said Illinois is best to get through, so we can hit the real Route 66!"

"Not sure that's true!" Peter yelled back. "I flipped through the guidebook on the plane coming here! There's lots of original route in this state. Let's take our time!"

Suddenly the band's set was done.

"Zeke said it's been moved about and paved over in Illinois," I said, calm now.

"I've got a map book," Peter replied, assured and prepared. "I know where we're going. We'll get off I-55 as soon as we can, and drift south on back roads. I'll drive. Trust me." My heart sank. "We want to head to Joliet and on a 1930s route to Chenoa, Springfield, and Farmersville." It did sound like Peter knew where he was going, for a change. "Illinois's Route 66 got paved early," he continued. "It's still there — and it's all two-lane and with small towns."

We finished our beers, and the waitress brought us two more.

"No road rules, okay?" I said.

"Right. We swap driving time and take turns navigating," Peter said, establishing Road Rule #1.

"Only way to find the great American meal is to try everything we see," I suggested, and then added Road Rule #2: "We never order the same meal twice."

"Does that go for breakfast?"

"Yup. There are a thousand ways to have eggs."

Peter picked up a slice of pizza, and I pointed at it: "That's our last pizza for the trip."

We'd agreed not to bring any recorded music with us (Road Rule #3). Instead, we decided to pick up road entertainment when it became available, letting the circumstances determine our driving music. I pulled twenty dollars from my wallet and put it in a jar next to the stage, picking up the Ewerling band's "Our Earth" recording. Brazil was irrelevant to Route 66, but tunes are tunes, and we needed to prime our departure next morning.

When Peter squared up the bill with the waitress, he proudly informed her we were about to drive Route 66. Her response was simple, her look far away. Her words rang in my ears the rest of the night: "It's the road of dreams."

Our road trip coincided with a host of economic calamities. America was once again caught up in the financial doldrums; the banking industry went flaccid, and wealthy donors for good causes retreated. It was the worst of times since the Great Depression. Conspicuous consumption became an uber-embarrassment overnight. "Value" took on new meaning as a combination of price, emotion, and perception. Global travel patterns were upended. There seemed no better place to be headed than down the preeminent harbinger of good times and bad: Route 66.

Flying to Chicago, I'd felt unprepared for the trip and not equipped to learn all that I could on the journey. I often equate buying a book with having read it, owning a book with knowing it. So it was that the three Route 66 books I'd acquired pretrip had sat unopened on the shelf at home in the busy months before our departure. I'd brought two on the flight with me to brush up, as one would cram for an exam.

Fact and fiction — its two stalwarts — define Route 66's reputation. For years, the vast distance that the route crosses was an intimidating expanse of deserts, mountains, and semiarid lands. It is said that Route 66 overlaps an original and ancient network of trails created by migrating native peoples, but that is only partly true. These patterns were not developed together; nor did the individual pieces of the puzzle cover great distances. They were only isolated segments of what eventually became Route 66. Had they not been overlaid by a famous road, their role would have been considerably less significant; yet they surely did participate in the growth of a nation.

Sustenance would have been the main motivation for the early travelers on these trails, food and survival their objective. Hunting and trade would have led to encounters between various tribes, their individual trails thus becoming linked. Now they could carry out the trading of clay pots for woven baskets and foods from one distant region to another.

These originating peoples then established trade with Mexico's far-flung Aztecs and with natives residing on the Pacific coast, as well as with indigenous interlopers in search of bison. Indian villages expanded to become Indian territories, though the vast land remained largely uninhabited, unexplored. It was a history I wished I knew.

The prospect of both gold and profits from furs had brought Europeans into the territory. Spanish colonists followed their country's explorers north from today's Mexico, bumping into the ambitious French, who were moving south and west from today's Canada to their St. Louis trading post and beyond. Rivers such as the Rio Grande, Canadian, Mississippi, and Missouri became travel routes; explorer campsites became trade outposts.

As Canadian and Mexican explorers continued to trade with the native peoples, the thirteen British colonies on the eastern seaboard looked westward to see an expanse of unsettled land being colonized by countries at war with — or in trade competition with — their mother country; much of it was then connected to either New France or New Spain. After the American Revolution and the formal creation of the United States, the new nation's continental anxiety prompted rapid exploration to exploit those lands.

Rivers, since they always seek the lowest elevation, made the exploration of the West much easier. The river valleys carried paths that became horse pack trails and wagon-train routes. The U.S. Army followed soon after, establishing forts to protect both commerce and settlers. The former thirteen colonies were now an aggressive nation that became colonial itself. From St. Louis, west through the Ozarks and up through Kansas Territory, the Santa Fe Trail led to New Mexico, routing north around Indian Territory, a collection point for displaced tribes.

This westward expansion of America, its acquisition of Spanish and French territories, and wars for statehood laid both the political and geographical course for Route 66. The route's ultimate direction, however, was set by the railways, which would rapidly define the way west. That was the conversation I'd tried to engage Peter in at the noisy nightclub before we left. The band had begun a new set.

"I was talking to a young lady on the plane today. She wanted to know about Route 66 because I was reading a book on it!" I yelled.

"You can read?"

I smiled and continued. "For some reason she only seemed to believe me about the road's history when I told her Route 66 was built beside railway lines!"

Over the din, with the Brazilian music at a crescendo, Peter leaned across the table and shouted, "Then why aren't we taking the train?"

"I feel that tomorrow I'll start to drive through history," Peter said as we left the club. We waved off a taxi and decided to walk. Neither of us knew the way back to the hotel, but we sensed the direction and meandered along the empty sidewalks.

"This is where you should tell me you actually read the Route 66 guidebooks I bought you," I said.

"I meant to," Peter admitted. "I did some reading on the plane coming here. I do know that in a couple of days we'll be in the Ozarks. And … the Ozark Trail linked St. Louis to an Oklahoma route west." He sounded informed. I was surprised. "Otherwise we'd bend back north to Kansas City and over that way to Santa Fe instead. It was called the National Old Trail."

"I like the sound of Oklahoma."

"It was called 'Indian Territory,' not Oklahoma," he said. "You've got a lot to learn."

It was 3 AM before we made it back to our rooms at the hotel. That left a couple of hours for shut-eye before we got up and headed out early. Route 66 beckoned.

(Continues…)


Excerpted from "Route 66 Still Kicks"
by .
Copyright © 2012 Rick Antonson.
Excerpted by permission of Skyhorse Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Foreword,
Introduction: The Most Famous Highway in the World,
One — The Road of Dreams,
Two — America's Longest Monument,
Three — The Way West,
Four — The National Old Trails Road,
Five — The Will Rogers Highway,
Six — The Mother Road,
Seven — The Dust Bowl Highway,
Eight — The Great Diagonal Highway,
Nine — The Long Concrete Path,
Ten — The Road of Flight,
Eleven — The Backbone of America,
Twelve — America's Main Street,
Epilogue — A 2,400-Mile Declaration of Independence,
Afterword,
Chronology,
Acknowledgements,
About the Author,
A Note on Sources,
Sources and Recommended Reading,
Credits and Permissions,
Index,

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