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Overview
Minnesota, 1915. With success long behind him, writer, husband, and father Monte Becket has lost his sense of purpose . . . until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Hale is heading back West in search of absolution. And he could use some company on the journey.
As the modern age marches swiftly forward, Becket agrees to travel into Hale’s past, leaving behind his own family for an adventure that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless former Pinkerton Detective who’s been hunting Hale for years, Becket falls ever further into the life of an outlaw—perhaps to the point of no return.
With its smooth mix of romanticism and gritty reality, So Brave, Young, and Handsome examines one ordinary man’s determination to risk everything in order to understand what it’s all worth, in “an old-fashioned, swashbuckling, heroic Western . . . [An] adventure of the heart and mind (The Washington Post Book World).
Product Details
| ISBN-13: | 9781555848491 |
|---|---|
| Publisher: | Grove/Atlantic, Inc. |
| Publication date: | 04/01/2018 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 304 |
| Sales rank: | 346,918 |
| File size: | 2 MB |
About the Author
Read an Excerpt
CHAPTER 1
A Thousand a Day
1
Not to disappoint you, but my troubles are nothing — not for an author, at least. Common blots aside, I have none of the usual Big Artillery: I am not penniless, brilliant, or an orphan; have never been to war, suffered starvation or lashed myself to a mast. My health is adequate, my wife steadfast, my son decent and promising. I am not surrounded by people who don't understand me! In fact most understand me straightaway, for I am and always was an amiable fellow and reliably polite. You, a curious stranger, could walk in this moment; I would offer you coffee and set you at ease. Would we talk pleasantly? Indeed we would, though you'd soon be bored — here on Page One I don't even live in interesting surroundings, such as in a hospital for the insane, or on a tramp steamer, or in Madrid. Later in the proceedings I do promise a tense chase or two and the tang of gunpowder, but here at the outset it's flat old Minnesota and I am sitting on the porch of my comfortable farmhouse, composing the flaccid middle of my seventh novel in five years.
Seven novels, you exclaim — quite right, but then I didn't finish any of them. I'm grateful for that, and you should be too. Number Seven featured a handsome but increasingly bilious ranch hand named Dan Roscoe. A right enough pard to begin with, he became more arrogant page by page. No laconic wit for Dan! It was himself I was writing about, with many low sighs, the morning I first saw Glendon Hale rowing upstream through the ropy mists of the Cannon River. What a cool spring morning that was — birdsong, dew on the blossoms — I yearned to be on the river myself, but Dan Roscoe had rustlers to catch and a girl to win. Neither seemed likely. How often I sighed in those days! I needed a revelation but you know how it is. I would have settled for a nice surprise.
Hearing the groan of oarlocks I peered downriver. A white-headed fellow was rowing up out of the haze.
He rowed standing, facing forward, a tottery business; twice as I watched, one of his narrow sweeps missed the water completely and he lurched like old Quixote, hooting to himself. The truth is he appeared a bit elevated, early though it was. As I say, he was white-haired with a white mustache and he wore white shirtsleeves and his boat too was white above the waterline, so that he had a spectral or angelic quality only somewhat reduced by his tipsy aspect.
Forth he came through the parting mists. To this day I don't know what took hold of me as he approached. I stood from my work and called hello.
"Hello back," said he, not pausing in his strokes.
"Pretty vessel," I called.
"Pretty river," he said, a simple reply that made me ache to be afloat. But he wasn't slowing, as you might expect a polite person to do, and I stepped off the porch and jogged down to the stubby dock my son had built for fishing.
"Can you stop a minute? There's coffee," I said — sounding pushy, I suspect, though I am no extrovert; ask Susannah.
"Maybe," he said, yet he was already well past me and in fact the haze was closing round him again. I had a last glimpse of his boat — its graceful sheer and backswept transom. Then it disappeared, though I could hear in the fog the dip of the old man's oars, his screeling oarlocks, and what might have been a laugh of delight, as though he'd vanished by some mystic capacity that tickled him every time.
I went heavily back to the porch. My boy Redstart was there grinning — he was eleven, Redstart, catching up with his papa in all kinds of ways.
"Who was that man?" he inquired.
"I don't know."
"Was he drunk, do you think?"
"Anything's possible."
"He rows standing up," said Redstart. "I never saw that before. Did you talk to him?"
"No, I didn't." I couldn't look at the boy for a moment or two. I was embarrassed at how much I'd wanted to visit with the man in the boat, and how unaccountably sorry I was that he'd just rowed away. I sat in my chair and lifted pages into my lap. Dan Roscoe was waiting for me in those pages — boy, he was morose. Who could face it?
"I can still hear him," Redstart said, "out in the mist. Can you hear him rowing, Papa?"
I looked at my son, the lover of mysteries. You could never guess what Redstart might say, for his mind was made of stories; he'd gathered all manner of splendid facts about gunpowder and deserts of the world and the anchoring of lighthouses against the furious sea; he knew which members of the James gang had once ridden into our town to knock over a bank and been shot to moist rags for their trouble; and about me he knew some things not even his mother knew, such as the exact number of novels I had abandoned on that porch. He whispered, "How many words today, Papa?"
I made a quick and not altogether honest guess. "Two hundred or so."
"It's early still, that's pretty good," he replied, then sat and shut his eyes and leaned awhile. I knew he should go take the horses to pasture or mulch the tomatoes but I didn't want to lose his company. I picked up my pen and wrote: As Dan Roscoe branded each bawling calf with the Moon Ranch insignia, he recalled how Belle had clung to the arm of his hated rival — a moribund sentence that announced the death of my seventh novel. It didn't surprise me. I had the grim yet satisfactory thought that it wouldn't surprise Dan Roscoe, either. Well, let him moan! I was sick of Dan and his myriad problems.
"Red," said I, "here's an idea. Why don't you go in the house and lay hands on a few of your mother's orange rolls. Let's climb in the boat and head upstream."
"Hmm," said Redstart. He dawdled to his feet; he said "Well" a couple of times.
"Well, nothing," I said. "We don't even need the rolls. Let's catch up with that old man. I want to talk to him."
Redstart went to the door. Poor reluctant boy; long my joyous accomplice in distraction, he had lately been run to ground by his efficient and lovely and desperate mother. He didn't want to shame me, but what choice did I give him?
"I guess we better not, Papa. You got to get your work done. Remember what Mama said?"
2
What Susannah said was, approximately, If you don't soon finish that book of yours, we'll have to start selling the furniture. Lest you read in her words a tone of panic, let me assure you there was none. She was only letting me know where things stood. The end of money didn't mean the end of much — the end of our marriage, say, or even of Susannah's obstinate confidence in me. At worst it meant the end of pretense. The end of my little run at distinction. To say it truly: the end of pride.
I was the one who panicked.
Here's how I came to this sorry pass. In the fall of 1910 I published a short novel called Martin Bligh, which became so popular I quit being a postman and started calling myself an author. Who knows how these things happen? The book was just an adventure tale. Nothing ambitious. I only wrote it for entertainment and to gratify a sort of wistful ache — Martin Bligh was a postman too, though as a Pony Express rider he had a better shot at glory and peril than I in my tinctured cell at the Northfield P.O. It was a story to make a boy lean forward; it had Indians and great ships and the buried gold of Coronado and two separate duels, including one with sabers. I also added a black-haired senõrita because my own Susannah loves a romance, yet Bligh was reviewed in a Chicago newspaper as "disturbingly real," no doubt because some of the Indians adorned their pintos with bloody blond scalps. That the haggard and venerated Buffalo Bill Cody read my story and praised it in newspaper interviews did not hurt the book at all, though it hardly explains why the first printing of three thousand copies disappeared in two weeks. My publisher, Hackle & Banks, New York, was startled enough to wire me congratulations and print another four thousand, which sped from the warehouse in exactly twelve days. At this I received a second telegram: BLIGH OUR FASTEST SELLER. THANK YOU. GRACE. I was ignorant at the time that Grace was Grace Hackle, the generous and canny widow of Dixon Hackle, who had founded the publishing firm twenty years before.
Then letters began to arrive. I was still employed at the P.O. and was startled in the sorting room when envelopes bearing my name began crossing the desk. I rarely received mail — when I did it was apt to be from my mother, whose letters were straightforward offerings of gained wisdom. These on the other hand were praise from strangers who had read my little tale. To call these readers charitable doesn't touch it. They were lavish and interpretive; they were "stirred." The daunting and completely unforeseen fact was this: They had mistaken me for a person of substance! I blushed but kept the letters. When I did hear from my mother, sometime later, she suggested I cling to my place at the post office and not let publication make me biggity. Fine advice, you will agree, yet vanity is a devious monkey. While some labeled my story naïve or my diction purple, I clove to a review calling it "an enchanting and violent yarn spun in the brave hues of history." A famous ladies' journal claimed I'd crafted "the ideal popular tale." By the time Mama wrote I was miles past her advice. By then Grace Hackle had sent me several elegant personal notes. She had paid for Susannah and me to ride the Great Northern from St. Paul to New York City, where she registered us in a hotel with frescoes and high ceilings. She had accompanied us to a stage play, then to a restaurant lighted the amber of sunsets, where we ate fresh sea bass and talked of books and authors.
"It is destined timing," Grace declared. "You have dared paint a romance on the sterile canvas of our age." She was a perfectly beautiful tidy small woman with the metropolitan habit of placing events in the big picture. She believed romance was no mere ingredient but the very stone floor on which all life makes its fretful dance. Having traveled once as far west as the Black Hills she still awoke from dreams of rock and prairie. She confessed to a fascination with the architecture of tepees. William Howard Taft might be president, Grace noted, but who did not miss Teddy Roosevelt? "The strenuous life," she sighed.
Looking back, I have to laugh. You know why Martin Bligh was strenuous? Whenever I didn't know what to write next, I put a swift river in front of his horse and sent the two of them across!
"And now," Grace added, "tell me you plan to write another book."
I looked at Susannah, who was squeezing my hand under the table. I had never thought about another book.
Grace sipped tea. "You have some ideas, I suppose."
"Why, yes," I said, though my lone idea at the moment was the fragile sweetheart Grace herself had just planted: that I was an Author now, that I had new Business upon the Earth, that the tedium of sorting mail might be exchanged for something more expansive or — dare I say it? — Swashbuckling.
"Can you write another book?" she asked, rather baldly.
I thought about it. Martin Bligh had not been difficult to write; whatever I wanted to do, that's what Martin did. He rode in all weathers, flouting night and blizzard; he defied the wicked; he kissed the pretty girl. How hard could it be to do something similar again? I said, "Indeed I can."
Grace's eyes were unconvinced. Perhaps she saw what I could not.
Wanting to please her I made a hasty claim. "I shall write one thousand words a day until another book is finished."
"You dear man," said Grace Hackle. In memory she blanches at my naïve pledge, but maybe not.
"Jack London sets down a thousand a day before breakfast," said I. Why do the foolish insist? But I was thinking of the modest dimensions a thousand words actually describe — a tiny essay, a fragment of conversation. "How hard can it be?" concluded your idiot narrator, lifting his glass to the future.
3
We didn't see our tipsy oarsman for weeks — I'd have forgotten him entirely if Redstart hadn't kept bringing him up. "I bet he's a vagabond. Clive says they get a vagabond at the door every week."
Clive Hawkins was Redstart's most stalwart friend. The two of them would spit on their hands and shake. They were presently in agreement that vagabonds were the most alluring terror locally available.
"Vagabonds don't have rowboats," I pointed out.
"He might be a new strain," Redstart said. "He might've stole that boat just before we saw him. He was laughing about something, remember?"
"Maybe he recalled a good joke," I said — I am one of those people who can never remember a joke, on the rare occasion I feel like telling one.
"That wasn't a joke laugh. It was a pleased laugh. He was pleased by something clever he'd done. He probably stole that boat. Any vagabond would be happy to have a boat, after walking for weeks and weeks."
"Well, Red," said I, but on he plunged into the imagined joys and dangers of the life unfettered. What could I do but watch him talk? We'd named him for the vigorous passerines so plentiful in the yard the day he was born, but there was never a songbird as energetic as Redstart.
One evening he returned from a long ride on Chief, his oversized gelding. He'd been gone since morning — not unusual for that boy. He strolled into the house hungry and self-important with a whippy weal on one cheek from galloping through the trees.
"Well, I found the old boatman," he announced, as though it had been Livingstone. "I went down to the river so Chief could drink and I could swim, and here he came rowing. Standing up like before. He almost fell over. His name is Glendon and he lives in a barn."
"You talked to him?"
"Yes sir I did."
"Was Glendon sober?" asked Susannah. She was at work on a painting — we never thought she was listening while standing intent at her easel, but she always was.
"He might of been," said Redstart, in a vague way.
His mother looked at him. "You kept your distance, I expect."
I said, "Well, let's have it. Is he a tramp, as you believed?"
"No. He makes boats. He made that boat he's always standing up in. He lived in Texas and Oklahoma and Kansas and in Mexico by the Sea of Cortez. He's coming here for breakfast tomorrow."
It was a fair haul of information. I was proud of Redstart.
"Breakfast?" said Susannah.
"That's right," said Redstart, "so you both get to meet him. I guess it's a good thing I went riding today!"
Susannah set down her brush and came around the easel. She had a little stab of burgundy on one cheek like a warning. "Did he agree to come for breakfast, Red? Did he say he's coming?"
"No," said Redstart, who ignored warnings of all kinds. "But I told him to come, so I expect he will."
"Unless he resists being ordered about by fractious infants," I suggested.
But Redstart was adamant. "He told me his name. He didn't want to say it, but I tricked him and out it came. You know what happens, once you get a person's name."
"Nope," I replied. "You'll have to tell me."
"Why, then you have power over him," said Redstart.
4
It's an old business, it turns out, this notion that learning a person's true name gives you leverage; I have since found it in Indian and Nordic tales and I suppose it goes back like so many good ideas all the way to the Tigris and Euphrates. Nothing is new under the sun. Anyhow Glendon appeared in his white dory next morning about an hour past sunup. Our pug Bert saw him first and stood on the dock barking and slobbering. Bert doesn't truly bark but says oof, oof, like a disappointed farmer. Glendon drifted up, putting his oars to rights while I went down to greet him.
"Monte Becket," I said, holding out my hand. He grasped it and stepped up out of his dory and immediately let go like a nervous child. He was a short one, trim as a leprechaun and not as old as his white hair had led me to assume. He wore a long split-back jacket such as dressy horsemen used to wear, and he had vivid green eyes that might believe anything at all. I'd rather not say I smelled whiskey so early in the morning; nevertheless, there was an evaporating haze around our visitor. He nodded to me but said nothing and kept glancing toward the house as though it were a place of dread.
I said, "I'm glad you've come, and I surely beg your pardon if Redstart overstepped his bounds — he can be bossy. Come on up. Susannah's made rolls."
Glendon said, "What did you call that son of yours?"
"Redstart."
"Aha, Redstart. Thank you, Mr. Becket." And up we went, his anxiety flown off with the breeze.
(Continues…)
Excerpted from "So Brave, Young, and Handsome"
by .
Copyright © 2008 Leif Enger.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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