Sonnets and Shorter Poems

Sonnets and Shorter Poems

Sonnets and Shorter Poems

Sonnets and Shorter Poems

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Overview

In this volume, David R. Slavitt, the distinguished translator and author of more than one hundred works of fiction, poetry, and drama, turns his skills to Il Canzoniere (Songbook) by Petrarch, the most influential poet in the history of the sonnet. In Petrarch’s hands, lyric verse was transformed from an expression of courtly devotion into a way of conversing with one’s own heart and mind. Slavitt renders the sonnets in Il Canzoniere, along with the shorter madrigals and ballate, in a sparkling and engaging idiom and in rhythm and rhyme that do justice to Petrarch’s achievement.

At the center of Il Canzoniere (also known as Rime Sparse, or Scattered Rhymes) is Petrarch’s obsessive love for Laura, a woman Petrarch asserts he first saw at Easter Mass on April 6, 1327, in the church of Sainte-Claire d’Avignon when he was twenty-two. Though Laura was already married, the sight of her woke in the poet a passion that would last beyond her premature death on April 6, 1348, exactly twenty-one years after he first encountered her. Unlike Dante’s Beatrice—a savior leading the poet by the hand toward divine love—Petrarch’s Laura elicits more earthbound and erotic feelings. David Slavitt’s deft new translation captures the nuanced tone of Petrarch’s poems—their joy and despair, and eventually their grief over Laura’s death. Readers of poetry and especially those with an interest in the sonnet and its history will welcome this volume.


Product Details

ISBN-13: 9780674063136
Publisher: Harvard University Press
Publication date: 02/01/2012
Sold by: Barnes & Noble
Format: eBook
Pages: 352
File size: 711 KB

About the Author

David R. Slavitt is a poet and the translator of more than ninety works of fiction, poetry, and drama.

Table of Contents

Contents Translator's Preface 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 24 25 26 27 31 32 33 34 35 36 38 39 40 41 42 43 44 45 46 47 48 49 51 52 54 55 56 57 58 59 60 61 62 63 64 65 67 68 69 74 75 76 77 78 79 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 106 107 108 109 110 111 112 113 114 115 116 117 118 120 121 122 123 124 130 131 132 133 134 136 137 138 139 140 141 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 208 209 210 211 212 213 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 238 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 265 266 267 269 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 324 326 327 328 329 330 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 361 362 363 365

What People are Saying About This

Henry Taylor

Deft, subtle, sympathetic, and full of the small bursts of something like electricity that characterize the sonnet as Petrarch developed it. Slavitt's translations of the madrigals and ballate ring delicate changes on the basic pattern.

Dennis Looney

Slavitt gives us a swifter, and perhaps less encumbered, Petrarch than we are used to reading. This collection can indeed be read through in a sitting, as Slavitt invites the reader to do. There are many fine moments throughout that catch perfectly the sense and feeling of the original.
Dennis Looney, University of Pittsburgh

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