Spirit World

The author of New Orleans Jazz Fest documents the thriving cultural richness of the Black Big Easy and captures the expressions of urban folk culture.
 
Many Black neighborhoods in New Orleans are perceived by outsiders as being areas of decay. However, to photographer Michael P. Smith, in these neighborhoods remained the preserves of a rich cultural heritage. Smith, who photographed the subject for more than twenty years, saw the city’s African-American culture as “cultural wetlands” that engender much of the traditional music and folk life that have made New Orleans famous.
 
Smith, who was allowed to witness some of the most private religious ceremonies of the Spiritual Churches, captured the unbridled emotion of ceremony participants. Dramatic black and white stills show baptisms, possession trances, social-club marches, communion services, and street life. Midway through the book, an explosion of color serves as a transition from religious photographs to ones that are more secular and gives readers a spectacular glimpse at Mardi Gras Indians, a religious ordination, and a jazz funeral.
 
Spirit World originally appeared in 1983 as a popular traveling exhibit, which won a Certificate of Commendation from the American Association for State and Local History. Overwhelming positive reaction to the exhibit led the author to publish this catalogue of images and accompanying journal. Photographs from this book and two of Smith’s other books, A Joyful Noise: A Celebration of New Orleans Music and New Orleans Jazz Fest: A Pictorial History, have appeared in an exhibit at the National Museum of American History in Washington, DC. The one-man exhibit used images and field recordings to give a true sense of the featured culture.

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Spirit World

The author of New Orleans Jazz Fest documents the thriving cultural richness of the Black Big Easy and captures the expressions of urban folk culture.
 
Many Black neighborhoods in New Orleans are perceived by outsiders as being areas of decay. However, to photographer Michael P. Smith, in these neighborhoods remained the preserves of a rich cultural heritage. Smith, who photographed the subject for more than twenty years, saw the city’s African-American culture as “cultural wetlands” that engender much of the traditional music and folk life that have made New Orleans famous.
 
Smith, who was allowed to witness some of the most private religious ceremonies of the Spiritual Churches, captured the unbridled emotion of ceremony participants. Dramatic black and white stills show baptisms, possession trances, social-club marches, communion services, and street life. Midway through the book, an explosion of color serves as a transition from religious photographs to ones that are more secular and gives readers a spectacular glimpse at Mardi Gras Indians, a religious ordination, and a jazz funeral.
 
Spirit World originally appeared in 1983 as a popular traveling exhibit, which won a Certificate of Commendation from the American Association for State and Local History. Overwhelming positive reaction to the exhibit led the author to publish this catalogue of images and accompanying journal. Photographs from this book and two of Smith’s other books, A Joyful Noise: A Celebration of New Orleans Music and New Orleans Jazz Fest: A Pictorial History, have appeared in an exhibit at the National Museum of American History in Washington, DC. The one-man exhibit used images and field recordings to give a true sense of the featured culture.

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Spirit World

Spirit World

by Michael Smith
Spirit World

Spirit World

by Michael Smith

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Overview

The author of New Orleans Jazz Fest documents the thriving cultural richness of the Black Big Easy and captures the expressions of urban folk culture.
 
Many Black neighborhoods in New Orleans are perceived by outsiders as being areas of decay. However, to photographer Michael P. Smith, in these neighborhoods remained the preserves of a rich cultural heritage. Smith, who photographed the subject for more than twenty years, saw the city’s African-American culture as “cultural wetlands” that engender much of the traditional music and folk life that have made New Orleans famous.
 
Smith, who was allowed to witness some of the most private religious ceremonies of the Spiritual Churches, captured the unbridled emotion of ceremony participants. Dramatic black and white stills show baptisms, possession trances, social-club marches, communion services, and street life. Midway through the book, an explosion of color serves as a transition from religious photographs to ones that are more secular and gives readers a spectacular glimpse at Mardi Gras Indians, a religious ordination, and a jazz funeral.
 
Spirit World originally appeared in 1983 as a popular traveling exhibit, which won a Certificate of Commendation from the American Association for State and Local History. Overwhelming positive reaction to the exhibit led the author to publish this catalogue of images and accompanying journal. Photographs from this book and two of Smith’s other books, A Joyful Noise: A Celebration of New Orleans Music and New Orleans Jazz Fest: A Pictorial History, have appeared in an exhibit at the National Museum of American History in Washington, DC. The one-man exhibit used images and field recordings to give a true sense of the featured culture.


Product Details

ISBN-13: 9781455612291
Publisher: Arcadia Publishing SC
Publication date: 12/02/2022
Sold by: Barnes & Noble
Format: eBook
Pages: 120
Sales rank: 533,034
File size: 9 MB

About the Author

Through his photography and writing, Smith dedicated his talents to the promotion and preservation of New Orleans' black culture, with special emphasis on the spiritual and musical aspects. He was also well known for Jazz Fest Memories, a documentation of the world-famous New Orleans Jazz and Heritage Festival, and Mardi Gras Indians, which is about the enchanting and mysterious costumes and traditions of African-Americans during Mardi Gras.
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