The Swan Kingdom

A new voice in fantasy weaves a rich, entrancing tale of a girl with powerful healing gifts — and the courage to use them to save her ailing kingdom.

Shadows fall across the beautiful, lush kingdom after the queen is attacked by an unnatural beast, and the healing skills of her daughter, Alexandra, cannot save her. Too soon the widowed king is spellbound by a frightening stranger, a woman whose eyes reflect no light. In a terrifying moment, all Alexandra knows disappears, including her beloved brothers, leaving her banished to a barren land. But Alexandra has more gifts than she realizes as she confronts magic, murder, and the strongest of evil forces, and is unflinchingly brave as she struggles to reclaim what is rightfully hers. Fantasy lovers will be held in thrall by this tale full of visual detail, peppered with a formidable destructive force and sweetened with familial and romantic love.

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The Swan Kingdom

A new voice in fantasy weaves a rich, entrancing tale of a girl with powerful healing gifts — and the courage to use them to save her ailing kingdom.

Shadows fall across the beautiful, lush kingdom after the queen is attacked by an unnatural beast, and the healing skills of her daughter, Alexandra, cannot save her. Too soon the widowed king is spellbound by a frightening stranger, a woman whose eyes reflect no light. In a terrifying moment, all Alexandra knows disappears, including her beloved brothers, leaving her banished to a barren land. But Alexandra has more gifts than she realizes as she confronts magic, murder, and the strongest of evil forces, and is unflinchingly brave as she struggles to reclaim what is rightfully hers. Fantasy lovers will be held in thrall by this tale full of visual detail, peppered with a formidable destructive force and sweetened with familial and romantic love.

7.99 In Stock
The Swan Kingdom

The Swan Kingdom

by Zoe Marriott
The Swan Kingdom

The Swan Kingdom

by Zoe Marriott

eBook

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Overview

A new voice in fantasy weaves a rich, entrancing tale of a girl with powerful healing gifts — and the courage to use them to save her ailing kingdom.

Shadows fall across the beautiful, lush kingdom after the queen is attacked by an unnatural beast, and the healing skills of her daughter, Alexandra, cannot save her. Too soon the widowed king is spellbound by a frightening stranger, a woman whose eyes reflect no light. In a terrifying moment, all Alexandra knows disappears, including her beloved brothers, leaving her banished to a barren land. But Alexandra has more gifts than she realizes as she confronts magic, murder, and the strongest of evil forces, and is unflinchingly brave as she struggles to reclaim what is rightfully hers. Fantasy lovers will be held in thrall by this tale full of visual detail, peppered with a formidable destructive force and sweetened with familial and romantic love.


Product Details

ISBN-13: 9780763687984
Publisher: Candlewick Press
Publication date: 02/09/2016
Sold by: Barnes & Noble
Format: eBook
Lexile: 910L (what's this?)
File size: 1 MB
Age Range: 12 Years

About the Author

Zoë Marriott is the author of the young adult fantasy novels The Swan Kingdom, Daughter of the Flames, and Shadows on the Moon, as well as the first two books in the Name of the Blade trilogy—The Name of the Blade and Darkness Hidden.

I grew up with an older sister and a younger brother who ganged up on me mercilessly whenever they could get away with it (teaching me to fight dirty at an early age). We had a small menagerie of rescued strays ranging from canaries to kittens, all of whom I liked much better than my siblings. I struggled between being a princess (because I liked frilly dresses and tiaras) and being a tomboy (because I could run faster and spit farther than any of the boys). I resolved this by being a princess whenever my hair had grown long, and being a tomboy whenever my mum noticed how long my hair had gotten and chopped it off with the kitchen scissors.

I decided I was going to be a writer as soon as I finished reading my first book—The Magic Faraway Tree by Enid Blyton—and mad as it sounds, I never changed my mind. The first story that I wrote was about a rabbit and a pig having a party. The second was about a girl who found a pair of magic shoes that made flowers grow wherever she walked. I live in a peaceful little house that has the sea on one side and marshlands on the other. Both landscapes provide inspiration for my work. For company I have two cats, one named Hero after the Shakespearian character, and the other Echo after the nymph from the Greek myth. I also have a sprocker—a springer/cocker spaniel cross—called Finn, but normally he’s known as the Devil Hound. I sing a lot, talk to myself a lot (writers are allowed to do this) and read a lot, usually when I’m supposed to be writing.

About My Work:

I usually work in my front room, hunched over a laptop, but I also do a lot of planning and playing around with things in my trusty notebook, which I take with me everywhere. Every time I start a new book I get out a new notebook, label the front page with the working title and the date, and then do lots of elaborate doodling around the title with silver and gold pens to make it look official. By the time I’ve finished the book the notebook is usually stuffed with maps and bits of paper and full of barely readable notes that say things like: “Wingspan? Speed? Eye-Color—Do they even sing? Make something up, useless!” I would never let anyone look in one of my notebooks. I’d be far too embarrassed.

Three Things You Might Not Know About Me:

1. I once cried for half an hour after accidentally standing on a moth and squashing it.
2. I can’t ride a bike, and I never could—but I broke two fingers trying to learn.
3. When I was little, I was convinced that wolves lived under my bed. I still can’t let my hands or feet hang over the edge of the mattress, just in case.

Read an Excerpt

You probably know me already. In every story you've ever been told, someone like me exists. A figure in the background, barely noticed by the main players. A talentless, unwanted child. The ugly one. The ugly one only gets in the way. She is as out of place as a sparrow in a clutch of swans. This was the role I had in my father's hall.

It was the role my father gave me.

I have a memory. It's smudgy, almost faded into nothing now. It's a memory of my father. I can remember him picking me up in his big arms and whirling me around until I shrieked with laughter. I can remember him calling me his sweeting. But that's the last-the only-time I can ever remember him holding me.

I don't know what changed. Maybe it was me. I was not like my brothers-whom, it must be said, he did love a great deal. I must have been a great disappointment as a king's daughter. I could not be married to his advantage, for who would want to wed a creature so plain? And I was a strange little girl, always talking to things other people couldn't see, running out on my own, never listening to his orders. I can understand why he might have despaired of me. But I don't understand why he stopped loving me.

Yet I adapted, in the way that children do. For I held another place in my father's hall-the place my mother and brothers gave me. It's not enough to say that my mother was beautiful, though she was, almost unbelievably so. But her beauty was the least that people said of her. She was a wise woman, renowned throughout the Kingdom. That was why my father, the king, had wed her. In truth, her compassion and gentleness made her better loved than Father, with his harsh ideas of justice and his brusque manner, could ever have been. Everyone adored her. I idolized her.

And then there were my brothers. I loved them almost as dearly as I did my mother.
David was the eldest, my father's heir and the most like him, with his dark hair and eyes. He was calm and steady, and it was he who endeavored to keep my dresses unmuddied and the twigs from my hair.

Next came Hugh, the tallest and most handsome, with golden hair and the careless, flashing smile of our mother. He was quick and witty and could tease even our father from a black mood. He was the inventor- and victor-of all our childhood games. Robin was the closest to me in age as well as temperament. He was not a brilliant swordsman like David or a fine horseman like Hugh. He was a thinker and kept his nose in a book as often as he could manage; but for me he always had time-to talk, paint pictures, play games.

When I found the sparrow with a broken wing, it was Robin I ran to, and he put aside his book and showed me how to splint its bone and feed it, his hands and voice gentle. Robin and I were alike in many ways. We had the same deep auburn hair. We had both inherited Mother's eyes, the vivid green of newly unfurled leaves. But there, I'm afraid, my resemblance to Robin or my mother ended. When I said I was ugly, I meant it. Though I had my mother's hair and eyes and her pale skin, somehow I was . . . ugly. Or perhaps that's too strong a word. It was just that my small white face, with its delicate features, faded into insignificance, especially next to the dazzling charms of the rest of my family. They said David would make a wonderful king, in time. There was no doubt that Hugh would be a fine lord and defend his brother's lands well. And Robin, of course, would be a great scholar.

No one said what I would become. They looked at me with pity, I think. I was nothing. I was the wanderer, the dreamer who listened to the tides of magic in her sleep. I knew it was not my destiny to be great. I would only be Alexandra, and I would be free. So I wasn't unhappy, then. The wood-frame Hall, with its curved walls and thatching that almost reached the ground in places, was a true home to me, and I loved it, especially Mother's beautiful gardens that spread out over most of the hillside. I grew up running wild through the amber fields of the Kingdom, sleeping in the green and silver shadows of its forests, diving through the clear sweetness of its waters. My brothers ran with me, and my mother watched over us all. When I look back now, my memories of that time seem to stream and dance like dust motes gilded by the sun.

I remember one afternoon in late summer when I was about ten. Robin and I lay next to each other in the grasses by the hawthorn hedge, watching the clouds wheel above us in the sky. The hump of thatching that was the roof of the Hall was just out of sight over the curve of the hill, and below us was wild land dotted with daisies, forget-me-nots, and ammemnon flowers. Hugh and David had found some long sticks and were mock dueling nearby. Their shouts and swearing didn't disturb me-I was far too used to them-but Hugh's

yelp of pain at David's blow to his knuckles was particularly loud, and I rolled my eyes at Robin as Hugh proceeded to curse his opponent soundly. "How can David's father have been a mongrel cur with one leg?" I called lazily. "He's your father too."

"I refuse to believe it," Hugh said dramatically.

"Obviously David is a goblin child that Mother found by the wayside one day and took pity on."

"Unlikely," David said, lowering his stick. He leaned on it, continuing thoughtfully, "But it might be true that one of us is a changeling."

I blinked in shock and sat up. "Do you mean me?" I asked, my voice sounding too high-pitched even to my own ears.

"Don't be stupid," Hugh said hastily. "You're the living spit of Mother."

"I mean Hugh, of course," David agreed calmly. "You and Robin both look like Mother, and I obviously take after Father. But who does Hugh look like?"

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