Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’.

This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

1140953173
Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’.

This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

54.99 In Stock
Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

by Gabriella Giannachi
Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art

by Gabriella Giannachi

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Overview

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production.

Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’.

This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.


Product Details

ISBN-13: 9780429887826
Publisher: Taylor & Francis
Publication date: 07/29/2022
Series: Routledge Advances in Art and Visual Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 164
File size: 67 MB
Note: This product may take a few minutes to download.

About the Author

Gabriella Giannachi is Professor in Performance and New Media, and Director of the Centre for Intermedia at the University of Exeter.

Table of Contents

Introduction

1. The Invention of the Self-Portrait

2. The Photographic Self-Portrait

3. Sculpting the Self

4. Video Self-Portraits

5. The Selfie

Conclusion

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