After 30 years in the United States, independent-minded Maryam Yazdan still maintains a quiet sense of otherness. After a chance encounter at the Baltimore airport, she and her family befriend the Donaldsons, and even the guarded Maryam is drawn in by their hospitality. Her attitude becomes more conflicted, though, when she is courted by an older member of the Donaldson clan. Anne Tyler's novel offers gently nuanced insights about identity, privacy, and cultural differences.
Like Ms. Tyler's best novels, Digging to America gives us an intimate picture of middle-class family life: its satisfactions and discontents, its ability to suffocate and console. But at the same time the story ventures into territory more usually associated with writers like Jhumpa Lahiri and Gish Jen. It looks at the promises and perils of the American Dream and the knotty, layered relationship — made up in equal parts of envy, admiration, resentment and plain befuddlement — that can develop between native-born Americans and more recent immigrants intent on making their way through the often baffling byways of the New World.
The New York Times
Blair Brown is one of those rare performers who can capture an author's voice to perfection. She's had plenty of practice performing audiobooks, including Linda Fairstein's Death Dance. Her vibrant reading of Digging manifests her outstanding talent as she moves lightly and briskly through the narrative, pausing ever so slightly before Tyler's clever punch lines for added effect. Brown makes this wry satire about the adoption of foreign babies so laugh-out-loud funny that standup comics could study her timing. Both adults and children are played to perfection. Brown's enactment of Iranian immigrant Maryam Yazdan and Ziba, her daughter-in-law, is amazing in her accurate reproduction of the soft and liquid Farsi vowels. In contrast, American-born Sami, Maryam's son, speaks like the prototypical Easterner. Brown remembers that the children of immigrants sound like their peers, not their parents. This hilarious audiobook actually improves a fine novel. Simultaneous release with the Knopf hardcover (Reviews, Feb. 27). (June) Copyright 2006 Reed Business Information.
The author's 17th novel exemplifies her skill at depicting seemingly quiet and unremarkable lives with sympathy and humor. Set in Tyler's beloved Baltimore, with some side excursions into the Washington, DC, area, the story concentrates on two middle-class couples who meet when their adopted Korean daughters arrive on the same flight from Asia. At first the new parents appear to have little in common other than the infants. The Donaldsons, who have waited many years for a child, personify stereotypical American white-bread suburbia, while the younger Yazdans are linked to a large and lively Iranian immigrant community. As years pass and the annual multicultural "arrival party" for the little girls becomes a shared tradition, the families and their sometimes eccentric relatives become ever more closely linked. Several perspectives spotlight the various characters' small misunderstandings, larger hurts, and shared moments of warmth, especially those between dignified grandmother Maryam Yazdan and a recently widowed member of the Donaldson clan, whose brief romance threatens the established web of relationships. A touching, well-crafted tale of friendship, families, and what it means to be an American. Recommended for all fiction collections. [See Prepub Alert, LJ 1/06.]-Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2006 Reed Business Information.
Adult/High School-Two families arrive at the Baltimore/Washington International Airport in August 1997 to claim the Korean infants they have adopted. Strangers until that evening, they are destined to begin a friendship that will span their adoptive daughters' childhoods. Bitsy and Brad Donaldson are the quintessential middle-class, white American couple. Sami and Ziba Yazdan are Iranian Americans. From the beginning, the differences in the ways they will raise their daughters are obvious: Bitsy's well-meaning but overzealous efforts to retain her child's Korean heritage are evident in the chosen name-Jin-Ho-and in the Korean costumes that she dresses the girl in every year as they mark the anniversary of the adoption date. The Yazdans are comfortable with their daughter Susan's assimilation into their own Iranian-American culture. When Bitsy's widowed father begins to show romantic interest in Susan's grandmother, cultural differences are brought to a head. Tyler weaves a story that speaks to how we come to terms with our identity in multicultural America, and how we form friendships that move beyond the unease of differences. She does not dwell on the September 11 attacks, but subtly portrays the distrust that the Yazdans have to endure in the following months. Tyler's gift, as in her other novels, is her ability to infuse the commonplace with meaning and grace, and teens will appreciate her perceptiveness in exploring relationships within and between families across the cultural spectrum.-Kim Dare, Chantilly Regional Library, Fairfax County, VA Copyright 2006 Reed Business Information.
The veteran novelist (The Amateur Marriage, 2004, etc.) extends her range without losing her essence in this tale of two families drawn together by their adopted daughters despite the friction created by their very different personalities and ethnicities. On Aug. 15, 1997, two baby girls arrive at the Baltimore airport from Korea. Jin-Ho is swept into the exuberant arms of Bitsy and Brad Dickinson-Donaldson, who are throwing "what looked like a gigantic baby shower" in the waiting room with their extended family. Sooki is quietly handed over to the Yazdans-Sami and his wife, Ziba, accompanied by his mother, Iranian immigrant Maryam-who rename her Susan. Wanting to connect Jin-Ho with another Korean child, outgoing Bitsy pulls the Yazdans into her family's orbit and establishes the annual tradition of celebrating the girls' Arrival Day. The two couples become close, especially Bitsy and Ziba, but Maryam is dubious about these brash Americans, with their slightly tactless self-assurance and intrusive questions about Iranian traditions. The ensuing culture clash enriches Tyler's narrative without diminishing her skills as an engaging storyteller and delicate analyst of personality. She examines the insecurities underneath Bitsy's overbearing manner, American-born Sami's amused condescension toward both his natal home and the land of his ancestors and a host of other complex aspects of her well-developed characters, including Ziba's nouveau-riche parents and Bitsy's easygoing father, Dave. Maryam is the novel's central figure: a teenaged immigrant, widowed before she was 40, who has never felt quite at home anywhere and maintains a critical distance from Americans and Iranians alike. OnlyDave breaches her defenses. After his beloved wife's death-Tyler's portrait of his grieving is sensitive and touching-he unabashedly declares his need for Maryam, who reciprocates and then panics. Readers will hope that these flawed, lovable people will find happiness, but they won't be sure until the final page, so deftly has the author balanced the forces that keep us apart against those that bring us together. Vintage Tyler, with enough fresh, new touches to earn her the next generation of fans. First printing of 300,000
“The appearance of a new novel by Anne Tyler is like the arrival of an old friend . . . With her 17th novel, Tyler has delivered something startlingly fresh while retaining everything we love about her work . . . Her success at portraying culture clash and the complex longings and resentments of those new to America confirms what we knew, or should have known, all along: There’s nothing small about Tyler’s world, nothing precious about her attention to the hopes and fears of ordinary people.”–Ron Charles, Washington Post Book World“Ms. Tyler deserves her reputation as a master of the fine threads of human relationships. The barely registered slights, fleeting intuitions and shivers of pity that pass between these characters are a pleasure to behold.” –Tara Gallagher, The Wall Street Journal“Anne Tyler has written 17 novels and you only wish for more. Her newest, Digging to America, is wonderfully wry, yet intimately involving. There’s a definite sense of loss when it’s over and done.” –Sheryl Connelly, New York Daily News “Tyler encompasses the collision of cultures without losing her sharp focus on the daily dramas of modern family life in her 17th novel . . . [A] touching, humorous story.”–Publishers Weekly“Tyler creates many blissful moments of high emotion and keen humor while broaching hard truths about cultural differences, communication breakdowns, and family configurations. This deeply human tale of valiantly improvised lives is one of Tyler’s best.”–Donna Seaman, Booklist (starred review)“The veteran novelist extends her range without losing her essence in this tale of two families drawn together by their adopted daughters despite the friction created by their very different personalities and ethnicities . . . The ensuing culture clash enriches Tyler’s narrative without diminishing her skills as an engaging storyteller and delicate analyst of personality . . . Readers will hope that these flawed, lovable people will find happiness, but they won’t be sure until the final page, so deftly has the author balanced the forces that keep us apart against those that bring us together. Vintage Tyler, with enough fresh, new touches to earn her the next generation of fans.”–Kirkus Reviews“The author’s 17th novel exemplifies her skill at depicting seemingly quiet and unremarkable lives with sympathy and humor . . . A touching, well-crafted tale of friendship, families, and what it means to be an American.” –Library Journal (starred review)