The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities--governments and corporations--attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control.

Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.

1128809529
The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities--governments and corporations--attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control.

Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.

26.99 In Stock
The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

by Joseph Hurtgen
The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

The Archive Incarnate: The Embodiment and Transmission of Knowledge in Science Fiction

by Joseph Hurtgen

eBook

$26.99  $35.99 Save 25% Current price is $26.99, Original price is $35.99. You Save 25%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities--governments and corporations--attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control.

Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.


Product Details

ISBN-13: 9781476633954
Publisher: McFarland & Company, Inc., Publishers
Publication date: 10/10/2018
Series: Critical Explorations in Science Fiction and Fantasy , #65
Sold by: Barnes & Noble
Format: eBook
Pages: 209
File size: 3 MB
Age Range: 18 Years

About the Author

Joseph Hurtgen writes science fiction, Sf criticism, and screenplays. He works as an assistant copy editor for Coalition Technologies, an SEO marketing firm, and reviews and critiques science fiction on his website Rapid Transmission. He lives in Campbellsville, Kentucky.
Joseph Hurtgen writes science fiction, Sf criticism, and screenplays. He works as an assistant copy editor for Coalition Technologies, an SEO marketing firm, and reviews and critiques science fiction on his website Rapid Transmission. He lives in Campbellsville, Kentucky.

Table of Contents

Table of Contents

Preface
Introduction • Archive Theory and Sf
Introduction 5
Theoretical Overview 10
Archival Control 27
Archival Resistance 29
Chapter Outline 31
Theory Summary 31
Conclusion 35
One • Fahrenheit 451 and the Archive
Introduction 37
Archive-Anxiety 41
Archival Domination 47
Resistance to Archival Erasure 56
Conclusion 65
Two • Rejecting Archival Embodiment in The Handmaid’s Tale
Introduction 67
Archive-Anxiety 70
Archival Control 73
Archival Resistance 85
Conclusion 93
Three • Disembodied Embodiment of the Archive in Gibson’s
Neuromancer and “Johnny Mnemonic”
Introduction 95
Archive-Anxiety 100
Archival Control 103
Archival Resistance 114
Conclusion 127
Four • Genetic and Technological Embodiment of the
Archive in Bruce Sterling’s Distraction
Introduction 129
Archive-Anxiety 135
Archival Control 140
Archival Resistance 145
Conclusion 149
Five • Education Through the Digital Archive in Neal
Stephenson’s Snow Crash and The Diamond Age, or,
A Young Lady’s Illustrated Primer
Introduction 151
Archive-Anxiety 156
Archival Control 160
Archival Resistance 167
Conclusion 181
Epilogue • Archival Embodiment in Cory Doctorow’s
Down and Out in the Magic Kingdom and Ernest Cline’s
Ready Player One
Bibliography
Index

From the B&N Reads Blog

Customer Reviews