The Australian Film Revival: 1970s, 1980s, and Beyond

by Susan Barber

Overview

The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture.

Product Details

ISBN-13:	9781501390012
Publisher:	Bloomsbury Publishing
Publication date:	01/26/2023
Sold by:	Barnes & Noble
Format:	eBook
Pages:	280
File size:	512 KB

About the Author

Susan Barber is an Emeritus Professor in the Film, Television, and Media Studies Department in the School of Film and Television, Loyola Marymount University, USA, and has taught film history at LMU for over 30 years. She also taught at the University of Southern California and the University of California, Irvine, USA. She received her Masters and Doctorate degrees from the School of Cinematic Arts, University of Southern California, USA.
Susan Barber is an Emeritus Professor in the Film, Television, and Media Studies Department in the School of Film and Television, Loyola Marymount University, USA, and has taught film history at LMU for over 30 years. She also taught at the University of Southern California and the University of California, Irvine, USA. She received her Masters and Doctorate degrees at the School of Cinematic Arts, University of Southern California, USA. Her passion for Australian film began in the mid-1970s when the new wave of films from Australia began to screen in Los Angeles theaters, coincidentally when she began her graduate work at USC. Inspired by this exciting new wave, she selected the film revival as her dissertation topic. She received several research grants to travel to Sydney, Melbourne, and Adelaide, Australia, in order to study the industry and its films first-hand. She had the pleasure of meeting many enthusiastic and talented filmmakers.

Table of Contents

Acknowledgements
Dedication
In Memory Of

Introduction
1. The Ocker: Chauvinistic and Oedipal
2. Alternate Masculinities of Paul Cox and John Duigan
3. Historical Women and the Bush
4. Negligent, Runaway, and Abject Mothers
5. The Indigenous Road Film
6. Australian Gothic

Index

Editorial Reviews

Australian film narratives of sacrifice, survival, colonial violence, toxic masculinity, abject mothers, and more are explored through the critical and analytical lens of a film studies expert with a wealth of experience in teaching Australian cinema. Barber's investigation is timely and important, and grounded in an astounding amount of scholarship.” —Kathryn Keeble, Literature and Creative Writing Lecturer and Arts Reviewer, Deakin University, Australia

From the Publisher