The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

by César Miguel Rondón
The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

by César Miguel Rondón

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Overview

Salsa is one of the most popular types of music listened to and danced to in the United States. Until now, the single comprehensive history of the music--and the industry that grew up around it, including musicians, performances, styles, movements, and production--was available only in Spanish. This lively translation provides for English-reading and music-loving fans the chance to enjoy Cesar Miguel Rondon's celebrated El libro de la salsa.

Rondon tells the engaging story of salsa's roots in Puerto Rico, Cuba, Colombia, the Dominican Republic, and Venezuela, and of its emergence and development in the 1960s as a distinct musical movement in New York. Rondon presents salsa as a truly pan-Caribbean phenomenon, emerging in the migrations and interactions, the celebrations and conflicts that marked the region. Although salsa is rooted in urban culture, Rondon explains, it is also a commercial product produced and shaped by professional musicians, record producers, and the music industry. For this first English-language edition, Rondon has added a new chapter to bring the story of salsa up to the present.


Product Details

ISBN-13: 9780807886397
Publisher: The University of North Carolina Press
Publication date: 03/10/2008
Series: Latin America in Translation/en Traducción/em Tradução
Sold by: Barnes & Noble
Format: eBook
Pages: 352
File size: 2 MB

About the Author

Cesar Miguel Rondon is a journalist, author, and radio and television producer with Corporacion Televen in Caracas, Venezuela. Frances R. Aparicio is professor of Latin American and Latino studies at the University of Illinois at Chicago. Jackie White is assistant professor of English at Lewis University.

Table of Contents

Contents

Translator's Note
Chapter 1. Salsa Zero: The 1950s
Chapter 2. The 1960s
Chapter 3. Salsa's the Thing
Chapter 4. The New York Sound
Chapter 5. Our (Latin) Thing
Chapter 6. The Thing in Montuno
Chapter 7. The Boom
Chapter 8. Another Thing
Chapter 9. All of the Salsas
Basic Discography
Index

What People are Saying About This

From the Publisher

This was music produced not for the luxurious ballroom but for hard life on the street. . . . Now its only world was the barrio, the same barrio where salsa music would be conceived, nurtured, and developed. That is where it all started.—from The Book of Salsa

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