Caldecott Medalist Say (Grandfather's Journey), his work always painstaking and poignant, ventures tentatively into the realm of fantasy. He paints a boy named Jiro, set free to wander in the vast Japanese garden of his father's wealthy friend Mr. Ozu. In the garden's teahouse, Jiro meets a beautiful woman who promises to weave something for him, just like the crane wife in the mournful Japanese fairy tale his mother has read him. In the story, a woodcutter's marriage is ruined by his curiosity and greed. The thread of Jiro's story, though, veers eerily back and forth between the real and surreal ("My, you have a wonderful imagination," the woman tells Jiro), and toys seductively with Jiro's puzzlement as he enters deeper into his own fantasy ("I'm the woodcutter," he thinks, setting off into a snowy dream morning. "I'll sell firewood and buy things to eat"). Just as sensitively, Say portrays Jiro's uncertainty in the face of his father and Mr. Ozu's hearty bluster. Pale colors and expanses of empty space contribute to the feeling of haunted charm. Did Jiro dream? Possibly-- or possibly not. Ages 5–7. (Oct.)
"A gently unsettling tale of the power of the imagination."—The Horn Book, starred review "Say is at the height of his artistic achievement in this tale of a little boy named Jiro and the powerful impact that a story has on him....This is a beautiful, moving, quietly mysterious read, ripe with possibilities for interpretation and contemplation."—Kirkus Reviews, starred review
"Caldecott Medalist Say (Grandfather's Journey), his work always painstaking and poignant, ventures tentatively into the realm of fantasy....Pale colors and expanses of empty space contribute to the feeling of haunted charm. Did Jiro dream? Possibly—or possibly not."—Publishers Weekly, starred review "Multilayered and compelling."—The Bulletin
Praise for other Allen Say books:
Erika-san
"Aficionados of Say’s tranquil work will find both the message and the delivery deeply satisfying."—Publishers Weekly, starred review Kamishibai Man
"The quietly dramatic, beautifully evocative, tale contains a cliffhanger of its own, along with exquisite art in the style of Kamishibai picture cards that will attract even the most jaded kid away from the TV screen to enjoy a good, good book."—Booklist, starred review Tea with Milk
"A thoughtful and poignant book that will appeal to a wide range of readers, particularly our nation’s many immigrants who grapple with some of the same challenges as May and Joseph, including feeling at home in a place that is not their own."—School Library Journal, starred review Tree of Cranes
"Tree of Cranes is the achievement of a master in his prime, one of the best picture books of this or any year."—The Horn Book, starred review The Sign Painter
"In perhaps his best work to date . . . Say subtly and ingeniously blends a feeling of nostalgia with a hard-hitting immediacy. . . The images and the boy’s passion as an artist will remain with [readers]."—Publishers Weekly, starred review Grandfather’s Journey
Winner of the Caldecott Medal "Flawless in his executions, Say has chronicled three generations of a family whose hearts have been divided between two nations."—School Library Journal, starred review —
Gr 2–5—Say takes the ancient legend about a crane magically transformed into a woman through an act of kindness and adds another layer of mystery to the story. A brief retelling of "the Grateful Crane," as told to Jiro by his mother, sets the scene. The rest of the book traces the child and his father's visit to Mr. Ozu, who has a "famous garden and many treasures in his house." Intrigued by the life-size bronze crane, Jiro investigates first the statue and then a small seemingly empty cottage on the property. When a tall, lovely Japanese lady appears, he finds himself playing out the tale. Is she the crane personified? Is he the woodcutter from the story? With the arrival of his father to take him home, he is left to ponder: Was this just a dream? The care and subtlety the artist employs to make the contemporary twist believable, in both text and illustration, is extraordinary. A final magnificent image depicts a crane flying through the night sky beneath a full moon. Carefully chosen words mesh seamlessly with dramatic and effective paintings, bringing both energy and tranquility to carry the story to its thought-provoking ending.—Barbara Elleman, Eric Carle Museum of Picture Book Art, Amherst, MA
Say is at the height of his artistic achievement in this tale of a little boy named Jiro and the powerful impact that a story has on him. It opens with a retelling of "The Crane Wife," with a heading telling readers that this is "the story that Mama read to Jiro."He recalls the tale about "the crane that the woodcutter saved from the trap" when he sees a crane statue in a family friend's garden and then imagines a teahouse on the property's outskirts to be the woodcutter's cottage. A woman arrives, prompting Jiro to ask if she is the Crane Woman, but she just smiles, feeds him and cares for him, praising his imagination. A series of dreamlike paintings done in the Caldecott winner's customarily precise and beautifully lit watercolors blurs the lines between reality and fantasy and limns Jiro's conflicted emotions as he seems to enter the story that bonds him to his mother, only to awaken to his father's voice telling him it is time to return home. This is a beautiful, moving, quietly mysterious read, ripe with possibilities for interpretation and contemplation. (Picture book. 5-8)
