In tracing the roots of this family—his own family—Laskin captures the epic sweep of the twentieth century. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is a deeply personal, dramatic, and emotional account of people caught in a cataclysmic time in world history.
A century and a half ago, a Torah scribe and his wife raised six children in a yeshivatown at the western fringe of the Russian empire. Bound by their customs and ancient faith, the pious couple expected their sons and daughter to carry family traditions into future generations. But the social and political crises of our time decreed otherwise.
The torrent of history took the scribe’s family down three very different roads. One branch immigrated to America and founded the fabulously successful Maidenform Bra Company; another went to Palestine as pioneers and participated in the contentious birth of the state of Israel; the third branch remained in Europe and suffered the onslaught of the Nazi occupation.
With cinematic power and beauty, bestselling author David Laskin brings to life the upheavals of the twentieth century through the story of one family, three continents, two world wars, and the rise and fall of nations.
In tracing the roots of this family—his own family—Laskin captures the epic sweep of the twentieth century. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is a deeply personal, dramatic, and emotional account of people caught in a cataclysmic time in world history.
A century and a half ago, a Torah scribe and his wife raised six children in a yeshivatown at the western fringe of the Russian empire. Bound by their customs and ancient faith, the pious couple expected their sons and daughter to carry family traditions into future generations. But the social and political crises of our time decreed otherwise.
The torrent of history took the scribe’s family down three very different roads. One branch immigrated to America and founded the fabulously successful Maidenform Bra Company; another went to Palestine as pioneers and participated in the contentious birth of the state of Israel; the third branch remained in Europe and suffered the onslaught of the Nazi occupation.
With cinematic power and beauty, bestselling author David Laskin brings to life the upheavals of the twentieth century through the story of one family, three continents, two world wars, and the rise and fall of nations.
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Overview
In tracing the roots of this family—his own family—Laskin captures the epic sweep of the twentieth century. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is a deeply personal, dramatic, and emotional account of people caught in a cataclysmic time in world history.
A century and a half ago, a Torah scribe and his wife raised six children in a yeshivatown at the western fringe of the Russian empire. Bound by their customs and ancient faith, the pious couple expected their sons and daughter to carry family traditions into future generations. But the social and political crises of our time decreed otherwise.
The torrent of history took the scribe’s family down three very different roads. One branch immigrated to America and founded the fabulously successful Maidenform Bra Company; another went to Palestine as pioneers and participated in the contentious birth of the state of Israel; the third branch remained in Europe and suffered the onslaught of the Nazi occupation.
With cinematic power and beauty, bestselling author David Laskin brings to life the upheavals of the twentieth century through the story of one family, three continents, two world wars, and the rise and fall of nations.
Product Details
| ISBN-13: | 9781101638040 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 10/15/2013 |
| Sold by: | Penguin Group |
| Format: | eBook |
| Pages: | 400 |
| File size: | 12 MB |
| Note: | This product may take a few minutes to download. |
| Age Range: | 18 Years |
About the Author
Read an Excerpt
**This excerpt is from an advance uncorrected proof.**
CHAPTER ONE
VOLOZHIN
He sat at the Torah and at God’s service in holiness and purity, wielding the scribe’s pen and fashioning crowns for his Creator.
—S. Y. AGNON, “THE TALE OF THE SCRIBE” (1919)
Shimon Dov HaKohen was one of God’s secretaries, a scribe who laid down the law stroke by black stroke on the scraped, sanded hides of animals. The son of a scribe, the father and grandfather of scribes, Shimon Dov was a member of the Jewish priestly caste that traces its ancestry (through the male line) back to Moses’ brother Aaron, the first high priest of the Israelites. The biblical Ezra also stood in this line—“Ezra the priest, the scribe of the Law of the God of heaven.” Ezra HaKohen, HaSofer—Ezra the priest, the scribe—was therefore Shimon Dov’s spiritual father and very possibly his blood ancestor as well, since science and scripture eerily concur that the Kohain DNA has remained intact all the way back to Aaron. It sounds as fantastic as a letterless shepherd discovering the Dead Sea Scrolls in a desert cave while the ash and radiation of the Second World War still circled the globe, but there is an unbroken strand of genes and tradition that connects Aaron, shoulder to shoulder with Moses, asking Pharaoh to “let my people go,” to Ezra weeping and tearing his garments before the fallen Jews of Jerusalem to gentle-eyed, white-bearded Shimon Dov inking his parchment by the window of a small wooden house in a market town at the fringe of the Russian Empire.
Shimon Dov, for all his august lineage, was a humble, ordinary man— learned, devout, meticulous, good to his diminutive wife, openhanded with their six children, slow to kindle with either anger or joy. But when he sat down at his table in the town of Volozhin, closed his eyes to pray for perfection, and took up his quill pen, Shimon Dov glowed with God’s radiance. His forked beard was so long that it brushed the soft surface of the parchment when he bent his head to write. Ever at hand were a turkey quill and a pot of special ink, always black. And a book, The Book, open to the page where he had left off. “All day he sat in his house communing with his soul in solitude, completely within the frame of the Torah,” novelist S. Y. Agnon wrote of a scribe at work. “He sat secluded and isolated and no one was with him except His Name, may He be blessed. . . . From morning to evening the quill wrote on the parchment and beautiful black letters glistened and alighted on the parchment as birds upon the snow on the Sabbath when the Song of Moses is read.” “You must never, ever touch anything,” Shimon Dov’s children and grandchildren whispered to one another as quill scratched parchment and the beautiful sacred Hebrew calligraphy spread across the scroll from right to left in dense, orderly lines. Precisely 304,805 letters composed the 79,847 Hebrew words of the Torah, the first five books of the Jewish scriptures, and Shimon Dov knew every stroke as intimately as a tailor knows his thread or a soldier his gun. Not a thunderer before kings, not a prophet raging against the sins of his people, not a seer or a tzaddik (“righteous one”) singled out for a sacred mission or possessed of a shape-shifting staff—but a member all the same of an honored literate family that kept alive the book that had kept alive the Jews for more than three thousand years. When Shimon Dov died in 1917, his son Shalom Tvi instructed the mason to carve these Hebrew words onto his gravestone: “Son of Chaim, scribe of the Holy Book, he followed his father’s way, he was strong in Torah, he will rest with the hands of the Kohanim.” Hands are also carved on the patriarch’s gravestone—hands of the priest, HaKohen, raised and spread in blessing; hands of the scribe, HaShofer, curled in painstaking toil. How many times had Shimon Dov risen in shul to recite the birchat kohanim, the priestly blessing that none but a Kohen can perform? May the Lord bless you and keep you; may the Lord make His face to shine upon you, and be gracious to you. May the Lord lift up His countenance upon you, and give you peace.
A crane or a crow flying from the Baltic to the Black Sea in the spring of 1875, the year Shimon Dov’s oldest son, Avram Akiva, turned thirteen and thus by Jewish law became a man, would have looked down on a vast expanse of rolling green—pale green fields, darker green woods—stretching nearly a thousand miles along the western fringe of the Russian Empire. This was the Pale of Settlement where the tsars had decreed that their Jews must live. The occasional city—Warsaw, Lodz, Vilna, Minsk, Kiev, Odessa— blotted earth and sky with its spires and smokestacks and hives of roofs, and then the planted and forested countryside took over again. Every few miles the verdant patchwork bunched into the gray-brown corduroy of village, town, or shtetl—little town—and then relaxed into green again. Abel, Eiragola, Chelm, Slutsk, Zaskovichi, Kielce, Žeimiai, Karczew, Okup, Nowogródek, Piaseczno, Stargard, Biala, Rakov, Tuchin, Eishyshok—each shtetl name had its own peculiar linguistic knot tied by the language or dialect of the region, but the places themselves were remarkably similar.
A main street, usually named for the city it led to, entered from the fields at one end of town and disappeared into them at the other; a few blocks of wooden houses set in small garden patches fanned out around the main street, the houses of Jews and the houses of gentiles barely distinguishable but usually in separate enclaves. The center of town was left blank to make suitable space for an onion-domed Russian Orthodox church or a towered and spired Catholic church or sometimes both. The church plaza formed an obvious marketplace, and around its periphery stood the stalls and shops of the shtetl’s merchants, most of them Jews. There was also a place for Jews to worship and study, but this was usually tucked down a side street, discreetly out of sight of the loftier churches and built not of brick or stone or plaster but of rough plain wooden boards and beams. The synagogue was unadorned inside too but for a bit of fine carving on the ark and the exquisite embroidery and metalwork that encased and crowned the ark’s hidden contents, the one gem that every devout Jew held more precious than life itself—the scroll of the Torah—to which Shimon Dov or one of his fellow scribes had devoted years of their lives to hand lettering.
The family of eight lived in Volozhin, a town about midway between Vilna and Minsk of some five thousand inhabitants (half of them Jewish). Volozhin had one unique glory that made it stand out from all other shtetlach. In 1803, a yeshiva had been started here, and for the better part of a century this school flourished as the most renowned and revered institute of Talmudic study in Eastern Europe, and thus the world. Shimon Dov had no wealth to speak of; his house was low and flammable, his family large, his income small, his prospects dim. But to live beside the Volozhin yeshiva during its golden age was a priceless blessing. Shimon Dov grew up hearing stories of how this kingdom of wisdom had come to be established in Volozhin, and he passed the stories on to his children. The tale always began in 1726 when a six-year-old boy named Elijah ben Solomon Zalman stood before the Jewish elders in the Great Synagogue of Vilna, the Pale’s preeminent city of piety and culture, to discourse on a passage of scripture. No one could believe that so young a child could be so learned, but by the age of ten Elijah, soon to be known simply as the Gaon—the “genius”—of Vilna, had outstripped any teacher in the depth and breadth of his mastery of the Talmud. Like many of God’s chosen, the Vilna Gaon was difficult. As a young man, he lived a life of ascetic focus bordering on madness. To stretch his time for study, he limited himself to two hours of sleep per day; he kept the windows of his chilly house shuttered against the distractions of the world and immersed his feet in cold water to maintain mental acuity. But in the course of his seventy-seven years, this brilliant, eccentric, irascible scholar reinvented and reinvigorated Torah study. Eschewing the dialectical hairsplitting of the so-called pilpul (pepper) method, the Vilna Gaon brought clarity, straight thinking, and direct engagement with the biblical text to the pursuit of Jewish knowledge. He also waged holy war against the noisy, joyous, populist style of Jewish worship known as Hasidism, which was spreading wildly through the Pale in his day.
According to family lore, Shimon Dov’s father, Chaim, founded the Volozhin yeshiva as a bastion of scholarship in the Gaon’s anti-Hasid campaign—but family lore is wrong. Shimon Dov was born in 1835: there is no way his father could have been old enough to start a yeshiva in 1803 and still have been in shape to sire a son thirty-two years later. The yeshiva’s founder was indeed named Chaim—not Chaim HaKohen but Chaim ben Yitzhak, known as Chaim the Volozhiner. This Chaim was the prize student and disciple of the Vilna Gaon, and he made the school the prime exemplar of his master’s pedagogy and discipline. In time, the Volozhin yeshiva became the pattern and inspiration for yeshivot all over Lithuania, the Pale, and eventually the New World and the Holy Land as well. “Whoever wanted to learn Torah traveled to Volozhin,” became a byword of the day. “It was the Torah center of the great Russian Jewry,” wrote a honey-tongued Yiddish historian, “a holy place for searching souls, a mighty workshop of spiritual richness. Thousands found protection in her shelter, drank from her sources, absorbed her spirit, and became intoxicated by her aroma. Jewish lads, talented and strong willed, scraped their feet walking from remote places to bask in the light of her Torah, to breathe her scholarly atmosphere, to catch at the wings of the Divine Presence.” The Hebrew poet Hayyim Bialik, who studied at the Volozhin yeshiva in the 1880s, said it was the place where “the soul of the people was forged.”
Shimon Dov had breathed this intoxicating atmosphere in his youth, and someday, God willing, his firstborn, Avram Akiva, would breathe it too. But first the boy must complete his apprenticeship. Already, at thirteen, Avram Akiva had proved himself an able and ready assistant. Already he was serious, determined, assured beyond his years, maybe a bit of a know-it-all. Other bar mitzvah boys trembled when the Torah was unrolled before them for the first time. What if they accidentally poked a hole in the parchment with the pointer? What if their nose dripped and smudged the text? Avram Akiva had no such fears. He knew that the sacred scroll was strong enough to endure his clumsiness and congestion, because he had spent his childhood absorbing the occult art and science of fabricating it. When his father needed ink, Avram Akiva went to the forests surrounding Volozhin to gather gallnuts—the hard, gnarled, tannin-rich balls that gall wasps create when they implant their larvae in oak trees. The boy plucked the gallnuts off the trees, and at home he boiled them in reeking pots on his mother’s stove and then mixed their essence with gum arabic, copper sulfate, and soot to make the velvety pitch-black indelible ink with which his father wrote the words of God. The preparation of the writing surfaces also fell to the apprentice—the smoothing on his father’s worktable of the pliant rectangles of parchment, the backs of which he coated with powdery plaster. With a rose thorn affixed to a stick, Avram Akiva incised the parallel lines that would guide his father’s hand when the scribe took up the quill and, impregnating its tip with gallnut ink, summoned forth the diamonds, crowns, daggers, and petals of the Hebrew alphabet.
At fifteen or sixteen, his apprenticeship over, Avram Akiva duly enrolled in the yeshiva. He took his place on a bench in the dimly lit hall and gave himself over to the exacting regimen of prayer and study, study and prayer, days and nights of argument, analysis, explanation, insight, refinement, all to wring out a few more precious drops of the dew of Talmudic enlightenment. A couple of hours of sleep in a narrow bed shared with a brother or a boarder, meals wolfed down without ceremony or savor, and then back to the yeshiva to continue his studies—that was the life the scribe’s teenage son embraced with all his soul and all his might. Avram Akiva was lucky, for he was at the yeshiva in the latter half of the 1870s, during the directorship of Rabbi Naftali Zvi Yehudah Berlin, known as the Netziv, a brilliant dynamic scholar who ran the school for more than four decades and brought it to its peak. Under the Netziv, the student body, which had been around fifty when the school was founded, grew to as many as four hundred bochurim (yeshiva boys) from all over Europe and even Britain and America. The Netziv enforced the yeshiva’s policy that prayer and study must go on round-the-clock, twenty-four hours a day, seven days a week, 365 days a year. This wasn’t just scholarly zeal. The Netziv was convinced that if the light of Torah study ever went out, even for a second, then the primordial void would rise up once more and swallow the universe. And so with back bent, eyes bagged, brow furrowed, his days as pinched and monotonous as a monk’s, Avram Akiva kept the world spinning on its axis.
The youth sat with the sages at the table of Torah—but when his studies were over, Avram Akiva returned home to follow his father in the craft of the scribe. In the hierarchy of Volozhin, scribe was a decided step down from rabbi or Talmudic scholar. Ancient and honored though his profession was, the scribe copied books, he did not compose or interpret them.
The scribe’s work straddled the worlds of labor and learning, craft and spirit. On the one hand, Shimon Dov and his son worked with their hands, like bakers or clock makers, not solely with their minds, like the scholars at the yeshiva—and in this pious community, the life of the mind, the mind bent on Torah, was all that counted. Everything else was deemed more or less a waste of time. On the other hand, what Shimon Dov’s hands produced was the very staff of Jewish life, far more sustaining than bread, more precise and beautiful than any clock. Without the work of the scribe, the Torah would have vanished in a generation like thousands of other scrolls from antiquity; and without the Torah, Jews would have vanished, dissolved like salt into the common sea. In the Diaspora, Torah was the Jewish homeland and the scribe was the archivist of his people, the custodian of sacred memory, the linguistic historian.
The scribe and his son kept their people alive while the Netziv and his students at the yeshiva kept the universe from slipping into the abyss. Avram Akiva sat at his father’s worktable and began assisting in writing the tiny scrolls that the faithful hung as mezuzot upon the doorposts of their houses and bound each morning upon their arms and foreheads in the leather boxes of the tefillin. The boy soon came to know the texts by heart. He mastered the technique of correcting errors by scraping the mistaken letters or blots off the parchment with shards of glass. He learned to repair damaged faded scrolls, to sew the old parchment pieces back together and reattach them to the wooden rollers called the trees of life—atzei hayim. To him fell the infinitely fussy task of unrolling the teffilin scrolls and inspecting them for dirt and decay. Patience became second nature. With every pen stroke, he had to wait for the thick glossy ink to set and adhere to the parchment, for gallnut ink is not absorbed but bonds to the surface of the animal skin as it dries. Reverence and ritual portioned out his days. Avram Akiva listened as his father murmured aloud or even chanted every letter of every word he wrote, never relying solely on memory, since each quill stroke was blessed. The son knew instinctively when his father had come to one of the Names of God, for the scribe would pause to collect himself and take a deep breath before inking the Name, which once written cannot be erased. One day, when he was old enough and skilled enough, Avram Akiva would write the Names in a Torah scroll on his own.
In the course of a year, Shimon Dov might complete a single Torah— assuming he had a commission for a Torah that year. The real bread and butter of the business were mezuzot and tefillin, which were always in demand. Still, it wasn’t much of a business—though business was obviously not the point. Fortunately, Shimon Dov had a wife who earned enough from her small grocery to keep their growing family clothed and fed (it was the same for Hayyim the Volozhiner, who, after founding the yeshiva, had run it on the income from his wife’s textile mill). Six children the couple produced over a span of twenty-three years—five sons and a daughter raised on the proceeds of sacred texts and staple foods.
The scribe and his family were among the pillars of their community, but never the central pillar. They knew this and it rankled them. They were short, these Volozhin Kohanim, but they stood tall in their own estimation. At once earthy and self-important, egotistical and insecure, recalcitrant and easily cowed, ambitious and anxious, they hummed with contradictions. They did God’s work but their women fed them. They sought the blessing of sages but gazed jealously at their richer, more learned, more accomplished neighbors. They bore a great name but no great deeds were attached to it. Ezra and before him Aaron were their progenitors, but 150 generations of hunch-shouldered exiles stood between them. The scribe kept the Book alive, but it was the Book of a people without a home, without rights, without enforceable laws, without means, without respect, and seemingly, in the Russian Pale of Settlement in the late 1870s, without hope of gaining any of these.
Things happened in Volozhin but nothing seemed to change. The yeshiva burned down one hot summer day, and a new yeshiva was built—as austere and resplendent as a Greek temple with pure white walls, unadorned pilasters, high windows, a peaked red roof. Students kept flocking here from all over Eastern Europe. Prosperous fathers still tried to snag prize Volozhin scholars as husbands for their pampered daughters. Imperial authorities swept into town, inspected the yeshiva, interrogated the rabbis, ordered that secular subjects and Russian language be taught—and the rabbis once again found ways to circumvent or accommodate government control while ensuring the uninterrupted flow of Torah study. The wheat harvest failed. Prices rose. Rubles changed hands from peasant to shopkeeper, merchant to banker, banker to prince. But in Volozhin none of it raised more than a ripple. An epoch was grinding to its close, but behind the walls of the yeshiva, study and prayer went on as always night and day. Shimon Dov bent over his parchment with his pious sons beside him.
In the pure white temple of knowledge, the bochurim prayed through the minutes and hours and weeks and months of the Jewish year. They believed that their devotion sustained the world that Hashem had summoned out of darkness and given to the sons of Adam. “Hashem, His will, and His word are all one and the same,” declared the founder. The bochurim devoted their lives to fathoming His word: His will was beyond them.
Table of Contents
Introduction 1
Chapter One Volozhin 9
Chapter Two The Move to Rakov 19
Chapter Three The Making of a Revoluntionary 28
Chapter Four The Boys 44
Chapter Five Lower East Side 52
Chapter Six The Birth of a Business 63
Chapter Seven Socialist in a Black Satin Dress 70
Chapter Eight First World War 76
Chapter Nine Pioneers 111
Chapter Ten The Depression 147
Chapter Eleven "We will be Glad to take you back" 154
Chapter Twelve In Love in the Land 161
Chapter Thirteen Return to Rakov 187
Chapter Fourteen "The World of Tomorrow" 199
Chapter Fifteen Second World War 208
Chapter Sixteen Under the Big Ones 228
Chapter Seventeen "They Snatch Whole Streets" 238
Chapter Eighteen "Aktion" 248
Chapter Nineteen Vilna Ghetto 255
Chapter Twenty Yom Kippur, 1941 259
Chapter Twenty-One Wonder Girl 272
Chapter Twenty-Two Breakdowns 276
Chapter Twenty-Three Despairing People 285
Chapter Twenty-Four Klooga 297
Chapter Twenty-Five Postwar 309
Epilogue 309
Acknowledgments 331
Glossary 339
Notes 341
Index 373
What People are Saying About This
Praise for The Family:
“The Family is as rich and poignant as any novel, only all true and impeccably researched.”—Erik Larson, New York Times bestselling author of In the Garden of the Beasts
“A true triumph of historical storytelling…. David Laskin is a magical searcher into the past….His generations of Cohens could be your Johansens, Smiths, Lopezes, Schmidts, O’Houlihans, even my Scottish peasant forebears….. The Family will touch you, heart and soul.”—Ivan Doig, National Book Award finalist for This House of Sky
“I read The Family without stopping, except sometimes to weep (and occasionally to chuckle). Through the stories of members of David Laskin’s large, dispersing family, history sharpens into individual lives and deaths and losses and becomes personal and vivid and tragic.”—Edith Pearlman, National Book Critics Circle Award winner and National Book Award finalist for Binocular Vision
“David Laskin’s The Family is a vivid, utterly compelling exploration of the forces that have shaped modern history. We often view these forces— capitalism, fascism, mass migration, assimilation, and the like—only from a distance, as vast, impersonal abstractions. But in Laskin's magnificent book we see them in the intimate details of actual lives, deftly followed through a tangle of triumph, accommodation, and often unbearable suffering. An extraordinary achievement.”—Stephen Greenblatt, New York Times bestselling author of The Swerve: How the World Became Modern
“I was utterly entranced by David Laskin’s The Family. Tracing three strands of his fascinating ancestry, Laskin takes us on an epic journey deep into the heart and soul of the twentieth century. The story is haunting, heartfelt, and deeply moving. And in the end—as Laskin eloquently points out in a beautiful, almost mystical, epilogue—his telling of it weaves another bright silver thread into the fabric that binds all of us together.”—Daniel James Brown, author of The Boys in the Boat
“‘Fate and chance and character make and break every generation,’” David Laskin tells us in this personal, highly moving history of his family. At once heartbreaking and gloriously triumphant, it’s finally a story of love. Yes, a big unyielding, often rollicking and humorous history of one generation’s prevailing love for the next. A wonderful achievement. “—Philip Schultz, Pulitzer Prize-winning author of Failure
"David Laskin's The Family is an elegantly evocative meditation on the Jewish diaspora of the twentieth century. Deeply emotional at times, The Family is both harrowing and uplifting. Highly recommended!"—Douglas Brinkley, author of Cronkite.
“What a story! Scholars and scribes, Zionists and revolutionaries, Holocaust martyrs and the inventors of the Maidenform bra all march through these pages. The Family is the twentieth-century history of the Jews writ small.”—Jonathan D. Sarna, Joseph H. and Belle R. Braun Professor of American Jewish History at Brandeis University
“A banquet of Jewish history, as lived by one exceptional American family, across four generations and on three continents, the worst things endured and the best things relished.”—Edward Ball, author of Slaves in the Family
“Beautifully written, densely textured and at times heartbreaking.”—The Seattle Times
"A fantastic book...This is a great, big-hearted book about how time and place modifies family, whatever or wherever its roots."—Amazon
“A metaphor of sorts for the 20th century, one in which incredible good fortune was granted to some and incomprehensible agony to others….No matter how many times the tale is told, it demands to be read.”—Jonathan Yardley, The Washington Post
“Laskin’s chronicle could have been written in tears…at once anguishing and inspiring.”—The Wall Street Journal
"[Laskin] make[s] history intimate by telling it through the eyes of ordinary people....Reads like a historical novel."—St. Louis Post-Dispatch
"[David Laskin] urges us to see the workings of history not merely as a list of dates, places and events, great men and great ideas, but as a tapestry whose threads include the lives of flesh-and-blood human beings….[He is] a storyteller who has given his own family chronicle all of the depth and detail of a great novel while, at the same time, honoring the truth of their lives.”—The Jewish Journal
“[A] saga….[Laskin] assumes the prerogatives of a novelist.”—The Jewish Daily Forward
Reading Group Guide
INTRODUCTION
David Laskin has written the story of his family, and in doing so he has given us a sweeping historical account of the Jewish experience in the twentieth century. Opening on the western edge of the Russian Empire at the turn of the last century, The Family tells the story of a Torah scribe and his wife, and how their descendants took three dramatically different journeys spanning multiple continents and two world wars. In following his family’s triumphs and hardships with rapt concern, Laskin has crafted a diaspora story that is at once intensely personal and resoundingly universal.
In the pages of The Family, we learn how some of Laskin’s ancestors voyage west to the crowded tenements of New York City’s Lower East Side, some stay in the yeshiva town of Volozhin in the midst of bitter Tsarist pogroms, and some struggle to establish a burgeoning agricultural village in Palestine’s Hefer Valley. Using sources that range from gripping family letters to U.S. Census records to archival Holocaust testimony, Laskin masterfully animates one family’s journey with skill and ingenuity. The Family is the dazzling product of impeccable research and expert storytelling.
Though they descended from a long line of Torah scribes, Laskin’s relatives went on to become entrepreneurs in a new world, warriors at the frontlines of World War I, pioneers at the frontier of a spiritual homeland, victims among the millions that tragically perished under Nazi rule. There is even a tycoon on the family tree—a four-foot-eleven-inch immigrant named Ida Rosenthal who was the dynamo behind the Maidenform Bra Company. Laskin’s exploration stands as a testament to the tangible ways in which we all, inevitably, are shaped by history. A love song to the art of genealogy, The Family will inspire readers to investigate their own origins.
ABOUT DAVID LASKIN
David Laskin was born in Brooklyn and raised in Great Neck, New York. He is the bestselling author of The Children’s Blizzard, which won the Washington State Book Award and Midwest Booksellers’ Choice Award for nonfiction. The author of several other works of nonfiction, Laskin writes for the New York Times and the Washington Post. He and his wife, the parents of three grown daughters, live in Seattle.
DISCUSSION QUESTIONS
- David Laskin writes in his introduction that as he conducted research for The Family,he came to discover that many of his family stories weren’t exactly accurate (for example, the claim that Stalin’s henchman Lazar Kaganovich was a relative of theirs). How and why do you think family myths originate? Are there legends or oral histories in your own family that you’ve come to question? Discuss some of the ways family stories can be corroborated or debunked.
- Laskin writes: “My grandparents and their cousins were born into a world of tradition and religion that had lasted for centuries and died in the course of four years.” What role does tradition play in binding your own family together? What are some of the unique traditions that your family honors? What is lost without tradition? What is gained when tradition is preserved?
- On the eve of the Nazi push into Russia in June, 1941, Doba wrote one final postcard from Vilna, the last line of which reads, “May there be peace and then we could see each other” (p. 237). Do you think the American relatives could have done more to get Doba and her husband and children out of Europe? Discuss how the family members on both sides of the Atlantic coped with their helplessness in the face of war and genocide.
- In the chapter “Socialist in a Black Satin Dress,” we see Itel on the verge of financial success balancing American capitalism with the socialist ideals that shaped her as a young woman. Is it even possible to reconcile these ideas? Was Itel fooling herself—or was she being hypocritical? What are some of the ideological contradictions that you have wrestled with in your own life?
- All three of the Cohen brothers were eligible for the draft when America entered the Great War in 1917, but only Hyman became a soldier. How do you suppose this experience affected his relationship to America? To Germany? Do you think his service in the First World War influenced his views on America’s role in the Second World War? All of the relatives who immigrated to the United States enjoyed some version of the American Dream. What does The Family have to say to today’s immigrants? What is different about the American Dream that many immigrants aspire to today?
- How does Laskin’s writing about early battles between resident Arabs and Jewish settlers in the Middle East help to contextualize the ongoing conflict in the region?
- Discuss the style and structure of the book. Did you think the language in which Laskin tells the story is well-suited to the subject? What about the way the narrative shifts from one branch of the family to the other? Did this tripartite structure work or did you find it confusing? Choose a paragraph to read aloud and analyze.
- There are a number of compelling, memorable figures in the book—Itel, Sonia, Doba, Avram Akiva, Shalom Tvi. Which one did you relate to most intensely and why? If you had the opportunity, which one would you most like to meet? What would you ask him or her?
- The Family explores the author’s maternal grandmother’s lineage. Which side of your family might you like to study further and why? Where in your ancestry would your own book begin? Where would you end it?
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