The Favorite

by Lucinda Watson

Overview

The Favorite is, in Cig Harvey’s words, “an arrow to the heart.” Its sixty-four poems are gently shaped into three parts as Watson leads readers into her childhood’s world of social privilege, recognizes the psychological costs inhabitants pay, and demonstrates a wide and wonderful range of reactions.

Most of the fifteen poems in Part I are based on childhood memories. Four sisters ride uncomfortably in the back seat of the big car, ordered not to wrinkle their Sunday dresses, while their brother “rides shotgun and wears what he wants.” A girl manages to paddle around in an old canoe, but her sense of freedom comes from keeping herself hidden, or pretending she’s Pocahantas. Gender norms strongly favor the family’s only boy, and its powerful, charismatic father, whose presence inspires awe and fear, compliance and rebellion. Straight women, passive women, pretty and well-dressed women—enjoy, question, and are damaged by their privilege. In “Another Hurricane Coming,” for example, we understand what’s lost when a mother no longer wants her children to “feel the wind.” The fifteen poems in Part II stretch the threads first spun in childhood into adolescence, by turns angry, loving, subtle and compassionate. “When I Think of My Mother, I See a Closed Door,” ends the section appropriately.

Part III is longer-- its voice generally older, more accepting, more free in its metaphors, and

marked by a wonderfully wry sense of humor. As Richard Blanco says, “Watson tenderly, yet

unabashedly, speaks to the allure and trappings of womanhood as she traces its arc from the innocent

expectations of a girl, to the fear of a teenager forced to conform, to a fully actuated woman ... self-aware and fully alive with all her past and her future, her pain and healing, her losses and her newfound hopes.”

Product Details

ISBN-13:	9781936135950
Publisher:	Blazing Sapphire Press
Publication date:	09/01/2020
Pages:	84
Sales rank:	793,696
Product dimensions:	6.00(w) x 9.00(h) x 0.23(d)

Table of Contents

Acknowledgments



Part One

Road Trip

Early Childhood Memory Number 7

Who Put the Tiffany Paper in the Rat’s Cage

Our Year on a Boat

A Commanding Figure

Across the Pond

Forbidden Rice

Hiding Faith

Our Front Hall

The Lion Still Roars

Great Aunt Helen

Ritual

Cocktail Hour

Another Hurricane Coming

Musical Chairs

Part Two

Photograph of My Mother, circa 1935, Found in a Wall of the Cloisters

Hotel in Sea Island, Georgia

In Rome With My Dad on Business

The Dress That Went to The White House

The Favorite

For Sale: Wedding Gown, Never Worn

Riding in Ireland with My Dad

Life

Riding

Remembring Isadora Duncan

Pay No Attention to the Man Behind the Curtain

Barnstorming

Melania

Letter Yet Unsent

Sweet Strings

When I Think of My Mother I See a Closed Door

Part Three

I’ve Found Her Lost Again

Filial Visit

The Wedding Veil

Gratitude

Pale

Sable NIght

Vermont: Fall’s End

Murmuration

In the Desert You Can’t Remember Your Pain

Theft

I Could Have Believed You

Conclusions are Lethal

Naptime

If I Hadn’t Asked

1963, Connecticut, President Kennedy, Cuba and My Dad

North Haven Island

Grief

Love at the Car Wash

The Dinner

Interviewing

Creation

Seeing Lake Tahoe

I Love My Gun: A Confessional

Bird’s Eye View of Flight

Thanksgiving

The Neighbor

Getting Around Town

Slice of Life

Diagnosis

The Great Blue Heron

Almost 70

What I Really Wanted for Breakfast

Under It All

Adoption

Editorial Reviews

Lucinda Watson's poems are upsetting in the way that powerful poetry always is: The images are sensuous and provocative, but also suggestive of pain and regret. A charmed, privileged life--deconstructed.

David Ignatius, columnist for the Washington Post and author of The Paladin

Poetry as memoir and memoir as poetry-Lucinda Watson brings both together to take us with her on a truly captivating life journey.

Peter Andreas, Brown University, author of Killer High: A History of War in Six Drugs

Through poems that are as precise they are free-wheeling, as reserved as they are unapologetic, as private as they are confessional and public, The Favorite recasts the archetypal hero's journey as a heroine's journey. Watson tenderly, yet unabashedly, speaks to the allure and trappings of womanhood as she traces its arc from the innocent expectations of a girl, to the fear of a teenager forced to conform, ... to a fully actuated woman who is self-aware and fully alive with all her past and her future, her pain and healing, her losses and her newfound hopes.

Richard Blanco, Presidential Inaugural Poet, 2013, author of How to Love a Country

The Favorite is an arrow to the heart.

Cig Harvey, internationally acclaimed photographer, author of You An Orchestra You A Bomb

Lucinda Watson's engrossing collection... is a sweeping exploration of what it is to be a daughter, a lover, and a woman. Watson's potent, often witty insights are spun through with unexpected imagery. One important thread is her private rebellion and deepening self-awareness as she explores her relationship with her powerful father. These are skillfully wrought, deeply insightful poems of humanity, sexuality and loss.

Brett Hall Jones, Director of the Community of Writers at Squaw Valley

Lucinda Watson's The Favorite is a remarkable debut collection. These finely crafted poems begin with a passionate and, at times, uncomfortable exploration of family relationships. There is privilege, travel--and the frequent trips she takes as a child continue literally and metaphorically into adulthood, motherhood and difficult relationships. Every poem seems effortless with graceful lines, affectionate tones, and lucid eloquence. The illumination at the center of even the darkest poems transcends loss ... and celebrates the wonder and reward of being human.

Kevin Pilkington, Sarah Lawrence College, author of The Unemployed Man Who Became a Tree

Finding The Favorite is like opening a secret journal lush with language that evokes our own lost memories....

Joyce Tenneson, Lifetime Achievement winner, Professional Photographers of America

Watson's narrative voice is deceptively simple, its underlying power achieved through such devices as well-calculated line endings that ... enact the poem's movement, as when halting at a "rest stop." ... Prose poems overflow their containers, giving a sense of pressured speech.

Kirkus Review

Watson's poetry packs tragic punches, and yet is leavened with moments of good humor, exquisite beauty and primal desire. ... [She] holds ... broken things together in her hands, helping us see their original shape and how they've changed. She wraps her words around moments of beauty, however elusive they might be.

Aarik Danielsen, The Columbia Daily Tribune

From the Publisher

2020-08-27
This debut poetry collection examines a trajectory from privileged and constrained girlhood to full maturity.

The 64 poems assembled here are grouped in three chronological sections, from childhood to the speaker’s elder years. The speaker and her family exist in a rarefied world (riding lessons, a visit to the White House) that’s strewn with traps. In the opening poem, “Road Trip,” a girl and her five sisters are “all naked in the backseat / of a 1957 Plymouth station wagon,” hot and uncomfortable on the trip to their grandfather’s house. The girls’ starched white dresses crackle in the way back: “Since we’re never / clean enough, we’ll be hauled out at a rest stop / to be straightjacketed into dresses and our mother’s / hope for acceptance.” Meanwhile, the girls’ brother “rides / shotgun and wears what he wants.” Watson’s narrative voice is deceptively simple, its underlying power achieved through such devices as well-calculated line endings that lend emphasis to words like never or that enact the poem’s movement, as when halting at a “rest stop.” The volume’s prose poems, in contrast, overflow their containers, giving a sense of pressured speech. Though many poems express anger or frustration, they also capture a growing appreciation of the speaker’s gifts: “Under the coral sweater / designed by Gianni Versace / sits my elegant heart beating.” Wry humor, too, leavens the collection. In the closing piece, “Adoption,” the speaker considers how well suited she would be to the British royal family: “I know how to dress and have beautiful table manners / and I really feel comfortable with a strict schedule.” The book includes a few photographs that provide a visual commentary, as with “Road Trip” being preceded by the image of a carefully dressed, beribboned girl.

Thoughtful, well-crafted poems that trace a path of self-discovery.

Kirkus Reviews