The Government of Nature

by Afaa Michael Weaver

Overview

This is the second volume of a trilogy (the first was The Plum Flower Dance) in which Weaver analyzes his life, striving to become the ideal poet. In The Government of Nature, Afaa Michael Weaver explores the trauma of his childhood—including sexual abuse—using a "cartography and thematic structure drawn from Chinese spiritualism." Weaver is a practitioner of Daoism, and this collection deals directly with the abuse in the context of Daoist renderings of nature as metaphor for the human body.

Product Details

ISBN-13:	9780822978626
Publisher:	University of Pittsburgh Press
Publication date:	02/01/2013
Series:	Pitt Poetry Series
Sold by:	Barnes & Noble
Format:	eBook
Pages:	80
File size:	713 KB

About the Author

Afaa Michael Weaver is the author of numerous poetry collections, including Timber and Prayer: The Indian Pond Poems; My Father’s Geography; The Plum Flower Dance: Poems 1985 to 2005; The Government of Nature, winner of the Kingsley Tufts Poetry Award ; and City of Eternal Spring, winner of the Phyllis Wheatley Book Award. He is alumnae professor of English at Simmons College in Boston. Weaver is the recipient of an NEA fellowship, a Pew fellowship, four Pushcart Prizes, and a Fulbright scholar appointment, among other honors. In 1998, he became the first Elder of the Cave Canem Foundation.

Table of Contents

Contents Part I Buddha Reveals the Apocalypse to the Cowboy Evening Lounge The Path The Ten Thousand A Dream of Emptiness Tsunami Leaves Walking with Snakes A Monk’s Ode to Guan Yin Guan Yin’s Treatise on Compassion Part II Damascus Flying If You Tell The Ancestors Speak to the Cowboy Interpretation of Tongues The Ancestors Explain How Envy Grew Scapegoat Elegy for the Appaloosa’s Mother Against Forgiveness The Government of Nature Part III For James The Pantry Germany, in the Fifties In the Park with My Grandchildren Remember At Lake Montebello with James Scrapple When My Heart Failed In Raleigh’s Brownstone Hotel On Hearing Beethoven’s Moonlight Looking Up from the Naked Bed The Touched The Untouched In Good Samaritan Hospital Driving South from Salem With My Family at Dinner on Easter Sunday Evensong at Christ Church Washing the Car with My Father Petunias Cold Mountain Part IV Passing through Indian Territory Predators Weeping Willow 1963 Drowning A Nightmare To Those Who Would Awaken The One Song of He Nan Monastery Notes Acknowledgments

Editorial Reviews

A book of narrative meditations that look bravely and, at times, with striking clarity, at the memory of childhood abuse—the poems falling down on the memory itself like so much rain. But these poems don’t point only to themselves—their reach extends out, developing a deep politics of suffering, survival, and family history. Weaver’s poems are crisp in their narrative telling, and also rich with the lyrical complexity that is the pillar of Weaver’s work. . . .If you want to come face to face with the ways identity, family history, language, and suffering build and rebuild who we imagine ourselves to be, then read ‘The Government of Nature.’ And read it more than once.”
—Prairie Schooner

“Weaver has written a great deal about [the world] of human memory and its effects on the adult mind. His poems about family and race have become essential to the canon of contemporary American poetry, and his latest collection extends his range to include lyrics and narratives on Eastern spirituality. Weaver’s poems, carefully measured in rather long-lined, regular stanzas, are packed with detail about American history and culture . . . The horror that often lies under the surface of the more autobiographical poems is always understated, which makes the clarity of literal meaning that he achieves all the more moving.”
—West Branch

 

“Weaver’s devotion to craft and the sincerity of his approach to incorporating elements of Chinese literature and philosophy into his poetry distinguish his voice within African American letters and among American verse writ large. Throughout ‘The Government of Nature,’ the poet moves freely, permitting his verse to wander and ultimately transcend boundaries. . . . In this respect the poetry functions as a bridge, connecting experiences drawn from Black America to enduring works drawn from the Chinese tradition.”
—African American Review
 

“In these nuanced, sobering, and beautifully cadenced poems, the poet tries to deal with haunting, mysterious voices of past, present, and future—whether of fear, anxiety, joy, love, or hope. Reconciling East and West, he achieves solacing harmony and tranquility. A marvelous work.”
—Ching-Hsi Perng, President of Taipei Chinese Club, International PEN

Past praise for Afaa Michael Weaver

“Weaver . . . finds a place in the legacy of Whitman and the mid-nineteenth century when in the evolution of American poetry the glory of vernacular speech first became fused in verse with an inspired sense of the American self, sensuous and yet transcendent. Weaver’s verse acknowledges the guidance of that tradition and honors it. . . . His vision is local and focused, and as befits a poet of genuine depth and seriousness of purpose, it is as wide as the horizon itself. . . . We see Weaver’s world through the eye of an intensely private and personal self, which both embraces the public sphere and holds it at bay. . . . The range of his poetical language stretches wide.”
—Arnold Rampersad from his introduction to Multitudes
 


Past praise for Afaa Michael Weaver

“It is nothing less than a personal cosmogony, cosmology: each section heralded by the five elements of Chinese philosophy. . . . It is a tour de force of expansiveness in African American poetics. . . . Marvelous. Huge. Prodigious.”
—Vince Gotera, North American Review on The Plum Flower Dance
 


Past praise for Afaa Michael Weaver

“Afaa Michael Weaver is one of the most significant poets writing today. With its blend of Chinese spiritualism and American groundedness, his poetry presents the reader (and the listener, for his body of work is meant to be read aloud) with challenging questions about identity, about how physicality and spirit act together or counteract each other to shape who we are in the world. His attention to the way language works is rare, and the effects of that attention on his poetry are distinctive and expansive.”
—Henry Louis Gates for Baltimore Magazine

From the Publisher