The Harlem Renaissance and the Idea of a New Negro Reader

by Shawn Anthony Christian

Overview

Many scholars have written about the white readers and patrons of the Harlem Renaissance, but during the period many black writers, publishers, and editors worked to foster a cadre of African American readers, or in the poet Sterling Brown's words, a "reading folk." Black newspapers featured columns that reviewed the latest African American fiction. Magazines held writing contests to urge black readers to participate in the literary culture. Through newspapers, journals, and anthologies, writers such as James Weldon Johnson, Jessie Fauset, and Gwendolyn Bennett spoke directly to their fellow African Americans to cultivate interest in literature and the intellectual tools for reading it.

In The Harlem Renaissance and the Idea of a New Negro Reader, Shawn Anthony Christian argues that print-based addresses to African Americans are a defining but understudied component of the Harlem Renaissance. Especially between 1919 and 1930, these writers promoted diverse racial representation as a characteristic of "good literature" both to exhibit black literacy and to foster black readership. Drawing on research from print culture studies, histories of racial uplift, and studies of modernism, Christian demonstrates the importance of this focus on the African American reader in influential periodicals such as The Crisis and celebrated anthologies such as The New Negro. Christian illustrates that the drive to develop and support black readers was central in the poetry, fiction, and drama of the era.

Product Details

ISBN-13:	9781625342010
Publisher:	University of Massachusetts Press
Publication date:	08/10/2016
Series:	Studies in Print Culture and the History of the Book
Edition description:	First Edition
Pages:	152
Product dimensions:	5.90(w) x 8.90(h) x 0.50(d)
Age Range:	18 Years

About the Author

Shawn Anthony Christian is associate professor of English, African American, and American studies at Wheaton College.

Table of Contents

Acknowledgments ix

Introduction. The New Negro Is Reading 1

1 Creating Critical Frameworks Three Models for the New Negro Reader 16

2 In Search of Black Writers (and Readers) Crisis's and Opportunity's Literary Contests 42

3 Beyond the New Negro Artistry, Audience, and the Harlem Renaissance Literary Anthology 68

4 Pedagogy for Critical Readership James Weldon Johnsons English 123 94

Epilogue. On African American Writers and Readers 115

Notes 121

Index 137

What People are Saying About This

Verner Mitchell

Christian has produced an impeccably researched and illuminating study of reading and writing during the Harlem Renaissance. The Harlem Renaissance and the Idea of a New Negro Reader has great appeal for general readers interested in the Harlem Renaissance, the black press, literature of the twenties and thirties, and print culture studies.

Editorial Reviews

"Christian has produced an impeccably researched and illuminating study of reading and writing during the Harlem Renaissance. The Harlem Renaissance and the Idea of a New Negro Reader has great appeal for general readers interested in the Harlem Renaissance, the black press, literature of the twenties and thirties, and print culture studies."—Verner Mitchell, author of This Waiting for Love: Helene Johnson, Poet of the Harlem Renaissance

"Through insightful analysis of newspapers, magazines, anthologies, and even a course syllabus from James Weldon Johnson, Christian reveals an eager black reading public. Recommended."—Choice

"Christian's great contribution to our revised understanding of the Harlem Renaissance is that he refocuses our attention on the conditions that African American writers faced in the early twentieth century: a reading public that associated literature with white, largely European poets, playwrights, and fiction writers of the eighteenth and nineteenth centuries."—American Literary History

From the Publisher

Christian's great contribution to our revised understanding of the Harlem Renaissance is that he refocuses our attention on the conditions that African American writers faced in the early twentieth century: a reading public that associated literature with white, largely European poets, playwrights, and fiction writers of the eighteenth and nineteenth centuries.

American Literary History

Through insightful analysis of newspapers, magazines, anthologies, and even a course syllabus from James Weldon Johnson, Christian reveals an eager black reading public. Recommended.

Choice