The House of Eve

The House of Eve

by Sadeqa Johnson

Narrated by Ariel Blake, Nicole Lewis, Sadeqa Johnson

Unabridged — 10 hours, 37 minutes

The House of Eve

The House of Eve

by Sadeqa Johnson

Narrated by Ariel Blake, Nicole Lewis, Sadeqa Johnson

Unabridged — 10 hours, 37 minutes

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Overview

Notes From Your Bookseller

This luminous novel is an exploration of what womanhood, sacrifice, and longing looked like in pre-Roe America for young black women. Ruby and Eleanor live completely separate lives, but both are navigating the trials and tribulations of race, class, education, and motherhood. This is story about the price women pay for love, and the choices no one should have to make.

“Amazing...I was completely surprised by the ending of this beautifully told and written book.” -Reese Witherspoon

“A triumph of historical fiction” (The Washington Post), an instant New York Times bestseller, and a Reese's Book Club pick, set in 1950s Philadelphia and Washington, DC, that explores what it means to be a woman and a mother, and how much one is willing to sacrifice to achieve her greatest goal.

1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright.

Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC's elite wealthy Black families, and his parents don't let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William's family and grant her the life she's been searching for. But having a baby-and fitting in-is easier said than done.

With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.

Editorial Reviews

FEBRUARY 2023 - AudioFile

Ariel Blake and Nicole Lewis provide an excellent dual narration of this fascinating look at two young Black women who confront racial, class, and gender inequities in the 1950s. Blake captivates as 15-year-old Rosa, who is striving for a college scholarship to escape her poor Philadelphia neighborhood and her mother, who chooses her boyfriends over her. Lewis superbly portrays Eleanor, originally from small-town Ohio, who navigates Howard University's competitive environment, as well as a fraught relationship with her mother-in-law, whose condescending views are unsettling. Both narrators excel at conveying the dialogue of the large supporting cast, with Blake's portrayal of Rosa's Aunt Marie's tough yet tender personality a standout. Listeners will be fully engaged as Rosa and Eleanor face their many challenges. M.J. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Publishers Weekly

12/05/2022

Johnson’s suspenseful and thought-provoking latest (after The Yellow Wife) follows two young Black women as they separately navigate mid-20th century America. In the fall of 1948, Ruby is a high school junior in Philadelphia who attends Saturday enrichment classes in hopes of winning a college scholarship and becoming an ophthalmologist. Eleanor, from a Cleveland suburb, is a sophomore at Howard University who is surprised by the campus’s social hierarchy, which is based on wealth and skin color. The lives of both women change when they find love: Ruby with the sweet, bright son of her Jewish landlord; and Eleanor with a medical student who belongs to an upper-class Black family. Unexpected pregnancies threaten the plans and dreams of both women, and heighten the tensions caused by the gulfs between them and their lovers’ families. Johnson methodically develops the women’s worlds and draws subtle hints at the similarities in their experiences, and after their pregnancies, they’re brought together in a bittersweet denouement. This well-crafted work is bound to provoke discussion among readers about the conflicts women face regarding pregnancy. (Feb.)

From the Publisher

A New York Times bestseller – An Apple Best Book of 2023 – A Goodreads Best Book of 2023 – An NPR Best Book of 2023

“The House of Eve is a triumph of historical fiction....Johnson’s novel is an affecting and arresting exploration of young Black womanhood and motherhood in the mid-20th century.... Johnson’s talents are in full bloom in this layered story with two distinctive and compelling young Black women at the center.... The House of Eve is engrossing, emotionally wrenching and socially astute storytelling.”—Washington Post

“A beautifully written and wonderfully crafted tale of two young Black women, their families and their love stories. However, that’s only the beginning of this immersive, captivating story. Johnson’s two main characters are strikingly different but stunningly similar. Readers will never forget Ruby or Eleanor, or the choices they make and the sacrifices they endure in this timely, relatable tale of women, children, skin color, haves and have-nots with an ending that will stay with you for a long, long time. A Reese’s Book Club pick, The House of Eve is an instant classic.”—NPR

“A heartrending story.”—Taylor Jenkins Reid, via Goodreads

"A provocative and heartrending tale about two young women forced to face the limitations of their reproductive choices in 1950s America. Ripping open the complex intersection of classism, colorism and gender inequality, Johnson has delivered a powerful statement on the cost of suppressing female autonomy that’s stunning to experience and impossible to forget."—Atlanta Journal Constitution

"This is a moving work of women’s fiction with timely perspective on racism, colorism, and pre-Roe women’s rights in the United States of the 1950s. Fans of Tayari Jones, Brit Bennett, and Jeni McFarland will want to check it out."Library Journal

“Johnson’s suspenseful and thought-provoking latest follows two young Black women as they separately navigate mid-20th century America.... This well-crafted work is bound to provoke discussion among readers about the conflicts women face regarding pregnancy.”—Publishers Weekly

"Johnson showcases the difficult boundaries of race, class, and education as she explores the obstacles and consequences that confront those who seek to cross them."—Booklist

"Johnson's portrait of young women with sharp wit and big dreams is powerful and honest.”—PopSugar

“If you’ve read Sadeqa Johnson’s other books, you’ll know her extraordinary talent for writing historical fiction that breaks the mold by challenging dominant narratives and encouraging readers to rethink their assumptions. Her latest offering is a powerfully moving story of womanhood, motherhood, race and redemption.”—Ms. Magazine

“Sadeqa Johnson is expert at excavating the parts of the past that we would rather not confront. She dusts off these harrowing histories, shines them up, and gives them their proper glory. She mines this terrain with soaring grace, shining intellect, and a love that resonates on every page. Thanks to Johnson's enviable ability to craft narratives that not only educate and elucidate, but also enamor, the stories of Ruby and Eleanor, and the Ancestors and Elders they represent, will remain with me always. The House of Eve is a powerful witnessing, an indispensable testimony, and a remarkable addition to Johnson's already stunning bibliography.” —ROBERT JONES, JR., author of The New York Times bestselling novel, The Prophets

"A luminous, moving read."—Kate Quinn, author of The Diamond Eye

“The House of Eve is a gorgeous, timely novel about the price that women pay for love. Eleanor and Ruby must choose between passion and safety, studies or motherhood, and painful situations or convenient lies. I ached for this book’s characters and savored this brilliant, deeply-researched novel about courage, coverups, and choices that no one should have to make.”—JANET SKESLIEN CHARLES, author of New York Times bestseller The Paris Library

"Sadeqa Johnson has a unique talent for shining light on lesser-known chapters of American history and bringing them fully, vibrantly to life. In The House of Eve, she paints a vivid world of circumstance, sacrifice, and longing, set just before the dawn of rock'n'roll in Philadelphia and Washington, D.C. With pitch-perfect dialogue, intricately researched details, and a tender exploration of the hearts of two women facing life-altering decisions, The House of Eve is an unforgettable tale of motherhood, ambition, the perils of prejudice, and the heartache of forbidden love."—KRISTIN HARMEL, New York Times bestselling author of The Forest of Vanishing Stars

“Full of immense heart, The House of Eve is a profound exploration of what it means to be a woman and mother in a world that can’t and won’t support you. This is a novel born of Johnson’s family history, a remarkable story re-imagined with grace, truth and powerful love. With the true and fascinating history of women who changed the world amid prejudice, shame and forbidden love, Johnson has gifted us with an enthralling novel that will leave an indelible imprint on our hearts and minds. I loved this book.”—PATTI CALLAHAN HENRY, New York Times bestselling author of The Secret Book of Flora Lea

“I don’t know where to begin with the brilliantly written House of Eve by Sadeqa Johnson. There were so many twists and turns, so many heart palpitating moments—I couldn’t turn the pages fast enough. House of Eve is one of those novels that will stay with you long after you read the last page."—VICTORIA CHRISTOPHER MURRAY, New York Times bestselling author of The Personal Librarian

Robert Jones

The House of Eve is a powerful witnessing, an indispensable testimony, and a remarkable addition to Johnson’s already stunning bibliography.”

Library Journal

12/01/2022

Taking on another fascinating under-told piece of women's history in this well-researched new novel, the author of Yellow Wife illuminates the impact of unwed pregnancy through the alternating narratives of two young Black women in the 1950s. Supported by two loving, hardworking parents, Eleanor Quarles is studying at the pinnacle of Black higher education, Howard University, and she plans a career as an archivist. Ruby Pearsall, the daughter of an unwed teenage mother, is struggling to be the first in her family to go to college, via the We Rise program for high school students of color in Philadelphia. Eleanor and Ruby are both forced to make heartrendingly difficult choices, revealing startling truths about adoption, race, and class in the United States in the years before legalized birth control. Sparked by the author's own family history, this timely novel imagines the emotional turmoil of two young Black women of vastly different circumstances in the 1950s, as unwed pregnancy and the stigma surrounding it threaten to derail their carefully made plans for college and careers. VERDICT This is a moving work of women's fiction with timely perspective on racism, colorism, and pre-Roe women's rights in the United States of the 1950s. Fans of Tayari Jones, Brit Bennett, and Jeni McFarland will want to check it out.—Laurie Cavanaugh

FEBRUARY 2023 - AudioFile

Ariel Blake and Nicole Lewis provide an excellent dual narration of this fascinating look at two young Black women who confront racial, class, and gender inequities in the 1950s. Blake captivates as 15-year-old Rosa, who is striving for a college scholarship to escape her poor Philadelphia neighborhood and her mother, who chooses her boyfriends over her. Lewis superbly portrays Eleanor, originally from small-town Ohio, who navigates Howard University's competitive environment, as well as a fraught relationship with her mother-in-law, whose condescending views are unsettling. Both narrators excel at conveying the dialogue of the large supporting cast, with Blake's portrayal of Rosa's Aunt Marie's tough yet tender personality a standout. Listeners will be fully engaged as Rosa and Eleanor face their many challenges. M.J. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Kirkus Reviews

2023-01-25
Two ambitious young Black women struggle with the consequences of unplanned pregnancies in post–World War II America.

Ruby Pearsall, one of the two main characters of this historical novel, wants to become a doctor. She’s only 14, but she’s already set herself on the path to her dream as a student in a demanding special program that she hopes will earn her a college scholarship. Her mother is indifferent, her father absent, but Ruby has her own determination and the warm support of her Aunt Marie, a nightclub performer who takes the girl in when her mother kicks her out. Distraction strikes, though, in the person of Shimmy, the son of Aunt Marie’s Jewish landlord, who falls madly in love with Ruby despite her efforts to remind him of the perils of interracial romance in Philadelphia in 1949. Eleanor Quarles, the book’s other main character, is a few years older than Ruby. She’s already in college, at Howard University in Washington, and happily starting to pursue a career as an archivist in the school’s library. It’s there that she meets William Pride Jr., a handsome, charming medical student whose attention to her seems almost like a dream—until she meets his family. They’re part of the city’s wealthy, accomplished Black elite, and Eleanor, who’s from a blue-collar family in small-town Ohio, feels out of her element. What’s more, unlike Eleanor, almost everyone in William’s social orbit is light-skinned enough to pass for White. William’s ferociously snobbish mother, Rose, does not see Eleanor as a potential bride for her son, but William is in love. Both young women get pregnant. For Eleanor, that leads to marriage but not happiness; for Ruby, it leads to a stint in a nightmarish maternity home for unwed mothers. The events that will create a bond between the two are telegraphed a little too early, and the plot sometimes bogs down. But the engaging main characters and wealth of historical detail carry the novel forward.

An empathetic and sobering look at the price women of the 1950s sometimes paid for desire.

Product Details

BN ID: 2940174944213
Publisher: Simon & Schuster
Publication date: 02/07/2023
Edition description: Unabridged
Sales rank: 376,475

Read an Excerpt

Chapter One: Mommies and Dragons My grandma Nene always said that early was on time, on time was late, and late was unacceptable. Fatty was unacceptably late again. Knowing full well that I had some place important to be. I didn’t mind staying with Grandma Nene overnight once a week so that Fatty could clean offices. All I asked was that she be home in time for me to catch the bus to my Saturday enrichment classes. And for the third week in a row, Fatty dragged her heavy feet through Nene’s apartment door fifteen minutes behind schedule, calling out in her high-pitched voice, “Ruby girl, I’m sorry. Let me tell you what happened.”

My cousin had more excuses than a hoe going to jail, and I didn’t have time to entertain her colorful tales this morning. I had one hour to get all the way down to South Philly, and I twisted up my lips in a way that I hoped conveyed how annoyed I was over her lack of consideration.

“You got my carfare?” I thrust my hand in her face, but Fatty brushed past me in the narrow hallway, past the crooked family pictures that hung in mismatched frames, through to the small L-shaped kitchen. I stomped behind her as she snatched back her pageboy wig and tossed it on the counter.

“Your mother said she’d leave it for you.”

A baby cockroach scurried from under the toaster, and Fatty smashed it dead with her palm.

“You gonna make me walk all the way back in the opposite direction? Just give me twenty cents.”

“I would if I could,” she said, scrubbing her hands at the apron sink. “But I’m broke as a joke girl until next Friday.”

My scalp heated. “Grandma ain’t got no money round here? What if my mother forgot?”

“Chile, I talked to Inez last night, she said she would. Now quit wearing out my nerves. If you leave now, you’ll make it.” Fatty reached into the icebox and cracked open a can of Schlitz. She tipped it to her lips and took a long swallow, then exhaled in a way that suggested that she had been thirsting for that beer her whole way home. After another hungry swig, she undid the buttons to her blue uniform down to her waist. The rolls around her middle sighed with relief.

“Did Nene take her medicine?”

I snatched up my school bag, nodding my head with frustration. “She’s been sleep twenty minutes. Her next eye dosage is at eleven.”

With the front door open, I could smell scrapple frying from the new neighbor’s apartment on the first floor. She had twin babies who kept up a chorus of crying all night long. “I’m not doing this for you no more.”

Fatty belched, then called after me, “I said I was sorry. Damn girl, what you want? Blood?”

I slammed the door in response, then felt bad, hoping I hadn’t disturbed Nene.

The piece of toast I had prepared for my journey was now cold and stiff with butter. I shoved the bread in my mouth as I ran down the two flights of stairs and out onto 28th Street. A dampness clung to the air from last night’s rain, and I had to sidestep wet leaves that had gathered in potholes.

I had been marked tardy for the last three weeks in a row, and Mrs. Thomas said if I was late to one more enrichment class, she was writing me up. I wondered if Fatty was messing with my future on purpose. Everyone, even Fatty, knew how prestigious it was to be selected to participate in the Armstrong Association’s We Rise program. As one of twelve Negro students chosen from across the city of Philadelphia, I was competing to receive a full four-year scholarship to Cheyney University, the oldest historically Negro college in the country. To earn it, I had to be impeccable in every way, and being on time was a requirement. If I wasn’t awarded the scholarship, I could forget all about going to college for optometry. No one in my family had been to college, nor could they afford to send me. I refused to let Fatty’s disregard for time muddy up my future. Especially since she hadn’t even finished high school.

Out on Columbia Avenue I passed by the Temple of God, where women dressed in white from head to toe stood greeting the congregation by the storefront entrance. It was the only church in the neighborhood that met on Saturday mornings, and I avoided eye contact, lest one of the women think I was curious about being saved by their Lord and try coaxing me to join them.

I hurried on, rounding the corner onto 33rd Street. In the middle of the block, I could see four men huddled in folding chairs in front of Process Willie’s barbershop. A backgammon set hunkered between two of them, and they all clung to paper cups, probably sipping brown liquor that kept them warm so early in the morning. Their wrinkled clothes and befuddled expressions suggested that they had been carrying on all night long, and I knew that meant trouble.

I buttoned up my jumbo knit sweater hoping that would make me invisible to them. But I wasn’t fast enough. As soon as I stepped down off the curb, I heard the first one call.

“Girl, you fine enough to make a grown man cry.”

The one next to him grinned wide enough for me to see that he was missing a tooth. “Yes, Lawd. Shaped like a Coca-Cola bottle. Got me thirsting for a drink.”

“Bet she taste sweet like candy, too.”

The one closest to me reached for my hand, but I sidestepped it.

“Whatcha in a rush for? Big Daddy got everything you need right here.”

I shot him the most evil eye I could muster as I slipped past them. The men continued to wolf whistle, and I could feel their eyes fixed on my behind. It was times like this I wished there was a button that would erase me. Not to die or nothing. Just so I wouldn’t exist. At the very least, I’d like to take a pin to my oversized tits and pop them like water balloons. Making me flat like a pancake, and as boring to watch as a teacup. Maybe then my mother would see me for who I was and stop calling me out my name.

We lived in a rented apartment on the corner of 33rd and Oxford. It was the third place we had called home in the past two years. Across the street from us was a huge park that we wouldn’t dare venture into. The closest I got to the lush greens was from our front porch, where I sat in a rusty folding chair and watched red-faced men play golf, their blonde wives parked with their children and packed snacks on nearby blankets, blasting the latest hits by Tony Bennett and Percy Faith.

Skipping up the cement steps of our redbrick building, I fumbled for the keys around my neck. None of the doorbells ever worked, and I had to jimmy my key in the deadbolt several times before it turned. Whenever it rained, the door jammed and I had to shove the heavy wood with my shoulder to pry it open. As I moved up the creaky stairs two at a time, I could feel my blouse sticking to my back. Whenever I got nervous, my face and back broke out into an annoying sweat. The bus would arrive in twenty minutes, which gave me time to change into another top that didn’t need pressing and sneak some of Inez’s perfume.

The front door of our apartment opened into the canary-colored kitchen, and I smelled a cigarette burning. I dabbed the sleeve of my sweater against my forehead and swallowed down my unease.

Inez always left money for me in the same hiding place: wrapped in a paper towel and slipped between two steak knives in a kitchen drawer. I slid open the drawer, breathing a sigh of relief when I saw the napkin. My fingers curled around it, but it felt light. I shook the tissue free, then moved the other knives around, hoping the money had slipped out somehow. But found nothing.

A new wave of sweat moistened my hairline as I tried to think of what to do next. There was no loose change laying around the apartment; I had used the spare coins last week when Inez hadn’t left the money. I had no idea how long it would take for me to walk from North Philly to South Philly, but just the thought of crossing the city on foot made my head hurt.

My unsteady fingers gripped the upholstery stuffing that was loose in the kitchen chair, trying to make a plan, when Leap, my mother’s latest boyfriend, strolled into the kitchen with a cigarette fastened between his nicotine-stained teeth.

“What are you doing here?” fell from my lips.

He cocked his head at me. “You my woman now, too?”

“You usually at the barber shop on Saturday morning.”

Leap drifted to the sink and turned on the faucet. He let the water gush out for a few seconds, and then he picked up a glass from the dish rack and filled it. While he sipped, his eyes roamed over me. Leap’s wandering eyes always made me self-conscious. Usually I avoided him as best I could, but in that moment I didn’t look away.

A baby-blue satin scarf was tied around the sides of his processed hair, knotted at his forehead. He had smooth, cherrywood-colored skin. A rope chain hung from his neck, and his T-shirt was untucked from his drawstring pants. He thought he looked like Nat King Cole, but he wasn’t nearly as cute.

The kitchen felt cramped and hot with both of us standing there. Leap leaned over the table and tapped his cigarette into the glass ashtray that sat among scattered bills. I could hear the wall clock ticking, and the toilet running from down the hall. Leap had forgotten to jiggle the toilet handle again after he flushed.

“What you in here rummaging around for?”

“My mother said she’d leave twenty cents for my carfare down to Lombard Street. You seen it?”

“Naw.” He dragged.

“Well, can you loan it to me till she get back?”

A slight smirk played on his face. “What you gonna do for me?”

My bus arrived in ten minutes, and I could hear each precious second ticking away on the kitchen clock.

“What you want?” I chewed on my fingernail, spitting out flecks of pink polish.

Leap stamped out his cigarette. “A kiss.”

“Huh?” My stomach sank so low I forgot to breathe.

“Just a quick one. No harm in that, and I’ll give you a quarter.” He flashed me a smile. His gold crown glinted from the upper right side of his mouth.

That was ten cents each way, plus five cents extra for a pretzel and juice on our break. Inez never gave me extra for food. I usually just sat in class hungry. My schoolbag had gotten heavy; I hadn’t realized I was still holding it.

The stress of it all was getting the best of me. I was desperate to get to my classes, determined to earn my scholarship, so that I could stop depending on Inez’s creepy boyfriends to keep a roof over our heads.

“Just a peck?” My voice cracked, hating that I was in this position, and Inez even more for putting me in it.

“Yeah.”

“On the cheek?”

He reached into his pocket and flipped the quarter in the air with his thumb and pointer finger, caught it and slammed it down on the table. “The lips.”

I shivered.

Leap folded his hands behind his back, squinting his eyes the way I saw him do to Inez when he wanted her to give him some sugar, as he called it. Shame flooded through me. Gulping down my nerves, I willed my feet to move around the chrome kitchen table toward him.

The only thing standing between me and getting to the program on time was a kiss. A measly little kiss. I could do this. When I closed my eyes and leaned up, I could smell a mixture of last night’s whiskey and this morning’s cigarettes reeking from him. I held back my gag.

Leap pressed his thick lips against mine and my knees knocked against each other. In an instant I felt his slimy tongue force my lips open. When I tried to pull away, Leap cupped one hand over my left breast and used the other hand to grab my behind, tilting me up against him. I squirmed but he just held me tighter, thrusting his thing up against my thigh over my skirt.

“Stop,” I whined, pressing my elbows against his waist, trying to free myself. But his grip was unbreakable.

Just then, the front door swung open. Leap stumbled back and pushed me away, but he wasn’t quick enough. Inez’s big eyes roved between us like a madwoman’s.

“What the hell?” she shouted, dropping the brown grocery bag. I heard something crack as it hit the linoleum floor.

Leap backed farther away from me with his hands up, like she was the police. “She came on to me. Talking about needing bus fare. All up on me before I could stop her.”

“Liar,” I hissed. “It was you.”

“Get the fuck out of here.” My mother put her arm in the air like she was firing a warning shot. Soft tendrils from her ponytail had come loose. We shared the same walnut-colored skin tone, but hers had turned apple red.

I turned to Leap, waiting to see how he’d react, glad that my mother was finally taking my side. But then I realized: she was looking at me. She was speaking to me. I was the one she blamed. Her eyes sliced into me like a butcher knife.

“Now! Fast ass.”

I palmed the quarter, and when I got to the front door, she pushed me in the back of my head. “Got no business all up in my man’s face. Stay in a child’s place.”

She slammed the door behind me so hard that the impact shook the hinges. I stumbled down the steep steps, reaching for the banister to catch myself from falling. Once outside I tried to shake the whole scene from my mind, but I kept feeling Leap’s fingers clawing me, kept feeling Inez’s fury burn my chest, as I ran the three blocks to the bus stop.

About a half block away, I could see the bus pull over to the curb, and I ran faster, pumping my knees under my skirt as my bag slapped hard against my hip. I called out, waving my hands to get the driver’s attention. A few feet away, the door cranked closed, but I was near enough to bang on the metal siding with my fist.

“Please, wait!” I hollered.

But the bus driver pulled away from the curb like he didn’t hear me. Like I didn’t matter. Like I didn’t exist. I hurled my schoolbag to the ground, then bent over and spit the overwhelming taste of Leap from my mouth.

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