The House with the Mezzanine and Other Stories

"The House with the Mezzanine and Other Stories" is a collection of short stories by Anton Pavlovich Chekhov, one of the most influential Russian writers of the late 19th and early 20th centuries. Chekhov is renowned for his mastery of the short story form, his subtle characterizations, and his ability to portray the complexities of human life with emotional depth and minimalism.

"The House with the Mezzanine" (also sometimes translated as "The House with the Upper Floor") is the title story of this collection, and it captures many of Chekhov's recurring themes:

The conflict between art and practicality

The divide between social classes

The nature of love and missed opportunities

A sense of quiet melancholy and nostalgia

This story, like many in the collection, is introspective and rich with atmosphere. It explores a short but meaningful relationship between a painter (the narrator) and a young woman named Lida, as well as her sister Zhenya, who live in a house with a mezzanine in a provincial Russian town.

Other stories in the collection are:

Typhus

Gooseberries

In Exile

The Lady with the Toy Dog

Goussiev

My Life

About the Author

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."

Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, and created a somewhat haunting atmosphere for the audience.

Chekhov began writing stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)

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The House with the Mezzanine and Other Stories

"The House with the Mezzanine and Other Stories" is a collection of short stories by Anton Pavlovich Chekhov, one of the most influential Russian writers of the late 19th and early 20th centuries. Chekhov is renowned for his mastery of the short story form, his subtle characterizations, and his ability to portray the complexities of human life with emotional depth and minimalism.

"The House with the Mezzanine" (also sometimes translated as "The House with the Upper Floor") is the title story of this collection, and it captures many of Chekhov's recurring themes:

The conflict between art and practicality

The divide between social classes

The nature of love and missed opportunities

A sense of quiet melancholy and nostalgia

This story, like many in the collection, is introspective and rich with atmosphere. It explores a short but meaningful relationship between a painter (the narrator) and a young woman named Lida, as well as her sister Zhenya, who live in a house with a mezzanine in a provincial Russian town.

Other stories in the collection are:

Typhus

Gooseberries

In Exile

The Lady with the Toy Dog

Goussiev

My Life

About the Author

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."

Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, and created a somewhat haunting atmosphere for the audience.

Chekhov began writing stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)

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The House with the Mezzanine and Other Stories

The House with the Mezzanine and Other Stories

by Anton Chekhov
The House with the Mezzanine and Other Stories

The House with the Mezzanine and Other Stories

by Anton Chekhov

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Overview

"The House with the Mezzanine and Other Stories" is a collection of short stories by Anton Pavlovich Chekhov, one of the most influential Russian writers of the late 19th and early 20th centuries. Chekhov is renowned for his mastery of the short story form, his subtle characterizations, and his ability to portray the complexities of human life with emotional depth and minimalism.

"The House with the Mezzanine" (also sometimes translated as "The House with the Upper Floor") is the title story of this collection, and it captures many of Chekhov's recurring themes:

The conflict between art and practicality

The divide between social classes

The nature of love and missed opportunities

A sense of quiet melancholy and nostalgia

This story, like many in the collection, is introspective and rich with atmosphere. It explores a short but meaningful relationship between a painter (the narrator) and a young woman named Lida, as well as her sister Zhenya, who live in a house with a mezzanine in a provincial Russian town.

Other stories in the collection are:

Typhus

Gooseberries

In Exile

The Lady with the Toy Dog

Goussiev

My Life

About the Author

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."

Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, and created a somewhat haunting atmosphere for the audience.

Chekhov began writing stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)


Product Details

ISBN-13: 9781455415540
Publisher: Seltzer Books
Publication date: 01/01/2017
Sold by: Barnes & Noble
Format: eBook
File size: 726 KB

About the Author

About The Author
Anton Chekhov, in full Anton Pavlovich Chekhov (born Jan. 29 [Jan. 17, Old Style], 1860, Taganrog, Russia-died July 14/15 [July 1/2], 1904, Badenweiler, Ger.), major Russian playwright and master of the modern short story. He was a literary artist of laconic precision who probed below the surface of life, laying bare the secret motives of his characters. Chekhov's best plays and short stories lack complex plots and neat solutions. Concentrating on apparent trivialities, they create a special kind of atmosphere, sometimes termed haunting or lyrical. Chekhov described the Russian life of his time using a deceptively simple technique devoid of obtrusive literary devices, and he is regarded as the outstanding representative of the late 19th-century Russian realist school.
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