The Joker

The Joker

by Brian Azzarello, Lee Bermejo
The Joker

The Joker

by Brian Azzarello, Lee Bermejo

eBook

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Overview

You will be blown away.'-AIN'T IT COOL NEWS Brian Azzarello brings to THE JOKER all the visceral intensity and criminal insight that has made his Vertigo graphic novel series 100 BULLETS one of the most critically acclaimed and award-winning seriesof all time. This original graphic novel tells the story of one very dark night in Gotham City. The Joker has been mysteriously released from Arkham Asylum, and he's none too happy about what's happened to his Gotham City rackets while he's been'away.' What follows is a harrowing night of revenge, murder and manic crime as only The Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and, of course, The Batman, and heavenhelp them all. Told through the eyes of his loyal (but naive) henchman Jonny Frost, JOKER is a true noir crime novel: a harrowing journey into a city of rain-soaked streets, dirty sheets and nothing but bad choices.

Product Details

ISBN-13: 9781401236632
Publisher: DC
Publication date: 10/09/2012
Sold by: DC Comics
Format: eBook
Pages: 128
Sales rank: 281,119
File size: 72 MB
Note: This product may take a few minutes to download.
Age Range: 12 Years

About the Author

About The Author
BRIAN AZZARELLO has been writing comics professionally since the mid-1990s. He is the writer and cocreator with Eduardo Risso of the acclaimed Vertigo series 100 BULLETS. Azzarello's other writing credits for DC Comics include BATMAN and JONNY DOUBLE (both with Risso), SUPERMAN: FOR TOMORROW (with artist Jim Lee), WONDER WOMAN and an Eisner-nominated run on HELLBLAZER. He has also written Cage and Banner for Marvel Comics. With artist Lee Bermejo, he wrote the acclaimed graphic novels JOKER and LUTHOR. He helped inaugurate the Vertigo Crime line with the graphic novel FILTHY RICH.

LEE BERMEJO began drawing comics in 1997 for WildStorm Studios in San Diego at age 19. He collaborated with acclaimed writer Brian Azzarello on the graphic novels JOKER and LUTHOR, and worked with writer John Arcudi on the Superman feature in WEDNESDAY COMICS. He has also worked on HELLBLAZER with writer Mike Carey and GLOBAL FREQUENCY with writer Warren Ellis. Bermejo has illustrated the covers to the line of Vertigo Crime graphic novels, beginning with FILTHY RICH, written by Brian Azzarello, and DARK ENTRIES, written by Ian Rankin. Bermejo has lived in Italy since 2003.

Interviews

Brian, what can you tell us about JOKER?

It s dark, it’s disturbing… inky, oily, unapologetic noir. It’s the story of a crime boss-- in this case Joker-- reclaiming the city he lost when he got locked up.

How did you approach writing Joker?

I dove right in the deep end with him. I found he was a character that couldn’t be half-assed. His story grabbed me by the throat while I was writing it, and dragged me to some very bad places-- much like what happens to Jonny Frost, the low-level thug who acts as the story’s narrator.

What aspects of his character did you choose to focus on, and why?

Strange at it seems, his struggle to control-- Gotham City for sure, and it’s criminal underworld, but also himself. Like… he’s insane, but he could be even “insaner”, and he knows it. I played with that notion.

The characters, situations and action are all rooted in a gritty reality, with very little superhero/comic book-y aspects. What made you gravitate toward a more street-level portrayal of Gotham and its residents?

It just feels right to me. I think Gotham City works best this way; a twisted reflection of our own urban realities. It really is a town without pity.

What is it about Lee Bermejo that makes him the ideal collaborator on this, after you guys teamed up on LUTHOR?

Lee definitely shares the same sensibilities that I have. There’s a lot of mutual respect too; we want each other to succeed.

What did he bring to the project that elevated it for you?

Lee’s artwork is stunning. He absolutely nails the mood of this story-- and Joker himself. I don’t think readers will see the character in the same way again after reading this book. His work redefines.

Why do the Joker and Batman fit in with these kind of stories so well?

Like Gotham City, they too are reflections of our own reality, I think. There’s nothing super or paranormal about them. They’re human, only “turned up to eleven”.

What do you hope readers get out of reading JOKER?

An experience-- I hesitate to say enjoyment. Lets say thrilled. I hope they are thrilled. I hope they find that while the criminals of Gotham are scared of Batman, they’re absolutely terrified of Joker.

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