The Music of Life: Bartolomeo Cristofori & the Invention of the Piano

by Elizabeth Rusch, Marjorie Priceman (Illustrator)

Overview

Award-winning biographer Elizabeth Rusch and two-time Caldecott Honor–recipient Marjorie Priceman team up to tell the inspiring story of the invention of the world’s most popular instrument: the piano.

Bartolomeo Cristofori coaxes just the right sounds from the musical instruments he makes. Some of his keyboards can play piano, light and soft; others make forte notes ring out, strong and loud, but Cristofori longs to create an instrument that can be played both soft and loud.

His talent has caught the attention of Prince Ferdinando de Medici, who wants his court to become the musical center of Italy. The prince brings Cristofori to the noisy city of Florence, where the goldsmiths’ tiny hammers whisper tink, tink and the blacksmiths’ big sledgehammers shout BANG, BANG! Could hammers be the key to the new instrument?

At last Cristofori gets his creation just right. It is called the pianoforte, for what it can do. All around the world, people young and old can play the most intricate music of their lives, thanks to Bartolomeo Cristofori’s marvelous creation: the piano.

Product Details

ISBN-13:	9781481444859
Publisher:	Atheneum Books for Young Readers
Publication date:	04/18/2017
Sold by:	SIMON & SCHUSTER
Format:	eBook
Pages:	48
Lexile:	980L (what's this?)
File size:	89 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 8 Years

About the Author

Elizabeth Rusch is an award-winning children’s book author and magazine writer. Her books include The Mighty Mars Rovers, For the Love of Music: The Remarkable Story of Maria Anna Mozart, and Electrical Wizard: How Nikola Tesla Lit Up the World. She teaches nonfiction and children’s literature at the Attic Institute in Portland, Oregon. Visit her online at ElizabethRusch.com.

Marjorie Priceman, illustrator of many acclaimed picture books, has won Caldecott Honors for her illustrations in Zin! Zin! Zin! A Violin! by Lloyd Moss and Hot Air: The (Mostly) True Story of the Frist Hot-Air Balloon Ride, which she also wrote. She lives in Lewisburg, Pennsylvania.

Editorial Reviews

★ 02/27/2017
Rusch (Electrical Wizard: How Nikola Tesla Lit Up the World) playfully weaves aural imagery throughout this engaging story of how Bartolomeo Cristofori came to invent the piano. Sounds of 17th-century Italian life abound as the instrument maker heads to the Medici court in Florence to work alongside other craftsmen: “Wool beaters thump and looms clatter—clack. Ka-chunk goes the printing press.” The auditory motif continues as dynamics notations headline each spread: a booming “forte (loud)” rises from a noisy harpsichord, while “pianissimo (very soft)” curls across a scene of Cristofori tuning a clavichord. Wanting an instrument that can be played either loudly or softly, he builds the pianoforte, later shortened to piano. Priceman’s (Miracle on 133rd Street) bold brushstrokes and vibrant colors add energy and humor; an orange tabby cat, often comically startled awake by music, appears in most scenes. Extensive endnotes include a timeline, comparisons between the original and modern pianos, suggested listening (from Chopin to Tori Amos), and thorough discussion of the sources Rusch used. It’s a spirited, informative tale that will resonate with music aficionados young and old. Ages 4–8. Author’s agent: Kelly Sonnack, Andrea Brown Literary. (Apr.)

Publishers Weekly

Rusch’s evocative text is underscored by Priceman’s breezy but detailed gouache-and-ink illustrations and the book’s dynamic design . . . which add a near soundtrack to the words. . . Bravo!

July/August 2017 - The Horn Book

* “Priceman’s watercolors are zesty evocations of sound unleashed . . . Rusch supplies an amazing treasure trove of back matter that extends the title’s interest beyond an expected picture-book audience . . . Kids taking music lessons or preparing for a school invention fair, teachers looking for high quality STEAM materials, and anyone with earbuds dangling from her/his head need to listen to the Cristofori story.

April 2017 - Starred Review BCCB

Priceman’s gouache-and-ink illustrations exuberantly fill all available page space . . . Fast-paced, lively, and informative, this book will appeal to music lovers as well as a wider audience, who may be creatively inspired by these passionate musicians and their instruments.

February 1, 2017 - Booklist

Priceman’s gouache-and-ink illustrations exuberantly fill all available page space . . . Fast-paced, lively, and informative, this book will appeal to music lovers as well as a wider audience, who may be creatively inspired by these passionate musicians and their instruments.

February 1, 2017 - Booklist

04/01/2017
K-Gr 3—A well-researched, fascinating account of the father of modern-day pianos. Bartolomeo Cristofori was a talented 17th-century inventor born in Padua, Italy, who loved the light and powerful sounds of the clavichord and the harpsichord. He longed to create an instrument that married both of these kinds of notes. With the patronage of Prince Ferdinando de' Medici, Cristofori was able to spend the rest of his life tinkering away in his quest for what would eventually become the pianoforte. Rusch's energetic text is paired well with Priceman's vibrant images, rendered in gouache and ink with bold strokes. Each spread is introduced by a musical term, defined in parentheses, that not only sets up the narrative that will be showcased on those pages but also introduces readers to piano-playing techniques (e.g., forte, pianissimo, crescendo). The curly and bold font used for these headings adds to the dynamic layout of each page and illustrates the lively music that the piano inspires. Quotations from and about Cristofori are peppered throughout. In addition to a detailed time line and source notes, the thorough back matter includes author's notes on the few updates that have been made since Cristofori's pianos, where children can find his remaining instruments, a list of classical and modern music pieces that make great use of the piano, and how Rusch was able to reconstruct the inventor's life from primary and secondary sources. VERDICT A strong purchase for music lovers, budding pianists, and large biography and STEAM collections.—Shelley M. Diaz, School Library Journal

School Library Journal

★ 2017-02-04
A bright, colorful introduction to a beloved instrument.Rusch pairs up with Caldecott honoree Priceman (Zin! Zin! Zin! A Violin!, 1995) to produce this biography of the white Italian musician and craftsman Bartolomeo Cristofori. In 1688, Fernando de Medici chose Cristofori to build and restore harpsichords and other instruments. Priceman's signature artwork is a perfect match for the words, which emphasize Cristofori's desire for a keyboard instrument capable of the nuance of the violins he hears at the opera and the color he sees in paintings. Banners defining musical terms run across the tops of pages. Throughout are visual and textual cues to the meanings of those terms. One page is headed "pianissimo (very soft)," while the narrative reads, "a hush envelops the room….Feet pad across the room. Cloth rustles. Sand falls silently through an hourglass." Here, soft purple watercolors surround the words, and a sleeping cat curls around the hourglass. Horses "whinny, snort, and stamp as a young prince and his entourage spring from the carriages to the cobblestones" in reflection of "crescendo (becoming louder)." By 1700, Cristofori's new instrument, the pianoforte, is complete. Colorful waves of sound pour out of the opened instrument. Source material for the story is effectively embedded in the pages. Extensive backmatter further illuminates the text and invites readers to listen to recordings of surviving and replica pianos. Delightfully energetic, this will inspire young pianists. (Picture book/biography. 4-8)

Kirkus Reviews