The Oxford Handbook of George Eliot
George Eliot repeatedly stressed the aesthetic and ethical importance of viewing subjects from different perspectives: The Oxford Handbook of George Eliot presents fifty-two perspectives on this major nineteenth-century writer. Together, the chapters provide the most wide-ranging collection of essays on Eliot's life and works published to date. While providing fresh perspectives on the important themes running through Eliot's works, the volume is distinctive in placing a concern with literary form at its heart. Part I questions longstanding conceptions of Eliot as a figure isolated by scandal by exploring her personal and intellectual relationships with her contemporaries. Part II focuses on Eliot's close engagement with earlier poets, dramatists, and novelists, as well as with painting, sculpture, and music, and in so doing probes Eliot's interest in the nature of influence itself. Part III explores the full range of Eliot's unpublished and published works: chapters on each of the novels make a renewed case for the centrality of Eliot's works to current scholarly debates about nineteenth-century literature; other chapters offer ways into texts that have either been neglected (such as the novellas and poetry) or more often mined for biographical and historical contexts than given a close reading (such as the notebooks, manuscripts, letters, and journals). Part IV gives close scrutiny to those aspects of literary form which characterise Eliot's writing, particularly her preoccupation with genre and her handling of voice, both that of her narrators and her characters. Part V assesses the complexity of Eliot's legacy for later writers, concluding with five shorter essays which tackle the nature and impact of the enduring cultural status of Middlemarch as a (often declared the) 'great English novel'.
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The Oxford Handbook of George Eliot
George Eliot repeatedly stressed the aesthetic and ethical importance of viewing subjects from different perspectives: The Oxford Handbook of George Eliot presents fifty-two perspectives on this major nineteenth-century writer. Together, the chapters provide the most wide-ranging collection of essays on Eliot's life and works published to date. While providing fresh perspectives on the important themes running through Eliot's works, the volume is distinctive in placing a concern with literary form at its heart. Part I questions longstanding conceptions of Eliot as a figure isolated by scandal by exploring her personal and intellectual relationships with her contemporaries. Part II focuses on Eliot's close engagement with earlier poets, dramatists, and novelists, as well as with painting, sculpture, and music, and in so doing probes Eliot's interest in the nature of influence itself. Part III explores the full range of Eliot's unpublished and published works: chapters on each of the novels make a renewed case for the centrality of Eliot's works to current scholarly debates about nineteenth-century literature; other chapters offer ways into texts that have either been neglected (such as the novellas and poetry) or more often mined for biographical and historical contexts than given a close reading (such as the notebooks, manuscripts, letters, and journals). Part IV gives close scrutiny to those aspects of literary form which characterise Eliot's writing, particularly her preoccupation with genre and her handling of voice, both that of her narrators and her characters. Part V assesses the complexity of Eliot's legacy for later writers, concluding with five shorter essays which tackle the nature and impact of the enduring cultural status of Middlemarch as a (often declared the) 'great English novel'.
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The Oxford Handbook of George Eliot

The Oxford Handbook of George Eliot

The Oxford Handbook of George Eliot

The Oxford Handbook of George Eliot

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Overview

George Eliot repeatedly stressed the aesthetic and ethical importance of viewing subjects from different perspectives: The Oxford Handbook of George Eliot presents fifty-two perspectives on this major nineteenth-century writer. Together, the chapters provide the most wide-ranging collection of essays on Eliot's life and works published to date. While providing fresh perspectives on the important themes running through Eliot's works, the volume is distinctive in placing a concern with literary form at its heart. Part I questions longstanding conceptions of Eliot as a figure isolated by scandal by exploring her personal and intellectual relationships with her contemporaries. Part II focuses on Eliot's close engagement with earlier poets, dramatists, and novelists, as well as with painting, sculpture, and music, and in so doing probes Eliot's interest in the nature of influence itself. Part III explores the full range of Eliot's unpublished and published works: chapters on each of the novels make a renewed case for the centrality of Eliot's works to current scholarly debates about nineteenth-century literature; other chapters offer ways into texts that have either been neglected (such as the novellas and poetry) or more often mined for biographical and historical contexts than given a close reading (such as the notebooks, manuscripts, letters, and journals). Part IV gives close scrutiny to those aspects of literary form which characterise Eliot's writing, particularly her preoccupation with genre and her handling of voice, both that of her narrators and her characters. Part V assesses the complexity of Eliot's legacy for later writers, concluding with five shorter essays which tackle the nature and impact of the enduring cultural status of Middlemarch as a (often declared the) 'great English novel'.

Product Details

ISBN-13: 9780192670496
Publisher: OUP Oxford
Publication date: 02/20/2025
Series: Oxford Handbooks
Sold by: Barnes & Noble
Format: eBook
Pages: 880
File size: 19 MB
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About the Author

Juliette Atkinson studied at UCL and the University of Oxford. Since 2009 she has worked at UCL, where she is now Professor of English. Her research focuses on three main areas: nineteenth-century fiction (especially the work of George Eliot, two of whose novels she has edited for the Oxford World's Classics series), life-writing (she has published on the Victorian preoccupation with 'obscure' lives) and transnational literary works, and Anglo-French exchanges in particular. She is also an editor (Victorian-present) for The Review of English Studies. Elisha Cohn received her PhD from the Johns Hopkins University. Since 2011, she has worked in the Department of Literatures in English at Cornell University, where she is currently Associate Professor. Her research and teaching focuses on theory of the novel from the nineteenth century to present; literature and science; and affect theory. She is the author of Still Life: Suspended Development in the Victorian Novel (OUP, 2016) and essays in Victorian Studies, Victorian Literature and Culture, Contemporary Literature, and elsewhere.

Table of Contents

  • Introduction
  • Part I: Life and Networks
  • 1: Philip Davis: George Eliot's Life-Writing
  • 2: Sebastian Lecourt: George Eliot among Evangelicals, Dissenters, and Freethinkers
  • 3: Fionnuala Dillane: Marian Evans, 'George Eliot' and Nineteenth-Century Media Communities
  • 4: Supritha Rajan: George Eliot among Philosophers and Scientists
  • 5: Elsie Michie: George Eliot and Contemporary Writers
  • 6: Nancy Henry: George Eliot Abroad
  • Part II: Influences
  • 7: Isobel Hurst: George Eliot and the Classics
  • 8: Anthony Ossa-Richardson: George Eliot and Early Modern Practical Divinity
  • 9: Alison Milbank: George Eliot, Dante, and Milton
  • 10: Gail Marshall: George Eliot and Shakespeare
  • 11: Charlotte Roberts: George Eliot and Eighteenth-Century and Romantic fiction
  • 12: Thomas Owens: George Eliot and Wordsworth
  • 13: Linda K. Hughes: George Eliot and Goethe
  • 14: John Rignall: George Eliot and French Literature
  • 15: Deborah Epstein Nord: George Eliot and the Visual Arts
  • 16: Shannon Draucker: George Eliot and Music
  • Part III: Works
  • 17: Ruth Abbott: George Eliot's Notebooks
  • 18: Kathryn Sutherland: George Eliot's Manuscripts
  • 19: Rosemarie Bodenheimer: George Eliot's Letters
  • 20: Juliette Atkinson: George Eliot's Journals
  • 21: Matthew Sussman: George Eliot's Essays
  • 22: Clare Carlisle: George Eliot's Translations
  • 23: Stefanie Markovits: George Eliot's Poetry
  • 24: Audrey Jaffe: Scenes of Clerical Life: Genre and the Genealogy of George Eliot s Realism
  • 25: Anna Neill: 'The Lifted Veil', 'Brother Jacob', and Short Form
  • 26: Summer J. Star: Adam Bede and Work
  • 27: Cristina Griffin: The Mill on the Floss and Intimacy
  • 28: Elisha Cohn: Silas Marner and Affect
  • 29: David Sweeney Coombs: Romola and Presentism
  • 30: Ruth Livesey: Felix Holt and the Politics of Middle England
  • 31: Gerard Cohen-Vrignaud: The Intersectional Spanish Gypsy
  • 32: Gage McWeeny: Distantly Reading Middlemarch
  • 33: Jessica R. Valdez: Daniel Deronda and the Forms of Belonging
  • 34: Kent Puckett: George Eliot's Late Style: Impressions of Theophrastus Such
  • Part IV: Form
  • 35: Ayelet Ben-Yishai: Revisiting George Eliot's Realism
  • 36: Matthew Kaiser: Tragedy, Comedy, and George Eliot
  • 37: Carolyn Williams: George Eliot and Theatricality
  • 38: Jesse Rosenthal: George Eliot's Omniscient Narrator
  • 39: Jonathan Farina: George Eliot's Dialogue
  • 40: Yi-Ping Ong: George Eliot and Character
  • 41: John Plotz: George Eliot's Rhythms
  • 42: Daniel Tyler: George Eliot's Grammar
  • 43: Devin Griffiths: George Eliot and Metaphor
  • 44: Isabella Brooks-Ward: Aphorisms and Maxims in George Eliot
  • Part V: Afterlives
  • 45: Aaron Rosenberg: George Eliot's Modern Forms
  • 46: Alison Booth: Locating the Gendered Reception of George Eliot, 1880-1930
  • 47: Olivia Moy and Sungmey Lee: George Eliot's East Asian Afterlives
  • 48: Howard Jacobson: Perspectives on Middlemarch: Middlemarch and Contemporary Fiction
  • 49: Dinah Birch: Perspectives on Middlemarch: Middlemarch and the Value of the Humanities
  • 50: Caroline Levine: Perspectives on Middlemarch: Middlemarch as World Literature
  • 51: Nancy Yousef: Perspectives on Middlemarch: The Philosophical Art/Work of Middlemarch
  • 52: Robert Douglas-Fairhurst: Perspectives on Middlemarch: Two Middlemarch Sentences
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