The Paragon

The Paragon, as the first story written, shows only some of the features and interests that underlie the style of writing. As the stories progress what is revealed about the various characters changes and they become increasingly more complex and interesting in their motives. This interest becomes increasingly apparent after the first dozen stories. While the mystery is intriguing, ultimately character is paramount. Each story contains either some history or science that is accurate for the times and hopefully made interesting to the general reader. The stories are set between the two Great Wars so that many of the modern conveniences of solving mysteries are not available to Maigret. He has to reason through his cases and any research needed is much more laborious than a Google hunt. In presenting these stories it is usual for the author to tell more than one story at the same time or to tell one story from several different time lines in an effort to create the effect of the serial and the cliffhanger, that were once popular in weekly shorts shown in cinemas and still around when the author was a child. Every effort has also been made to make the stories seem reasonable and real. The reader is to feel these stories could actually happen. There are no red herrings, there are no convoluted plot distortions that plague many detective stories.

If you have comments and constructive criticism you can contact the author at riyadhbawa (one word, small letters) at using the at symbol (@), gmail.com. It is very difficult to proof read your own work. If you propose a correction the author will consider it. In constructive criticism the author is interested in why you liked or disliked the story, what was most interesting or intriguing in the story and how the method of telling affected your perception of the story. Do a good job and the author will send you a free story by way of a thank you.

Reading draws the curtains on unimagined worlds into which the reader steps and briefly gets to live the lives of those who come to tell their story. All great stories need to please and gratify the needs and wants of readers. I only seek to briefly please.

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The Paragon

The Paragon, as the first story written, shows only some of the features and interests that underlie the style of writing. As the stories progress what is revealed about the various characters changes and they become increasingly more complex and interesting in their motives. This interest becomes increasingly apparent after the first dozen stories. While the mystery is intriguing, ultimately character is paramount. Each story contains either some history or science that is accurate for the times and hopefully made interesting to the general reader. The stories are set between the two Great Wars so that many of the modern conveniences of solving mysteries are not available to Maigret. He has to reason through his cases and any research needed is much more laborious than a Google hunt. In presenting these stories it is usual for the author to tell more than one story at the same time or to tell one story from several different time lines in an effort to create the effect of the serial and the cliffhanger, that were once popular in weekly shorts shown in cinemas and still around when the author was a child. Every effort has also been made to make the stories seem reasonable and real. The reader is to feel these stories could actually happen. There are no red herrings, there are no convoluted plot distortions that plague many detective stories.

If you have comments and constructive criticism you can contact the author at riyadhbawa (one word, small letters) at using the at symbol (@), gmail.com. It is very difficult to proof read your own work. If you propose a correction the author will consider it. In constructive criticism the author is interested in why you liked or disliked the story, what was most interesting or intriguing in the story and how the method of telling affected your perception of the story. Do a good job and the author will send you a free story by way of a thank you.

Reading draws the curtains on unimagined worlds into which the reader steps and briefly gets to live the lives of those who come to tell their story. All great stories need to please and gratify the needs and wants of readers. I only seek to briefly please.

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The Paragon

The Paragon

by Eugene Lapole
The Paragon

The Paragon

by Eugene Lapole

eBook

$1.99 

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Overview

The Paragon, as the first story written, shows only some of the features and interests that underlie the style of writing. As the stories progress what is revealed about the various characters changes and they become increasingly more complex and interesting in their motives. This interest becomes increasingly apparent after the first dozen stories. While the mystery is intriguing, ultimately character is paramount. Each story contains either some history or science that is accurate for the times and hopefully made interesting to the general reader. The stories are set between the two Great Wars so that many of the modern conveniences of solving mysteries are not available to Maigret. He has to reason through his cases and any research needed is much more laborious than a Google hunt. In presenting these stories it is usual for the author to tell more than one story at the same time or to tell one story from several different time lines in an effort to create the effect of the serial and the cliffhanger, that were once popular in weekly shorts shown in cinemas and still around when the author was a child. Every effort has also been made to make the stories seem reasonable and real. The reader is to feel these stories could actually happen. There are no red herrings, there are no convoluted plot distortions that plague many detective stories.

If you have comments and constructive criticism you can contact the author at riyadhbawa (one word, small letters) at using the at symbol (@), gmail.com. It is very difficult to proof read your own work. If you propose a correction the author will consider it. In constructive criticism the author is interested in why you liked or disliked the story, what was most interesting or intriguing in the story and how the method of telling affected your perception of the story. Do a good job and the author will send you a free story by way of a thank you.

Reading draws the curtains on unimagined worlds into which the reader steps and briefly gets to live the lives of those who come to tell their story. All great stories need to please and gratify the needs and wants of readers. I only seek to briefly please.


Product Details

BN ID: 2940151956840
Publisher: Eugene Lapole
Publication date: 05/24/2015
Sold by: Smashwords
Format: eBook
File size: 207 KB
Age Range: 18 Years

About the Author

BIOGRAPHY Eugene Lapole is a retired English teacher who taught creative writing and drama for thirty years, writing plays for his students to produce. He's a devoted advocate of the plain and simple style of writing, interested in the matter of facts of history, and in all the sciences. While teaching, he worked for twenty years on an etymological dictionary (not published) and wrote poetry. After retiring he spent several years working on edited versions of Herodotus, Livy, and several other Classical Historians, with a particular interest in forensic analysis of their texts, in an effort to clear up many 'mysteries' and 'problems' posed by the imperative of their time (lying to please their patron, for one). For a more recreational pass time he started to write murder-mysteries, but with a twist. These were called in general The Unfortunate Cases of Inspector Maigret, (of which 30 plus have been written) because none of those cases could be solved in a traditional manner. In some cases the guilty party could not be brought to justice, for one reason or another and yet Maigret strives to find a satisfactory solution. All the stories are presented in pure dialogue with no external narrative. Thus they read like plays or film scripts.

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