The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America
Comics are a global phenomenon, and yet it's easy to distinguish the visual styles of comics from Asia, Europe, or the United States. But, do the structures of these visual narratives differ in more subtle ways? Might these comics actually be drawn in different visual languages that vary in their structures across cultures?

To address these questions, The Patterns of Comics seeks evidence through a sustained analysis of an annotated corpus of over 36,000 panels from more than 350 comics from Asia, Europe, and the United States. This data-driven approach reveals the cross-cultural variation in symbology, layout, and storytelling between various visual languages, and shows how comics have changed across 80 years. It compares, for example, the subtypes within American comics and Japanese manga, and analyzes the formal properties of Bill Watterson's Calvin and Hobbes across its entire 10-year run. Throughout, it not only uncovers the patterns in and across the panels of comics, but shows how these regularities in the visual languages of comics connect to the organizing principles of all languages.

1143426957
The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America
Comics are a global phenomenon, and yet it's easy to distinguish the visual styles of comics from Asia, Europe, or the United States. But, do the structures of these visual narratives differ in more subtle ways? Might these comics actually be drawn in different visual languages that vary in their structures across cultures?

To address these questions, The Patterns of Comics seeks evidence through a sustained analysis of an annotated corpus of over 36,000 panels from more than 350 comics from Asia, Europe, and the United States. This data-driven approach reveals the cross-cultural variation in symbology, layout, and storytelling between various visual languages, and shows how comics have changed across 80 years. It compares, for example, the subtypes within American comics and Japanese manga, and analyzes the formal properties of Bill Watterson's Calvin and Hobbes across its entire 10-year run. Throughout, it not only uncovers the patterns in and across the panels of comics, but shows how these regularities in the visual languages of comics connect to the organizing principles of all languages.

34.95 In Stock
The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America

The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America

by Neil Cohn
The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America

The Patterns of Comics: Visual Languages of Comics from Asia, Europe, and North America

by Neil Cohn

Paperback

$34.95 
  • SHIP THIS ITEM
    In stock. Ships in 2-4 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Comics are a global phenomenon, and yet it's easy to distinguish the visual styles of comics from Asia, Europe, or the United States. But, do the structures of these visual narratives differ in more subtle ways? Might these comics actually be drawn in different visual languages that vary in their structures across cultures?

To address these questions, The Patterns of Comics seeks evidence through a sustained analysis of an annotated corpus of over 36,000 panels from more than 350 comics from Asia, Europe, and the United States. This data-driven approach reveals the cross-cultural variation in symbology, layout, and storytelling between various visual languages, and shows how comics have changed across 80 years. It compares, for example, the subtypes within American comics and Japanese manga, and analyzes the formal properties of Bill Watterson's Calvin and Hobbes across its entire 10-year run. Throughout, it not only uncovers the patterns in and across the panels of comics, but shows how these regularities in the visual languages of comics connect to the organizing principles of all languages.


Product Details

ISBN-13: 9781350381643
Publisher: Bloomsbury Academic
Publication date: 12/28/2023
Pages: 304
Product dimensions: 6.20(w) x 9.15(h) x 0.70(d)

About the Author

Neil Cohn is Associate Professor of Communication and Cognition at Tilburg University, the Netherlands. He is the author of The Visual Language of Comics (2013), Who Understands Comics? (2020), and editor of The Visual Narrative Reader (2016).

Table of Contents

List of Figures and Tables
Preface
1. Visual Language
2. Corpus-Driven Comics Research
3. Morphology
4. Page Layout
5. Situational Coherence
6. Framing Structure
7. Narrative Structure
8. Visual Languages across Time
9. Cross-Cultural Visual Languages?
10. The Visual Language of Calvin and Hobbes
11. Towards a Visual Language Typology
Notes
References
Index

From the B&N Reads Blog

Customer Reviews