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Viet Thanh Nguyen's The Sympathizer was one of the most widely and highly praised novels of 2015, the winner not only of the 2016 Pulitzer Prize for Fiction, but also the Center for Fiction Debut Novel Prize, the Edgar Award for Best First Novel, the ALA Carnegie Medal for Fiction, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. Nguyen's next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family.
With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.
|Product dimensions:||5.50(w) x 8.25(h) x (d)|
About the Author
Viet Thanh Nguyen was born in Vietnam and raised in America. He is the author of The Sympathizer, which was awarded the 2016 Pulitzer Prize for Fiction, the Andrew Carnegie Medal for Fiction, the Center for Fiction First Novel Prize, the Edgar Award for First Novel, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance. He teaches English and American Studies and Ethnicity at the University of Southern California and lives in Los Angeles.
Read an Excerpt
Ever since my father died a few years ago, my mother and I had lived together politely. We shared a passion for words, but I preferred writing in silence while she loved to talk. She constantly fed me gossip and stories, the only kind I enjoyed concerning my father when he was a man I did not know, young and happy. Then came stories of terror like the one about the reporter, the moral being that life, like the police, enjoys beating people now and again. Finally there was her favorite kind, the ghost story, of which she knew many, some even first-hand.
Aunt Six died of a heart attack at seventy-six, she told me once, twice, or perhaps three times, repetition being her habit. I never took her stories seriously. She lived in Vung Tau and we were in Nha Trang, she said. I was bringing dinner to the table when I saw Aunt Six sitting there in her nightgown. Her long gray hair, which she usually wore in a chignon, was loose and fell over her shoulders and in her face. I almost dropped the dishes. When I asked her what she was doing here, she just smiled. She stood up, kissed me, and turned me towards the kitchen. When I turned around again to see her, she was gone. It was her ghost. Uncle confirmed it when I called. She had passed away that morning, in her own bed.
Table of Contents
Black-Eyed Women 1
The Other Man 23
War Years 49
The Transplant 73
I'd Love You to Want Me 99
The Americans 125
Someone Else Besides You 151
Two Essays 209
Most Helpful Customer Reviews
Every story is a taste of not only the immigrant experience but the refugee experience. Voices from a time and war that are turning into just another chapter in a history book. Its an amazing book that every classroom should have.
For days, I’ve been struggling to come up with the right words to describe this collection of short stories. It seems impossible to do them justice with my limited vocabulary. The stories are subtle, but not stark. Quiet but full of meaning. The sentences are eloquent, the stories direct. These stories are about immigration, and finding your way in a foreign land, about the struggles of getting to a new country, and the pain of leaving the old one. They are about the pasts we never think about, pasts that are put behind to make the best foot forward, about defining yourself and finding a way to fit where it seems you don’t belong. But it’s also about love and loss and sacrifice, understanding and acceptance, family and obligation, redefining ourselves, and the many faces we wear. Most importantly, particularly given our current political climate, these stories give life to refugees, humanizing them in a way that heartbreaking news stories don’t, showing them as more than the tragedy that has been visited upon them, showing them as people, like us, humans of flesh and blood, heart and soul, who want the same things most people do. Note: I received this book from the publisher via NetGalley. I pride myself on writing fair and honest reviews.