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Overview
Max Wolfe is back-the two-fisted homicide detective with a small daughter and dog waiting for him at home, and a crazed serial killer waiting for him somewhere out in the pitiless London streets.
On New Year's Day, a wealthy family is found slaughtered inside their exclusive gated community, their youngest child stolen away. The murder weapon-a gun used to stun cattle before they are butchered-leads Max to a dusty corner of Scotland Yard's Black Museum devoted to a mass murderer who, 30 years ago, was known as The Slaughter Man. But The Slaughter Man has done his time and is now old and dying. Is he really back in the killing game? And was the slaughter of a happy family a mindless killing spree, or a grotesque homage by a copycat killer, or a contract hit designed to frame a dying man? Max desperately needs to find the missing child and stop the killer before he destroys another innocent family-or finds his way to Detective Wolfe's own front door.
The Slaughter Man is another taut thriller from acclaimed international bestseller Tony Parsons.
Product Details
| ISBN-13: | 9781466854666 |
|---|---|
| Publisher: | St. Martin's Publishing Group |
| Publication date: | 09/22/2015 |
| Series: | Max Wolfe Series , #2 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 400 |
| Sales rank: | 469,263 |
| File size: | 413 KB |
About the Author
TONY PARSONS is an award winning journalist and the international bestselling author of more than ten novels, including Man and Boy, winner of the Book of the Year prize, One For My Baby, and Man and Wife, among others. He lives in London.
Read an Excerpt
The Slaughter Man
By Tony Parsons
St. Martin's Press
Copyright © 2015 Tony ParsonsAll rights reserved.
ISBN: 978-1-4668-5466-6
CHAPTER 1
New Year's Day was big and blue and freezing cold. The single shot from the block of flats ripped the day apart.
I threw myself down behind the nearest car, hitting the ground hard, my palms studding with gravel, my face slick with sweat that had nothing to do with the weather.
Every gunshot is fired in anger. This one was full of murder. It cracked open the cloudless sky and left no space inside me for anything but raw terror. For long moments I lay very still, trying to get my breath back. Then I got up off my knees, pressing my back hard against the bright blue and yellow of an Armed Response Vehicle. My heart was hammering but my breathing was coming back.
I looked around.
SCO19 were already on their feet, staring up at the flats in their PASGT combat helmets, black leather gloves hefting Heckler & Koch assault rifles. Among them there were uniformed officers and plain-clothes detectives like me. All of us keeping our bodies tucked behind the ARVs and the green-and-yellow Rapid Response Vehicles. Glock 9mm pistols were slipped from thigh holsters.
Close by, I heard a woman curse. She was small, blonde, somewhere in her late thirties. Young but not a kid. DCI Pat Whitestone. My boss. She was wearing a sweater with a reindeer on it. A Christmas present. Nobody chooses to own a reindeer jumper. Her son, I thought. The kid's idea of a joke. She pushed her spectacles further up her nose.
'Officer down!' she shouted. 'Gut wound!'
I looked out from behind the car and I saw the uniformed officer lying on her back in the middle of the street, calling for help. Clutching her belly. Crying out to the perfect blue sky.
'Please God ... please Jesus ...'
How long since the shot? Thirty seconds? That's a long time with a bullet in your gut. That's a lifetime.
There is a reason why most gut-shot wounds are fatal but most gut-stab wounds are not. A blade inflicts its damage to one confined area, but a bullet rattles around, destroying everything that gets in its way. If a knife misses an artery and the bowel, and they can get you to an anaesthesiologist and a surgeon fast enough, and if you can avoid infection – even though most villains are not considerate enough to sterilise their knives before they stab you – then you have a good chance of surviving.
But a bullet to the gut is catastrophic for the body. Bullets clatter around in that microsecond, annihilating multiple organs. The small intestine, the lower intestine, the liver, the spleen and, worst of all, the aorta, the main artery, from which all the other arteries flow. Rip the aorta and you bleed out fast.
Take a knife wound to the gut and, unless you are very unlucky, you will go home to your family. Take a bullet in the gut and you will probably never see them again, no matter what the rest of your luck is like.
A knife wound to the gut and you call for help.
A bullet in the gut and you call for God.
I heard another muttered curse and then Whitestone was up and running towards the officer in the road, a small woman in a reindeer jumper, bent almost double, the tip of an index finger pressed against the bridge of her glasses.
I took in a breath and I went after her, my head down, every muscle in my body steeled for the second shot.
We crouched beside the fallen officer, Whitestone applying direct pressure to the wound, her hands on the officer's stomach, trying to stem the blood.
My mind scrambled to remember the five critical factors for treating a bullet wound. A, B, C, D, E, they tell you in training. Check Airways, Breathing, Circulation, Disability – meaning damage to the spinal cord or neck – and Exposure – meaning look for the exit wound, and check to see if there are other wounds. But we were already beyond all of that. The blood flowed and stained the officer's jacket a darker blue. I saw the stain grow black.
'Stay with us, darling,' Whitestone said, her voice soft and gentle, like a mother to a child, her hands pressing down hard, already covered with blood.
The officer was very young. One of those idealistic young kids who join the Met to make the world a better place.
Her face was drained white by shock.
Shock from the loss of blood, shock from the trauma of the gunshot. I noticed a small engagement ring on the third finger of her left hand.
She died with an audible gasp and a bubble of blood. I saw Whitestone's eyes shine with tears and her mouth set in a line of pure fury.
We looked up at the balcony.
And the man was there.
The man who had decided at some point on New Year's Day that he was going to kill his entire family. That's what the call to 999 had said. That was his plan. That's what the neighbour heard him screaming through the wall before the neighbour gathered up his own family and ran for his life.
The man on the balcony was holding his rifle. Some kind of black hunting rifle. There was a laser light on it, a sharp green light for sighting that was the same bright fuzzy colour as Luke Skywalker's light sabre. It looked like a toy. But it wasn't a toy. I saw the green light trace across the ground – the grass in front of the flats, the tarmac of the road – and stop when it reached us.
We were not moving. Everything had stopped. The light settled on me, and then on Whitestone. As if it could not decide between us.
'She's gone, Pat,' I said.
'I know,' Whitestone said.
She looked back at the vehicles with their bright markings, the blocks of blue and yellow of the ARVs and the green and yellow of the RRVs. Between them I could see the dull metallic sheen on Glocks and Heckler & Kochs, the medieval curve of the combat helmets, the faces drawn tight with adrenaline.
Whitestone was shouting something at them. The green laser sight on the black hunting rifle played across the reindeer on her sweater and settled there.
'Put him down!' she said.
Then I heard their voices.
'I have the trigger!' somebody said.
But there was no shot.
And I thought of the palaver that came with every discharged firearm. The automatic suspension and then every shot endlessly analysed, pored over, suspected. The prospect of jail and the dole queue. No wonder they were scared to shoot.
But this was not the reason for holding fire.
When I looked back at the balcony I saw that the man was no longer alone. A woman was with him. She was wearing some kind of headscarf, although from this distance I could not tell if it was faith or fashion.
He was calling her names. He was calling her all the names that kind of man always call women. Then he seemed to shove her back and pick up something from the ground. Holding it by the scruff of the neck. Shaking it.
A child. A toddler of two or less. From where we were kneeling with the dead officer I could see the chubby look that they all get at that age. The kid squirmed like a tortured animal as the man held it over the edge of the balcony.
Four floors up.
Nothing but concrete below.
The man was shouting something. The woman was weeping by his side and without looking at her he struck her in the face with the butt of the black hunting rifle. She stumbled backwards.
Then the child was suddenly falling.
The woman screamed.
'Take the shot!' someone shouted.
There was a single crack that sounded very close to the back of my head and immediately a spurt of blood came from a hole in the neck of the man on the balcony. He did not fall. He staggered backwards and smashed though the glass window behind the balcony, and as he disappeared from view I thought how fragile we all are, how very easy to break, how always so close to ruin.
And then I was running, my shoes slipping on grass slick with ice, the call for God's help coming unbidden from my lips, holding out my arms for the falling child.
But the distance between us was too great, and there was never enough time, and the child was always falling.
CHAPTER 2The meat market of Smithfield was silent.
I walked under the market's great arch, shivering in the early death of New Year's Day, past the line of old red telephone boxes and the plaque marking the spot where they killed William Wallace. Not yet four in the afternoon, and the sun was already going down behind the dome of St Paul's Cathedral.
There was a strip of shops on the far side of the square. They were all closed for the holiday but in the flat above one of them, music was playing. Fiddles and flutes and drums played at a mad pace. A song about a girl called Sally MacLennane. Irish music. Happy music. Probably The Pogues, I thought. On the front of the darkened store the painted words were worn by time.
MURPHY & SON
Domestic and Commercial Plumbing and Heating
'Trustworthy' and 'Reliable'
I went round the back of the shop and up a flight of stairs to the flats. A few of the residents had already thrown out their Christmas tree, but they were still celebrating at the Murphys. It took them a while to hear me ringing the bell, what with Shane MacGowan singing about his Sally MacLennane and the shouts of the adults and children inside.
My daughter Scout answered the door. Five years old and breathless. Rosy cheeked. Having the time of her life. There was a little red-haired girl with her, Shavon, maybe a year younger, and the girl's kid brother, Damon, plus a ruby-coloured Cavalier King Charles Spaniel, panting with excitement. Our dog Stan, who had a bandy-legged black mongrel pup I hadn't seen before shyly sniffing behind him.
'We don't have to go yet, do we?' Scout said by way of a greeting.
'And who's this?' I said, looking at the mongrel, by way of a response.
'This is Biscuit,' said Shavon.
'You'll have a sausage roll,' Mrs Murphy predicated, appearing behind her.
Scout dashed off with her friend, trailing kid brother and dogs behind them. Mrs Murphy took me inside where I was greeted enthusiastically by her husband, Big Mikey – a thin, dapper man with silver hair and a neat moustache, not very big at all – and their son, Little Mikey – a black-haired giant of a lad around thirty, nothing little about him. Little Mikey's wife Siobhan was nursing a new baby boy in blue. Baby Mikey.
The Christmas tree twinkled and shone. Kirsty MacColl and Shane MacGowan were telling their fairytale of New York. I was given a plate of sausage rolls and a beer. I stared at the bottle of beer as if I had never seen one before.
'Too late in the day for coffee,' Mrs Murphy said. 'You'll need your sleep.'
I nodded and mumbled my thanks to the Murphys for looking after Scout and as one they raised their voices in protest, telling me that she was no trouble, she was a joy and company for the kids. They were the kindest people I had ever met.
I suppose they were a small family. Defying all the Irish Catholic stereotypes, Little Mikey was an only child. But the three generations of Mikeys seemed like a mighty tribe compared to me, Scout and Stan.
The Murphys were a family of self-employed plumbers and I saw that, even today, they weren't really on holiday. Big Mikey was consulting his iPad to see when they could fit in a woman from Barnet with a burst pipe, while Little Mikey talked to a man in Camden with a broken boiler. And when my phone began to vibrate I knew that my own working day was not yet over.
I looked at the message and it was bad. A muscle by my left eye began to pulse. I placed my hand over it to hide it from the Murphys.
Big Mikey and Little Mikey were looking at me with sympathy.
'The holidays,' Mrs Murphy said. 'Busy time.'
* * *
The big house stood in a gated community in Highgate.
The Garden, it said on the gate.
This was London's highest point, the far north of London's money belt, and up here the air was fresh and clean and sweet. I stood outside the electronic gates with my warrant card in my hand and inhaled a draught of air that was almost Alpine.
A uniformed officer signed me in on the perimeter pad. The electronic gates began to open. DC Edie Wren was walking towards me on high heels. Her red hair was up, and she looked like she had been on her way to a dinner date when she got the call.
I took another look at the gated community. 'Are these houses all lock-up-and- leave-thems?'
Now that London had more billionaires than any city in the world, we were seeing a lot of high-end property that was bought and then left empty, as its value increased by millions.
The rich always had somewhere else to go.
'Some of them are lock-up-and-leaves, but not our one,' Wren said. 'It's a family, Max.' She hesitated for a moment, as if she could not quite believe it. 'Parents. Two teenage children. It's very slick. Looks like they've been executed.'
The gates closed behind us.
There were six large houses in the complex. Our tape was up outside one of them and beyond it the SOCOs were pulling on their white protective suits and uniformed officers stamped their feet for warmth. The winter darkness was really closing in now and the blue lights of our cars pierced the gloom.
Beyond the high walls of the gated community I could see what apppeared to be a wild green forest stretching off into the distance. But among the trees and the mad tangle of undergrowth there were huge crosses and stone angels and glimpses of ancient vaults. It was a graveyard that had been claimed by nature.
Highgate Cemetery.
Uniformed officers were knocking on the doors of the other houses where Christmas lights twinkled in the windows. In the middle of a road clogged by our cars a private security guard was being interviewed by a young black detective: DI Curtis Gane. He saw me and nodded and placed a hand on the guard's shoulder. The man was slack-jawed with shock. He was wearing no shoes.
'The guard called it in,' Wren said. 'He was doing his rounds when he saw the front door was open and he went inside.'
'And walked all the way through the house,' I said.
'Nothing we can do about that,' she said. 'Forensics have got his size tens and it's easy enough to eliminate.' She indicated the electronic gates. 'He reckons nobody comes in without him knowing.'
'Then they came from the back,' I said. 'On the far side of the wall is Highgate West Cemetery.'
'Where Karl Marx is, right?'
'Marx is in the Highgate East Cemetery. The other side of Swain's Lane, the part that's open to the public. The far side of this wall is the West Cemetery and it's closed to the public. They only open it up for the odd guided tour and funerals.'
Wren looked doubtfully at the graveyard in a forest. In the twilight all you could see were the stone angels bowing their heads in the darkness.
'They're still burying people in there?'
I nodded. 'That's the way I would come,' I said, snapping on a pair of protective gloves.
We showed our warrant cards at the tape and I signed in again. It was very early in our initial response and the SOCOs had not yet gone inside. They were ready to work, white-coated and blue-gloved in their bunny suits, but they had to wait for the Senior Investigating Officer to view the scene and for the Crime Scene Photographer to record it – untouched, pristine, as horribly messed up as we first found it. Because once we all went inside, it would never look that way again.
There was the blurred electronic chatter of the digital radios, and in the distance the sound of more Rapid Response Vehicles rushing to the scene, their sirens splitting the air and their spinners turning the night blue. They would all have to wait for DCI Pat Whitestone to take that crucial first look.
Just before we reached the open front door where two uniformed officers were waiting, Wren stopped.
'Look,' she said.
A wooden pole had been shoved deep into some bushes. It was maybe ten feet long, made out of bamboo with an S-shaped piece of silver metal at one end. A butcher's hook. It resembled a primitive fishing rod. And that's what we called this popular form of breaking and entering.
'Fishing,' Wren said. 'Must be how he gained access.' She turned to call to one of the SOCOs. 'Can we get this grabbed and bagged, please?' The bamboo pole must have been slipped through the letterbox and the butcher's hook had helped itself to a set of front-door keys that had been casually tossed by the door.
'Everybody thinks they're safe,' I said, shaking my head.
Inside, the smell of petrol was overwhelming.
White spotlights lit a long white hallway leading to a massive, two-storey atrium, a great open space with a wall of glass at the back. Someone had tried to set it on fire. Two senior fire officers were inspecting a blackened patch that totally covered one high wall and half the floor of a kitchen and dining area. There was a dinner table with places for twelve people. Beyond the glass wall there was only blackness.
DCI Whitestone was standing above a half-naked body. The corpse was a teenage boy with a single entry wound in the centre of his forehead. His legs splayed at awkward angles and his eyes were still open.
'Max,' Whitestone said quietly, taking off her glasses and rubbing her eyes. It had been a hard day and I saw the strain of it in her face. But she sounded calm, professional, ready to go to work. 'What do you think did that?' she asked me. 'Nine millimetre?'
The boy looked as though he had been shot at point-blank range.
(Continues...)
Excerpted from The Slaughter Man by Tony Parsons. Copyright © 2015 Tony Parsons. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Contents
Title Page,Copyright Notice,
Dedication,
Epigraphs,
Prologue,
January: Ghost Homes of London,
February: Known Offenders,
March: Mortal Remains,
Author's Note,
About the Author,
Also by Tony Parsons,
Copyright,
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