Leroy (Postcards from Berlin) continues to explore motherhood and marital infidelity, now in the context of the German occupation of the British Channel Islands during WWII. Vivienne de la Mare loves her young daughters Blanche and Millie, but not her marriage, so when her husband is called up to the front, for her it's almost a relief. Then the German army occupies her town, and Vivienne is increasingly torn between her sympathies for the POWs and her budding feelings for Gunther, a German officer who has moved in next door. She and Gunther begin an affair, but she remains committed to protecting and nurturing her daughters as they grow up in this tense, dangerous environment, with waning hope of their father's return. Leroy lovingly portrays the era and the isolated Guernsey landscape while simultaneously offering an unsparing view of the specific horrors of war. Colorful, rich descriptions, particularly regarding food, are more affecting than depictions of Vivienne and her love affair, which is almost entirely devoid of warmth or passion. More compelling are Vivienne's interactions with the preteen Millie, who becomes complicit in her mother's actions even as Vivienne tries to safeguard her innocence. (July)
"With its stunning and evocative description of the Guernsey landscape, its subtle and astute depiction of a woman's relationship with her children, her lover, and her husband, this absorbing novel is utterly beguiling."—Rosamund Lupton, author of Sister
"With its stunning and evocative description of the Guernsey landscape, its subtle and astute depiction of a woman's relationship with her children, her lover, and her husband, this absorbing novel is utterly beguiling."
Vivienne de la Mare lives with her daughters Blanche, 14, and Millie, four, and her mother-in-law on the British island of Guernsey. It's 1940, and they had the chance to go to London, where her husband, Eugene, is already with the army. But Vivienne hesitated, and now the Germans have come marching into their peaceful existence. Four German soldiers have taken over the house next door, and Vivienne enters into a stilted conversation with one of them when she happens upon him in her orchard. Capt. Gunther Lehmann makes her nervous, but it has been too long since a man, since anyone, has taken an interest in her. From one shared cigarette begins a three-year love affair. Initially, Vivienne fears discovery and reprisals from her neighbors. Her friend's son suggests she could do more to thwart the enemy, but, she thinks, what can one person do? When Millie talks about a ghost she encounters at play, Vivienne dismisses these imaginings until she herself sees the man, a prisoner working for the Germans. Maybe one person can do something. VERDICT Leroy's (Yes, My Darling Daughter) beautifully rendered tale demonstrates how the longing for normalcy during wartime can vanquish, even briefly, distrust and uncover common ground. Highly recommended, especially for readers who appreciated Michael Wallner's April in Paris. [Library marketing; online reading group guide.]—Bette-Lee Fox, Library Journal
Leroy, whose fiction specializes in prickly mothers, turns from the paranormal (Yes, My Darling Daughter, 2009, etc.) to the historical in this story of torn loyalties during the World War II German occupation of the isle of Guernsey.
Originally from London, Vivienne has lived in Guernsey since she married Eugene, with whom she has had a loveless marriage. In 1940, with Eugene away in the military, Vivienne lives with her increasingly senile mother-in-law and her daughters, 4-year-old Millie and 14-year-old Blanche. Beset by indecision, Vivienne misses the chance to leave Guernsey with the girls before the Germans take over the island. Her anxiety, already high after German bombing kills a friend's husband, rises when German soldiers move into the vacant house next door. But she also finds herself attracted to one of the captains, Gunther Lehmann, who offers her small favors like chocolate candy and a ride home in the rain. She rather quickly succumbs, and soon he is sneaking into her arms every night at 10 sharp. Vivienne compartmentalizes her passion for Gunther, her protectiveness toward her girls and her patriotic anger at the Germans. The lovers discuss their pasts but avoid the reality of their situation; it helps that Gunther evinces no respect for Hitler. When gossip spreads about her fraternizing, Vivienne skillfully defuses suspicion. Harder to ignore is the information she discovers about inhumane labor camps on Guernsey. By the third winter, the Germans begin to deport and incarcerate non-natives like Vivienne, but Gunther keeps her safe. Meanwhile, through Millie, Vivienne meets and helps an escapee from the labor camp. She is preparing the escapee's breakfast one morning when Gunther shows up unexpectedly. She is not sure how much he knows or suspects, but shortly afterward, the escapee is tracked down and shot. Assuming he turned her in, she breaks with Gunther, only to learn the truth too late, after he has been transferred to the Eastern front.
Vivienne's measured, astringent voice is riveting and her moral ambiguity deliciously disturbing until the disappointingly maudlin ending.
