The Stranger You Seek (Keye Street Series #1)

The Stranger You Seek (Keye Street Series #1)

by Amanda Kyle Williams
The Stranger You Seek (Keye Street Series #1)

The Stranger You Seek (Keye Street Series #1)

by Amanda Kyle Williams



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“[Amanda Kyle Williams] keeps the suspense taut and the humor snarky, with an ending that will have you slapping your foreheard over clues you missed.”—The Atlanta Journal-Constitution

In the sweltering heat of an Atlanta summer, a killer is pushing the city to its breaking point, preying on the unsuspecting, writing taunting letters to the media, promising more death. Desperate to stop the Wishbone Killer, A.P.D. lieutenant Aaron Rauser turns to the one person he knows can penetrate a deranged mind: Keye Street, an ex–FBI profiler and former addict who now picks up jobs where she can get them. But the last thing Keye wants is to be pulled into the firestorm of Atlanta’s worst nightmare. And then it suddenly becomes clear that the hunter has become the hunted—and the stranger she seeks is far closer than she ever dared imagine.

BONUS: This edition contains an excerpt from Amanda Kyle Williams's Stranger in the Room.

Praise for The Stranger You Seek

“The best fictional female P.I. since Sue Grafton’s Kinsey Millhone. And with its shocking triple-twist climax, this is the best private eye debut since Dennis Lehane’s A Drink Before the War.”The Plain Dealer
“A creepy, suspenseful, breathtaking ride . . . [Keye] Street is a unique and worthy addition to the rich tradition of damaged and tough private detectives.”—Associated Press
“An explosive, unpredictable, and psychologically complex thriller.”Publishers Weekly (starred review)

Product Details

ISBN-13: 9780345530226
Publisher: Random House Publishing Group
Publication date: 08/30/2011
Series: Keye Street Series , #1
Sold by: Random House
Format: eBook
Pages: 304
Sales rank: 348,749
File size: 3 MB

About the Author

Amanda Kyle Williams was the author of the Keye Street thriller series, including The Stranger You Seek, which was nominated for both a Townsend Award for Fiction and a Shamus Award from the Private Eye Writers of America, The Stranger in the Room, and Don’t Talk to Strangers. She died in 2018.

Read an Excerpt


My name is Keye Street. First name from my Asian grandfather; my adoptive parents awarded me the second. By trade I am a detective, private, that is, a process server and bail recovery agent. In life, I am a dry alcoholic, a passionate believer in Krystal cheeseburgers and Krispy Kreme doughnuts, and a former behavioral analyst for the FBI. How I ended up here in the South, where I have the distinction of looking like what they still call a damn foreigner in most parts of Georgia and sounding like a hick everywhere else in the world, is a mystery Emily and Howard Street have never fully unraveled for me. I know they had wanted a child so badly they adopted a scrawny Chinese American with questionable genes from an orphanage. My grandparents and guardians had been murdered and my biological parents consisted of two drug addicts and one exotic dancer. I have no memory of them. They took flight shortly after my birth. I can only manage a word or two in Chinese, but my mother, Emily Street, who is as proficient in innuendo as anyone I've ever known, taught me a lot about the subtle and passive-aggressive language of southern women. They had tried for a cute little white kid, but something in my father's past, something they have for my entire life flat-out refused to share with me, got them rejected. It didn't take me long to understand that southerners are deeply secretive.

I embraced the South as a child, loved it passionately and love it still. You learn to forgive it for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because spring is lush and pastel sprinkled, because November is astonishing in flame and crimson and gold, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is a part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.

My African American brother, Jimmy, whom my parents adopted two years after I moved in, had a different experience entirely. Not being white, we were both subjected to ignorance and stereotyping, but even that seemed to work in my favor and against Jimmy. People were often surprised that I spoke English and charmed that I spoke it with a southern accent. They also assumed my Asian heritage made me above average. I was expected and encouraged to excel. The same people would have crossed the street at night to avoid sharing a sidewalk with my brother, assuming that being both black and male he was also dangerous. He'd picked up our mother's coastal Carolina accent, the type usually reserved for southern whites in a primarily white neighborhood at a time when diversity was not necessarily something to be celebrated. He couldn't seem to find a comfortable slot for himself in any community, and he spent high school applying to West Coast universities and carefully plotting his escape. Jimmy's a planner. And careful with everything. Never screwed up his credit, never got fired, never had addiction issues, and never rode down Fifth Avenue in New York City after a few too many with his head sticking through the sunroof of a limo yelling "Hey, y'all" like I did. Jimmy's the well- behaved child. He now lives in Seattle with his lover, Paul, and not even the promise of Mother's blackberry cobbler is an attractive enough offer to bring him home to Georgia.

How I came to be here this night, edging my way along an old frame porch, double-clutching my 10mm Glock, body pressed flat against the house, peeling paint sticking to the back of my black T-shirt and drifting onto cracked wood, is another story entirely.

I had once been called Special Agent Street. It has a nice ring, doesn't it? I was superbly trained for this kind of work, had done my time in the field before transferring to the National Center for the Analysis of Violent Crime (NCAVC) at Quantico as a criminal investigative analyst, a profiler. A few years later, the FBI took away my security pass and my gun, and handed me a separation notice.

"You have the brains and the talent, Dr. Street. You merely lack focus."

I remember thinking at that moment that the only thing I really lacked was a drink, which was, of course, part of the problem.

I was escorted that day to the FBI garage, where my old convertible, a '69 Impala, white-on-white and about half a mile long, was parked at an angle over the line between two spaces. Fire one Special Agent, get back two parking spots. Sweet deal.

Now, four years later, I passed under the curtained front window and congratulated myself on accomplishing this soundlessly. Then the rotting porch creaked. The strobe from a television danced across the windows, volume so low I could barely make it out. I waited, still, listening for any movement inside, then stuck my head round and tried to peek between the curtains. I could see the outline of a man. Whoa! A big outline.

Jobs like this can be tricky. Bail jumpers move fast. You've got to go in when you can and take your chances. No time to learn the neighborhood, the routines, the visitors. I was here without the benefit of surveillance, without backup, going in cold with my heart thundering against my chest and adrenaline surging like water through a fire hose. I could taste it. Almonds and saccharin. I was scared shitless and I liked it.


The streetlamps were out, the night draped in billowy white clouds that cast a faint light across the overgrown yard and locked in the heat like a blanket. Atlanta in summer-suffocating and damp. Nerves and humidity sent sweat trickling from my hairline and over my darkened cheekbones. I was grease-painted and dressed for night work, crouching near the front door, searching my black canvas backpack for Tom. Anyway I called it Tom, as in Peeping Tom, a thirty-six-inch fiber optic tube with a miniature screen attached to one end, an electronic eye to the other. Tom takes a lot of the guesswork out of jobs like this. As I twisted and turned the tiny tube under the door, I got a pretty good look at the front room.

The subject, Antonio Johnson, was a repeat violent offender. He'd been out of prison for two months when he robbed a convenience store. I had traced him to Canada three weeks ago and lost him. But his ex-wife was in Atlanta and Johnson had a history of stalking her. She'd been getting hang-ups again. A trace of the calls, with the help of a friend at APD, led to a pay phone in a sleazy motel in Atlanta's crack- infested West End. I found people there who knew Johnson. One of them ratted him out for thirty dollars. He was staying at a place off Jonesboro Road near Boulevard and the federal penitentiary. There even locals check their car doors at stoplights and commuters take the long way around after dark.

I could see him on the three-inch viewer, sitting on a ragged couch, feet on the edge of a wooden utility spool coffee table. He appeared to be alone, a beer in his right hand, his left hand in his lap and partially hidden from view. You hiding something under there, big guy?

Hovering in the damp air around the front porch, just above the sweet, sick scent of trash and empty beer cans, was the aroma of something synthetic like Super Glue and Styrofoam.

I released the safety on the Glock, then tapped on the front door. I was going to use my best woman-in-distress voice, say I needed a phone, say I had a flat, say something, anything, to get the door open. I wasn't sure. I'd learned to improvise since I'd been on my own.

Johnson didn't hesitate. I got a glimpse on my tiny viewer of something coming out of his lap seconds before he blew a hole in the door near my ear the size of a softball. The blast was cannon-loud, splintered the door, and left me light-headed and tumbling off the porch to safer ground.

Another blast. The front windows exploded. Glass flew like shrapnel. I balled up against the side of the porch and felt the sting on my neck and arms and knew I was cut, then rose up enough to get a shot off in the general direction of the front window. I didn't want to shoot him. I merely wanted him to back off a little.

. . . Then silence.

I took the porch steps in a half crouch, made it to the door. Still quiet. I tried reaching through the hole in the door to unlatch it. That's when I heard it, a shotgun, a goddamn pump-action, and if you've ever heard the sound, you'll never forget it-the foregrip sliding back, one shell ejecting, another pushing into the carrier, the bolt closing. It happens in a split second with a good operator, and Johnson had had plenty of practice.

I pressed my back against the house, took a breath, took a moment. A quick reality check is always a good idea in these situations. Did I really want to get killed bringing in this guy? Hell no, I did not, but the adrenal flood of mania this kind of event produces propelled me forward rather than back, which perhaps illustrates most effectively the differences between those of us in this business and the sane population.

Boom! Johnson let the shotgun loose once more. I felt it under my feet, like a fireworks show when the ground shakes. He was probably making his own loads. God only knew what he was firing at me. Another chunk of front door blew out. Then the pop, pop, pop, pop of an automatic weapon.

On three, I told myself.

. . . One . . . Two . . . Two and a half . . . Two and three quarters. Fuck! Three!

I put everything I had behind one of the black combat boots I wear for this kind of work and went for the space just above the front doorknob. It had no fight left, splintered and swung open. I flattened back against the house and waited.

. . . Silence.

Glock steadied with both hands, heart slamming so hard I felt a vein in my throat tick, tick, ticking against my shirt collar. I stepped around the corner and surveyed the front room, a living-room/dining- room combo pack. I could see the kitchen beyond that, a hallway. I was figuring the place for two bedrooms and a bath. I'd poked around outside for quite a while before making my move, counting doors and windows. So where was he? A bedroom, the hallway?

. . . Then pop, pop, pop. I hit the floor and rolled into the tiny dining room, got off a few rounds in case he had any ideas about coming to find me.

"Bail recovery, Mr. Johnson! Drop your weapon and come out with your hands behind your head. Do it now!"

"A chick?" Johnson yelled back, and laughed. "No fucking way!"

Then I heard the back door opening, the screen slamming. I rushed into the kitchen and saw the door swinging half off its hinges, and beyond that the white letters on Johnson's T-shirt bobbed across the dark backyard toward the fence.

I took the back steps into the yard and watched with some satisfaction as Johnson neared the fence and the gate. I'd left something back there in case it came to this, which had been a pretty good bet.

It didn't take long. It was a postage-stamp small yard with a chain- link fence and a horseshoe lever on the gate. Johnson grabbed the fence, and just as he tried to hoist himself over, a blue-white explosion knocked him backward. Just a little black powder, some petroleum jelly, a battery and a couple of wires, a few fireworks to slow him down. My ears rang from five feet away and for a couple of seconds I had to fight my way through a million tiny flashbulbs.

Johnson lay there like a slug, motionless. I approached him cautiously, Glock steady, and checked him for signs of life. Breathing fine. Out cold. I pulled his big arms up behind him. His palms were scorched.

"It wasn't supposed to be quite that dramatic," I told his limp body as I snapped cuffs on his wrists and threaded a belt around his waist and through the cuffs. "But then I really don't know shit about explosives."

I rolled him onto his back. With one size-thirteen shoe in each hand, I attempted to drag him by the ankles. Damn. The guy was at least two- sixty and dead weight. I'm five-five on tiptoes and one-ten if I drink enough water. I moved him about three inches before I gave up. I could have used my mobile phone to call the cops for a pickup, but the girl jokes would have run for weeks at APD.

I plopped down on the ground and poked him in the ribs with my Glock. "Come on, you big fat baby, wake up."

His eyelids rose a full minute before his eyes were able to focus.

"Hi," I said cheerfully, shining my flashlight into his bloodshot brown eyes. I was holding it cop-style over my shoulder and near my face. "Remember me?"

He squirmed angrily, then made grunting animal sounds when he realized his hands were locked behind him.

"Now, would you like to walk your fat ass to my car, or you want me to call the cops?"

"Who you if you ain't no cop?"

I thought about that. It wasn't a bad question. "Soon as I figure it out, I'll let you know," I promised him, nudging him again to get him on his feet. But he was having trouble getting up without his hands. I got behind him and pushed.

"Ever think about a diet?"

"You like it, bitch," Johnson slurred. He seemed a little loopy. "You want some Antonio. You know you do."

Oh yeah, bring it on. Nothing like a big ole fat man with a prison record.

"Okay, Lard Boy. Lets you and me take a drive."

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