The #1 international bestselling author of You’re Next, unleashes his most accomplished, compelling thriller yet One morning in Los Angeles, Nate Overbay—a divorced former solider suffering from PTSD and slowly dying from ALS — goes to an eleventh-floor bank, climbs out of the bathroom window onto the ledge, and gets ready to end it all. But as he’s steeling himself, a crew of robbers bursts into the bank and begins to viciously shoot employees and customers. With nothing to lose, Nate confronts the robbers, taking them out one-by-one. The last man standing leaves Nate with a cryptic warning.
Nate soon learns what that message meant. He is kidnapped by Pavlo, a savage Russian mobster and mastermind of the failed heist. Unable to break back into the bank to get the critical item inside, Pavlo gives Nate an ultimatum—break in and get what he needs or watch Pavlo slowly kill the one thing Nate loves most—his ex-wife Janie and his teenaged daughter Cielle—both lost when he came back from Iraq broken and confused. Now he’s got one last chance to protect the people he loves, even if it’s the last thing he is able to do.
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About the Author
GREGG HURWITZ is the author of twelve novels, most recently You’re Next. He is a producer and writer for television and has written for both Marvel and DC comics. He lives in Los Angeles.
Read an Excerpt
By Gregg Hurwitz
St. Martin's PressCopyright © 2012 Gregg Hurwitz
All rights reserved.
From this height the cars looked like dominoes, the pedestrians like roving dots. The breeze blew crisp and constant, cooling Nate's lungs on the inhale — none of that touted L.A. smog this close to the ocean. To the west, blocks of afternoon gridlock ended at the Santa Monica cliffs, a sheer drop to white sand and the eternal slate of the sea. The view would have been lovely.
Except he was here to kill himself.
The eleventh-story ledge gave him two spare inches past the tips of his sneakers. Balance was a challenge, but getting out here had been the hardest part. He'd shoehorned himself through the ancient bathroom window at First Union Bank of Southern California, wobbling for a solid minute on the ledge before daring to rise.
On the street below, people scurried about their business, no one squinting up into the late-morning glare to spot him. As he flattened against the wall, his senses lurched into overdrive — the smacking of his heart against his ribs, the sweat-damp shirt clinging to his shoulders, the salt tinge burning his nostrils. It felt a lot like panic, but somehow calmer, as if his brain was resigned to the circumstances but his body wasn't getting the signals.
Because he was unwilling to risk landing on someone — with his luck he'd pile-drive a pension-check-cashing granny through the pavement — he continued slide-stepping to the end of the ledge. The corner of the building gave him less trouble than he'd anticipated as he elbow-clamped his way around, and then he was staring down at the empty alley and the target of the Dumpster below. It was, if nothing else, a considerate plan. If he hit the bin squarely, the steel walls would contain the spatter, leaving him neatly packaged for delivery to the crematorium. He was sick of people cleaning up after him.
It had been less than ten minutes since he'd laid open that Dumpster lid, but it seemed like days. The chilly elevator ride up, the nod to the wizened black security guard, that final moment collecting his nerves by the row of urinals before muscling open the sash window — each had stretched out into a lifetime.
First Union of SoCal was one of the few West Coast banks located up off the ground floor — cheaper real estate, more space, better security. But only one high-rise perk held Nate's interest currently. Gauging his position, he slid another half step to the right, stopping shy of a casement window that had been cranked several turns outward. From the gap issued a current of warm, coffee-scented air and the busy hum of tellers and customers. Business as usual.
He considered his own dwindling checking account within. His next step — literally — would void the million-dollar life-insurance policy to which he dutifully wrote a check every January, but even that wouldn't matter. There was no one who wanted anything of him and nothing ahead but increments of misery.
He took a deep breath — his last? — and closed his eyes. Spreading his arms, he let the October wind rise through the thin cotton of his T-shirt and chill the sweat on his ribs. He waited for his life to flash before his eyes, the ethereal song and dance, but there was nothing. No wedding-day close-up of Janie's lips parting to meet his, no image of Cielle dressed as a pumpkin for Halloween with her chocolate-smudged hands and dimpled thighs, just the teeth of the wind and a thousand needle points of fear, skewering him like a pincushion. The longest journey, according to Taoism and Hallmark, begins with a single step.
And so does the shortest.
He took one foot and moved it out into the weightless open.
That was when he heard the gunshots.CHAPTER 2
For an instant, Nate wobbled at the fulcrum, seemingly past the point of no return, but then a subtle twist of his hip brought him back, fully, to the ledge. As he gulped in a mouthful of air, another gun snapped and a swath of crimson painted the window at his side.
Nate knew the crack of a nine-mil sidearm, but the next eruption, a resonant clatter, suggested that a semiautomatic was in play as well.
A gravelly voice floated out through the window gap: "Don't reach under the desks. Step back. Back. You saw what'll happen. Now lay down. On your fucking faces."
Gripping the frame beneath the swung-out pane, Nate rolled carefully across his shoulder to peer inside the bank. The blood-smeared glass turned the robbers' faces into smudges, but he could see that they were wearing ski masks. One stood a few feet away behind the teller line, his back to the window, automatic rifle cocked in one hand, the Beretta in his other, surveying the room methodically. Like the others he wore a one-piece charcoal flight suit, thick-soled boots, and black gloves. Duct tape wrapped his wrists and ankles so no hint of flesh peeked through. The burst of bullets had punched holes in the ceiling, and white dust clouded him like an aura, lending the scene an otherworldly tint.
The bank workers stretched flat at his feet, hands laced at their necks, foreheads to the tile, their labored breaths coming as rasps. On the main floor beyond, about fifteen customers also lay prone. The coffee trolley had been knocked over, cups resting in brown puddles. Two robbers patrolled the area on a circuit, stepping over bodies, handgun barrels moving from critical mass to critical mass.
By the entrance the black security guard lay sprawled, tangled in a vinyl banner announcing FREE WEB BILL PAY!, a fan of blood marring the money-green print. His pant leg was pulled up, exposing an anomalous striped sock.
Whereas his associates shouted and moved in quick bursts, the man by the window moved with a composed fluidity that suggested greater expertise. While the others barked orders, he remained unnervingly silent. Given the man's assurance and the fact that he commanded the big gun, Nate pegged him as the crew leader. And he was standing close enough that Nate could have reached through the window and tapped him on the shoulder.
To the right, a pair of armed men (five, that made five of them so far) dragged a middle-aged Hispanic woman toward the vault, her hands fussing at two knots of keys and making little progress. The bank manager. Dressed crisply in a wool pantsuit, pearl necklace, and matching earrings, she struggled to keep her legs beneath her. The steel vault door, thicker than a cinder block, rested open, leaving only the glass day gate to protect the nests of safe-deposit boxes beyond. As she fought two keys into two locks and swung the day gate ajar, a sixth masked man appeared from a rear corridor, dumped a black duffel off his shoulder, and announced, "Cameras are down." He removed a fierce-looking circular saw with a chain-saw handle. The teeth of the white-silver blade sparkled.
A woman's hoarse sobs echoed off the faux marble walls, and somewhere a man was pleading, a broken loop of desperation: "— God oh God please I just got engaged I just —"
Nate tried to swallow, but his throat had gone to sand. Forgetting where he was, he drew back slightly. The drop to the pavement below swirled vertiginously into view between his legs.
One sneaker lost purchase, his weight pulling out and away, and his stomach flew up into his throat and choked off a cry. His hand slipped a few inches before wedging in the corner of the window frame and firming him, panting, against the concrete.
The robbers kept shouting, oblivious to the mini-commotion outside on the ledge.
"— anyone moves or speaks, and I mean one fucking squeak —"
"Three and Five, get going on those hinges. Four, that bitch better get you into the —"
All of them barking nervous commands except the crew leader, who stood mutely, projecting calm menace.
Nate had wound up clinging to the frame with his face filling the gap, peering down into the eyes of a teller crumpled just beneath the window. He was shocked he hadn't noticed her before. Her white blouse blotted a growing spot of blood. Her mouth guppied a few times, a bubble forming. She looked up at Nate, disbelieving, as if she wasn't sure how she'd been knocked over or why a stubble-faced angel had fluttered up to the eleventh-floor window.
One arm was slung back across her head, an ivory hand quivering in a sideways float. She stared at Nate imploringly. Watching the shallow rise and fall of her chest, he felt his breath catch. He reached down and took her hand. It was cool and smooth, carved from marble. A burbling sound escaped her, the bubble popping, leaving behind a speckled lipstick stain.
The crew leader consulted a stopwatch and for the first time spoke. Faint accent, utterly serene. "I would like to hear that saw, Three."
In reply, metal shrieked in the vault, sparks cascading into view. The manager backed into the hinges, her balled hands in front of her face. Her mouth formed an oval and veins bulged in her neck, but the metal-on-metal screech of the saw eclipsed all other noise. The biggest of the men had her by the hair. He smacked her head into the vault door, a smudge of blood darkening her forehead, but still the mouth stayed ajar, her fists trembling at her chin. The half-wall partition and open teller gate sliced Nate's view into horror-movie glimpses — straining arm, kicked-off high heel, hank of loose hair clutched in a dark glove.
It took the bite of the sill in his armpit to remind him he was hanging through a window. The cool hand tightened in his, grinding his knuckles together. He looked down at the woman beneath him. Her gaze went loose, looking through him instead of at him, and then her pretty green eyes turned to ice.
The saw paused, the manager came off mute, and Nate tore his focus from the death-smooth face below. Twisting his hand free, he withdrew his arm through the gap and tried to shake feeling back into it.
The manager's screams continued. The big man turned to look helplessly at the crew leader, who said with quiet authority, "She is near the duress alarm. Put her down."
"Look, Six, how many we gonna kill?"
Crew leader, Nate thought. Number Six.
The leader's boots tapped as he crossed the room. Sheetrock dust flecked his back. He raised his arms, and the automatic rifle coughed, tapping a line of holes through the woman's stiff suit, the percussion and horror nearly knocking Nate off the ledge. The woman remained grotesquely standing, propped against the open vault door, until Six placed two fingers on her shoulder and tipped her over. She slapped the floor, one arm unfurling, her rings clacking tile. A pearl earring skittered away, pinwheeling off a desk leg.
Several people yelped on the main floor, and a child began to wail, a single wavering note. A middle-aged man choked out a series of sobs, blurred against the floor into something feral.
"One dead or twenty — it carries the same sentence." The crew leader's voice remained exceedingly even, almost peaceful. He brushed white powder from his shoulder. "I'll handle the vault. Empty the teller drawers." He handed off the automatic rifle and stepped toward the safe-deposit boxes, pointing. "Here next. Then here."
The big man moved obediently toward the teller line, Nate jerking his head back from the gap. As the footsteps neared, he pressed his face into his straining biceps. His wet shirt had gone to ice against his lower back, the wind riffling the hem. He realized he was biting into his own flesh to keep quiet.
The man passed by the window, shoving aside the teller's lifeless leg with his boot. He set his Beretta on a low file cabinet, looped the rifle over his shoulder, and began emptying teller drawers into a black trash bag.
A scream knifed through the bank, pronounced even out on the ledge. Nate risked another peek across the room, his face grinding the concrete to give himself a one-eyed vantage. A customer was bucking on her stomach, both masked men across the main floor oriented toward her. Nate wondered what the hell she was doing until a pigtailed girl, maybe four years old, popped out from beneath her and ran toward the exit. Two handgun barrels traced the girl's movement. The mother screamed again, lunging to a knee and grabbing her daughter's flailing arm. The man nearest kicked the woman in the face, blood erupting from her lip, and she fell limply, dragging the girl to the floor with her. The girl scooted away, hands and feet scrabbling for purchase, a streak of her mother's blood darkening the lobe of one ear. She struck a pillar, her feet still trying to propel her back until she realized she had nowhere to go. Shivering violently, she hugged her legs, buried her face in the bumps of her knees, and shut off like an unplugged TV.
The other man — Number Two? — walked over and stared down at her. "Get back over there with the others. Go on. Move it."
The girl remained motionless. He aimed the gun loosely at her head.
At the sight Nate pressed forward into the window gap, long-buried paternal instincts firing. The pane notched farther open against the pressure of his elbow. A few feet in front of Nate, the big man watched the scene unfolding on the main floor. He made a soft noise of deference in his throat and returned his focus to the next teller drawer, shoulder blades shifting beneath the charcoal flight suit.
Number Two firmed both hands on a Beretta, sighting on the girl. "You're gonna want to listen now, girlie."
The saw revved back to life over in the vault, a metallic grinding, and the ski mask pulsed again where Number Two's mouth would be — a final warning to the girl.
One dead or twenty — it carries the same sentence.
Nate looked down at the pretty green dead eyes aimed up at him. Across to the clip-on pearl earring resting on the dappled tile. Then over at the Beretta, sitting on the low file cabinet next to the big man's turned back, less than two steps from the windowsill.
Nate strained against the casement window, and it gave another few inches, enough for him to worm his torso through. Headfirst, he cascaded down over the dead teller. Her body softened his landing, though the circular saw's teeth-rattling reverberation in the concrete walls obscured all sound. Three of the robbers were out of sight in the vault. The big man was a few feet away, his back still turned, rummaging in a cash drawer. The two across on the main floor stayed focused on the girl. Both pistols were now raised, their boots shuffling in at her. Still she didn't move, her head bowed, arms fastened around her bent legs.
Rising, Nate felt the complaint of his thirty-six-year-old knees. The listlessness of the past several months fell away, and for the first time in a long damn time he sensed himself moving without hesitation. With something like purpose.
Stepping forward, he reached for the Beretta on the file cabinet.CHAPTER 3
Nate lifted the Beretta, swung the barrel to the back of the big man's head, and fired. The trigger hitched, a quarter-second delay, and somewhere between recoil and the flare of scarlet against the teller glass he registered that the first trigger pull had been double-action. From here on out, the Beretta would be single-action.
The gunshot was all but silent compared to the amplified screech of the saw within the vault. The big man's knees struck the ground as he collapsed, shuddering his shoulders and clearing Nate's view to the masked men on the main floor.
And theirs to him.
Both masks swiveled in puzzlement to take him in, the stillness of the moment stretching out in painful slow motion. The heads cocked slightly, an instinctive attack-dog tilt, sending an icy ripple up Nate's spine. He realized what looked off about the faces: There were no eyes. Mesh had been stitched over the holes so that no flesh was visible, an insectoid effect that smoothed the heads to disturbing perfection.
With detached tranquillity, Nate watched their gloved hands rise, blued steel glinting inside curled fingers. A bullet lasered past his face, close enough to trail heat across his cheek. He was, it struck him, utterly unafraid. In his indifference he felt a weight lift from his shoulders, felt a smile curve his lips, felt imaginary manacles release. And then his hands, too, were lifting. He reminded himself with alarming calmness that he had to keep his wrists steady as he'd learned in basic, that he should not anticipate recoil, that he was, if not an ace, a decent shot. The air around his head took form as more bullets rocketed past, and he aimed across the teller partition at the first man and squeezed, and half the masked head went to red mist. The man toppled out of sight. His companion was shooting, the muzzle flashing but still inaudible beneath the earsplitting action of the saw. Nate was firing, too, the far wall giving off little puffs of drywall, spent cartridges cartwheeling across his field of vision. He stepped forward through the laid-open teller gate into the incoming bullets, to his death, his senses alive with the thrill of freedom — no, more than that. The thrill of liberation.
Excerpted from The Survivor by Gregg Hurwitz. Copyright © 2012 Gregg Hurwitz. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
On the Brink,
What Was Lost,
Long Way Up,
What Was Found,
Preview: Tell No Lies,
Also by Gregg Hurwitz,
About the Author,