MARCH 2023 - AudioFile
Will Patton uses a gentle Southern accent to embody Val Welch, and he maintains that soft approach even through some fairly graphic violence. The story involves many questions about what is actually going on with the rest of the characters. Val is in Wyoming to paint a WPA mural in a post office. He falls into a maelstrom created by a wealthy rancher; his wife, a former hobo; and assorted secondary characters. Everyone is willing to do whatever is necessary to achieve their opposing goals. Patton suggests the different voices but clearly evokes the characters behind the words. D.M.H. © AudioFile 2023, Portland, Maine
Publishers Weekly
12/05/2022
The diverting if muddled latest from Frazier (Cold Mountain) blends a Depression-era travelogue with a noirish star-crossed love story involving an artist and a Wyoming rancher’s wife. In 1937, earnest young artist Val Welch arrives in remote Dawes, Wyo., on the WPA payroll, to paint a mural on the wall of the local post office. He’s taken in by wealthy rancher John Long and his wife, Eve, who has recently settled down after years roaming the country as a hobo and later as a nightclub singer, and whose beauty captures Val’s heart. But Eve, feeling trapped by her cosseted new life, soon takes off, and John sends lovelorn Val on a cross-country journey to find her, trailed by another man who may or may not be Eve’s first husband. Frazier is a gifted stylist, and his gritty portrait of America in the depths of the Depression rings true, as do the character details—a razor-wielding villain adds to the danger around femme fatale Eve. Unfortunately, the mélange of genres and a curious lack of romantic chemistry between Val and Eve (Frazier never establishes what Val sees in Eve besides her looks) drains the emotional power. There’s fun to be had, but it’s not Frazier’s best. (Apr.)
From the Publisher
Frazier is in top form…. Period-authentic, and the writing hums with spectacular word-images…. [A] propulsive tale of individualistic characters striving to beat the odds.” — Booklist (starred review)
"The book’s continental scope proves that the lavishly talented Charles Frazier is not just a regional novelist. “The Trackers” is a novel of suspense with an all-American sting." — Washington Post
“Frazier deftly blends an historical perspective throughout his fictional tale…Even though it’s set 86 years ago, there are moments that are eerie in their echoes of the present…There’s a lot more worth savoring in “The Trackers,” including reflections on the meaning of art, the mythos of the American West, and what it really takes to start again. But Val is our narrator and after a transcontinental adventure, the book satisfyingly ends where it began, with Val working on his mural in Dawes, Wyoming, adding a couple final details to complete the painting.” — Associated Press
Booklist (starred review)
Frazier is in top form…. Period-authentic, and the writing hums with spectacular word-images.”
MARCH 2023 - AudioFile
Will Patton uses a gentle Southern accent to embody Val Welch, and he maintains that soft approach even through some fairly graphic violence. The story involves many questions about what is actually going on with the rest of the characters. Val is in Wyoming to paint a WPA mural in a post office. He falls into a maelstrom created by a wealthy rancher; his wife, a former hobo; and assorted secondary characters. Everyone is willing to do whatever is necessary to achieve their opposing goals. Patton suggests the different voices but clearly evokes the characters behind the words. D.M.H. © AudioFile 2023, Portland, Maine
Kirkus Reviews
2023-01-12
Frazier goes in search of the American dream amid the seemingly endless nightmare of the Great Depression.
The ambitions here are as lofty as one of those murals commissioned by the Works Progress Administration to lift the nation’s spirits and provide some income for indigent artists. One such (fictional) artwork has the same title as this novel, as young painter Valentine “Val” Welch travels west to the small town of Dawes, Wyoming, to create a mural in their post office that will capture the spirit of the country. His former art professor got him the job and has also connected him with the wealthy art patron John Long, who has extensive property there and a glamorous young wife named Eve. As first-person narrator, Val struggles to figure out what the deal is between the married couple. Then there’s the mysterious Faro, a cowboy relic of the Western past whose association with Long predates his marriage and whose relationship with Eve has a furtive element to it. (He may well provide the moral compass here.) Long has political aspirations, and Eve adds some dazzle. She also has a past that includes bumming around the country and singing in a country dancehall band, where her husband (and so many others) first became attracted to her. She also may or may not have had a previous husband, who may or may not be dead. Once she takes off, Long sends Val to find her. It’s a big country, and he’s no detective, but he doesn’t have as much difficulty as you’d think. In the process, he complicates the plot in a couple of different ways, and he, as the tracker, soon has other trackers in his pursuit. For a novel that traverses the country from Seattle to back-swamp Florida, the writing is curiously static, filled with meticulous descriptions and philosophical soliloquies, with all sorts of stilted conjecture about fate, art, and America (and no quotation marks).
By the end, not even the characters seem to care much about who finds whom.
