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The Transatlantic Indian, 1776-1930
This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.
Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.
The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.
1134410366
The Transatlantic Indian, 1776-1930
This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.
Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.
The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.
This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.
Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.
The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.
Kate Flint is professor of English at Rutgers University. She is the author of The Victorians and the Visual Imagination and The Woman Reader, 1837-1914.
Table of Contents
List of Illustrations ix Preface xi Chapter One: Figuring America 1 Chapter Two: The Romantic Indian 26 Chapter Three: "Brought to the Zenith of Civilization": Indians in England in the 1840s 53 Chapter Four: Sentiment and Anger: British Women Writers and Native Americans 86 Chapter Five: Is the Indian an American? 112 Chapter Six: Savagery and Nationalism: Native Americans and Popular Fiction 136 Chapter Seven: Indians and the Politics of Gender 167 Chapter Eight: Indians and Missionaries 192 Chapter Nine: Buffalo Bill's Wild West and English Identity 226 Chapter Ten: Indian Frontiers 256 Conclusion: Indians, Modernity, and History 288 Notes 297 Bibliography 33
What People are Saying About This
Lucy Maddox
This is an important work of scholarship. By examining British responses to the presence of Indians in the Americas, and especially in North America, Flint offers a genuinely original perspective on both the history of representation of the figure of the Indian and the history of Indian-white relations. Her readings are smart and always judicious. — Lucy Maddox, Georgetown University
Childers
Truly brilliant. Flint does what very few writers have done before, which is to acknowledge the role Native Americans—and the often contradictory representations of them—played in the British imagination. She brings her keen literary sensibility and her wonderful ability to read the visual culture of the Victorian era to this book in ways that do considerable justice to the complexity and importance of this topic. — Joseph W. Childers, University of California, Riverside
Amanda Anderson
An impressively comprehensive, ambitious, and informed book. Flint analyzes the cultural myths, stereotypes, and ideological constructions that shaped the understanding of Native Americans in a variety of British contexts and media, and also turns her lens upon Native American understandings of British culture. This is a very important book. — Amanda Anderson, Johns Hopkins University
From the Publisher
"This is an important work of scholarship. By examining British responses to the presence of Indians in the Americas, and especially in North America, Flint offers a genuinely original perspective on both the history of representation of the figure of the Indian and the history of Indian-white relations. Her readings are smart and always judicious."—Lucy Maddox, Georgetown University
"Truly brilliant. Flint does what very few writers have done before, which is to acknowledge the role Native Americans—and the often contradictory representations of them—played in the British imagination. She brings her keen literary sensibility and her wonderful ability to read the visual culture of the Victorian era to this book in ways that do considerable justice to the complexity and importance of this topic."—Joseph W. Childers, University of California, Riverside
"An impressively comprehensive, ambitious, and informed book. Flint analyzes the cultural myths, stereotypes, and ideological constructions that shaped the understanding of Native Americans in a variety of British contexts and media, and also turns her lens upon Native American understandings of British culture. This is a very important book."—Amanda Anderson, Johns Hopkins University
