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The Underground Railroad

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The Underground Railroad

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Product Details

ISBN-13:	9781531184636
Publisher:	Perfection Learning Corporation
Publication date:	12/06/2017
Pages:	336
Product dimensions:	5.20(w) x 8.00(h) x 0.70(d)

About the Author

Colson Whitehead is an American, two-time Pulitzer-Prize winning author of several novels, including The Underground Railroad and The Nickel Boys, as well as a collection of essays about New York City. He is also a National Book Award winner. His novel, Harlem Shuffle, is the first book of the Harlem Trilogy. The second installment, Crook Manifesto, was released in 2023. His fiction, criticism, and reviews have appeared in several publications, such as The New York Times, Harper's, and Granta.

Learn more about Colson Whitehead on the B&N Podcast

Hometown:

Brooklyn, NY

Date of Birth:

November 6, 1969

Place of Birth:

New York, NY

Education:

Harvard College, BA in English & American Literature

Website:

http://www.colsonwhitehead.com

Read an Excerpt

Chapter 1
(Continues…)

Excerpted from "The Underground Railroad"
by .
Copyright © 2018 Colson Whitehead.
Excerpted by permission of Knopf Doubleday Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

The questions, discussion topics, and suggestions for further reading that follow are designed to enhance your group’s discussion of The Underground Railroad, a triumph of a novel by Colson Whitehead.

1. How does the depiction of slavery in The Underground Railroad compare to other depictions in literature and film?

2. The scenes on Randall’s plantation are horrific—how did the writing affect you as a reader?

3. In North Carolina, institutions like doctor’s offices and museums that were supposed to help ‘black uplift’ were corrupt and unethical. How do Cora’s challenges in North Carolina mirror what America is still struggling with today?

4. Cora constructs elaborate daydreams about her life as a free woman and dedicates herself to reading and expanding her education. What role do you think stories play for Cora and other travelers using the underground railroad?

5. “The treasure, of course, was the underground railroad... Some might call freedom the dearest currency of all.” How does this quote shape the story for you?

6. How does Ethel’s backstory, her relationship with slavery and Cora’s use of her home affect you?

7. What are your impressions of John Valentine’s vision for the farm?

8. When speaking of Valentine’s Farm, Cora explains “Even if the adults were free of the shackles that held them fast, bondage had stolen too much time. Only the children could take full advantage of their dreaming. If the white men let them.” What makes this so impactful both in the novel and today?

9. What do you think about Terrance Randall’s fate?

10. How do you feel about Cora’s mother’s decision to run away? How does your opinion of Cora’s mother change once you’ve learned about her fate?

11. Whitehead creates emotional instability for the reader: if things are going well, you get comfortable before a sudden tragedy. What does this sense of fear do to you as you’re reading?

12. Who do you connect with most in the novel and why?

13. How does the state-by-state structure impact your reading process? Does it remind you of any other works of literature?

14. The book emphasizes how slaves were treated as property and reduced to objects. Do you feel that you now have a better understanding of what slavery was like?

15. Why do you think the author chose to portray a literal railroad? How did this aspect of magical realism impact your concept of how the real underground railroad worked?

16. Does The Underground Railroad change the way you look at the history of America, especially in the time of slavery and abolitionism?

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The Underground Railroad

In his new novel, Colson Whitehead tells the story of a woman’s flight from slavery to freedom — along a path conjured out of equal parts history and imagination. Review by Walton Muyumba.

★ 04/11/2016
"Each thing had a value... In America the quirk was that people were things." So observes Ajarry, taken from Africa as a girl in the mid-18th century to be sold and resold and sold again. She finally arrives at the vicious Georgia plantation where she dies at the book’s outset. After a lifetime in brutal, humiliating transit, Ajarry was determined to stay put in Georgia, and so is her granddaughter, Cora. That changes when Cora is raped and beaten by the plantation’s owner, and she resolves to escape. In powerful, precise prose, at once spellbinding and ferocious, the book follows Cora’s incredible journey north, step by step. In Whitehead’s rendering, the Underground Railroad of the early 19th century is a literal subterranean tunnel with tracks, trains, and conductors, ferrying runaways into darkness and, occasionally, into light. Interspersed throughout the central narrative of Cora’s flight are short chapters expanding on some of the lives of those she encounters. These include brief portraits of the slave catcher who hunts her, a doctor who examines her in South Carolina, and her mother, whose escape from the plantation when Cora was a girl has both haunted and galvanized her. Throughout the book, Cora faces unthinkable horrors, and her survival depends entirely on her resilience. The story is literature at its finest and history at its most barbaric. Would that this novel were required reading for every American citizen. Agent: Nicole Aragi, Aragi Inc. (Sept.)

Publishers Weekly

Terrific.” —Barack Obama

“An American masterpiece.” —NPR

“Stunningly daring.” —The New York Times Book Review

"A triumph." —The Washington Post

“Potent. . . . Devastating. . . . Essential.” —Michiko Kakutani, The New York Times

“Whitehead's best work and an important American novel.” —The Boston Globe

“Electrifying. . . . Tense, graphic, uplifting and informed, this is a story to share and remember.” —People

“Heart-stopping.” —Oprah Winfrey

“The Underground Railroad is inquiring into the very soul of American democracy. . . . A stirring exploration of theAmerican experiment.” —The Wall Street Journal

“A brilliant reimagining of antebellum America.”—The New Republic

“Colson Whitehead’s book blends the fanciful and the horrific, the deeply emotional and the coolly intellectual. Whathe comes up with is an American masterpiece.”—Ann Patchett, author of Bel Canto

“The Underground Railroad enters the pantheon of . . . the Great American Novels. . . . A wonderful reminder of whatgreat literature is supposed to do: open our eyes, challengeus, and leave us changed by the end.” —Esquire

“[Whitehead] is the best living American novelist.”—Chicago Tribune

“Masterful, urgent. . . . One of the finest novels written aboutour country’s still unabsolved original sin.” —USA Today

“Brilliant. . . . An instant classic that makes vivid the darkest, most horrific corners of America’s history of brutality against black people.” —HuffPost

“Singular, utterly riveting. . . . You’ll be shaken and stunned by Whitehead’s imaginative brilliance. . . . The Underground Railroad is a book both timeless and timely. It is a book for now; it is a book that is necessary.” —BuzzFeed

“Whitehead is a writer of extraordinary stylistic powers. . . . [The Underground Railroad] offers many testaments to Whitehead’s considerable talents and examines a deeply relevant and disturbing period of American history.”—The Christian Science Monitor

“[An] ingenious novel. . . . A successful amalgam: a realistically imagined slave narrative and a crafty allegory; a tense adventure tale and a meditation on America’s defining values.” —Minneapolis Star Tribune

“Whitehead’s novel unflinchingly turns our attention to the foundations of the America we know now.” —Elle

“Perfectly balances the realism of its subject with fabulist touches that render it freshly illuminating.” —Time

“I haven’t been as simultaneously moved and entertained bya book for many years. This is a luminous, furious, wildly inventive tale that not only shines a bright light on one of the darkest periods of history, but also opens up thrilling new vistas for the form of the novel itself.”—Alex Preston, The Guardian

From the Publisher

★ 07/01/2016
Pulitzer Prize finalist Whitehead (John Henry Days) here telescopes several centuries' worth of slavery and oppression as he puts escaped slaves Cora and Caesar on what is literally an underground railroad, using such brief magical realist touches to enhance our understanding of the African American experience. Cora, an outsider among her fellow slaves since her mother's escape from a brutal Georgia plantation, is asked by new slave Caesar to join his own escape effort. He knows a white abolitionist shopkeeper named Fletcher with connections to the Underground Railroad, and as they flee to Fletcher's house, Cora saves them from capture with an act of violence that puts them in graver danger. "Who built it?" asks Caesar wonderingly of the endless tunnel meant to carry them to freedom. "Who builds anything in this country?" replies the stationmaster, clarifying how much of America rests on work by black hands. The train delivers Cora and Caesar to a seemingly benevolent South Carolina, where they linger until learning of programs that recall the controlled sterilization and Tuskegee experiments of later years. Then it's onward, as Whitehead continues ratcheting up both imagery and tension. VERDICT A highly recommended work that raises the bar for fiction addressing slavery. [See Prepub Alert, 3/7/16.]—Barbara Hoffert, Library Journal

Library Journal

★ 2016-04-13
What if the metaphorical Underground Railroad had been an actual…underground railroad, complete with steam locomotive pulling a "dilapidated box car" along a subterranean nexus of steel tracks? For roughly its first 60 pages, this novel behaves like a prelude to a slave narrative which is, at once, more jolting and sepulchral than the classic firsthand accounts of William Wells Brown and Solomon Northup. Its protagonist, Cora, is among several African-American men and women enslaved on a Georgia plantation and facing a spectrum of savage indignities to their bodies and souls. A way out materializes in the form of an educated slave named Caesar, who tells her about an underground railroad that can deliver her and others northward to freedom. So far, so familiar. But Whitehead, whose eclectic body of work encompasses novels (Zone One, 2011, etc.) playing fast and loose with "real life," both past and present, fires his most daring change-up yet by giving the underground railroad physical form. This train conveys Cora, Caesar, and other escapees first to a South Carolina also historically unrecognizable with its skyscrapers and its seemingly, if microscopically, more liberal attitude toward black people. Compared with Georgia, though, the place seems so much easier that Cora and Caesar are tempted to remain, until more sinister plans for the ex-slaves' destiny reveal themselves. So it's back on the train and on to several more stops: in North Carolina, where they've not only abolished slavery, but are intent on abolishing black people, too; through a barren, more forbidding Tennessee; on to a (seemingly) more hospitable Indiana, and restlessly onward. With each stop, a slave catcher named Ridgeway, dispensing long-winded rationales for his wicked calling, doggedly pursues Cora and her diminishing company of refugees. And with every change of venue, Cora discovers anew that "freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close but from outside, the empty meadow, you see its true limits." Imagine a runaway slave novel written with Joseph Heller's deadpan voice leasing both Frederick Douglass' grim realities and H.P. Lovecraft's rococo fantasies…and that's when you begin to understand how startlingly original this book is. Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and razor-sharp ingenuity; he is now assuredly a writer of the first rank.

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