Thunder on the Stage: The Dramatic Vision of Richard Wright
Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

1143790546
Thunder on the Stage: The Dramatic Vision of Richard Wright
Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

14.95 In Stock
Thunder on the Stage: The Dramatic Vision of Richard Wright

Thunder on the Stage: The Dramatic Vision of Richard Wright

by Bruce Allen Dick
Thunder on the Stage: The Dramatic Vision of Richard Wright
Add to Wishlist
Thunder on the Stage: The Dramatic Vision of Richard Wright

Thunder on the Stage: The Dramatic Vision of Richard Wright

by Bruce Allen Dick

Overview

Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

Product Details

ISBN-13: 9780252055461
Publisher: University of Illinois Press
Publication date: 03/26/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 3 MB

About the Author

Bruce Allen Dick is a professor of English at Appalachian State University. He is the author of A Poet’s Truth: Conversations with Latino and Latina Poets and coauthor of American Soccer: History, Culture, Class.

Table of Contents

Foreword

Preface

Acknowledgements

Introduction

Part I. Thunder on the Stage: The American Years

1 The Ethics of Acting Jim Crow

2 From Minstrelsy to Shakespeare to Authentic Black Theater: Playwrights, Writers, Critics, and Inter-textual Play

3 Distant Thunder: Wright, the Federal Theatre, and Early Attempts at Writing Plays

4 Native Son on Stage

5 Orator, Performer, and Stage Writer Pursuing Social Change

6 Boxing Jim Crow

Part II. The Last Lampoon: Years Abroad

7 Reconstructing Identity: The Influence of Sartre, de Beauvoir, Camus, and Others

8 Acting Bigger Thomas

9 “Daddy Goodness”: Richard Wright’s Last Lampoon

Conclusion

Notes

Index

 

From the B&N Reads Blog
Page 1 of

Related Subjects

Literature
Literary Criticism
Drama - Literary Criticism
General & Miscellaneous Literary Criticism
General & Miscellaneous Drama - Literary Criticism
Literary Criticism - General & Miscellaneous
Literature
Literary Criticism
Drama - Literary Criticism
General & Miscellaneous Literary Criticism
General & Miscellaneous Drama - Literary Criticism
Literary Criticism - General & Miscellaneous

Customer Reviews