Read an Excerpt
Uncle Paul
By Celia Fremlin Dover Publications, Inc.
Copyright © 1987 Celia Goller
All rights reserved.
ISBN: 978-0-486-82347-8
CHAPTER 1
It is rare for any catastrophe to seem like a catastrophe right at the very beginning. Nearly always, in its early stages, it seems more like a nuisance; just one more of those tiresome interruptions which come so provokingly just when life is going smoothly and pleasantly.
Looking back afterwards, Meg could never be sure whether she had felt like this about Isabel's telegram. For memory is a deceptive thing. It was so easy, later, when fear had grown into certainty, to imagine that she had had a premonition of it all. That she had known, all through that rainy summer day, as the typewriters clicked and pinged, as the top copies and the file copies piled up under the watery light, that when she got back to her lodgings there would be a message like this awaiting her. That a telegram would be stuck cornerwise in the letter rack just inside the great gloomy front door; that it would be from Isabel; and that, this time, the trouble would be real.
Or had the whole thing, after all, only seemed like a nuisance? When she saw who the telegram was from, even when she read the message, had she still merely thought, with exasperated affection, that this was just another of Isabel's things — a fuss about nothing? For Isabel was a worrier, always had been; and since marrying for the second time, setting up house all over again with a step-father for her two little boys, she had seemed worse than ever. There was a tenseness about her now; a puckered, flustered look about her small, anxious mouth that Meg had not seen there before.
Well, no, that wasn't quite true. Meg had seen it before, of course, even in their nursery days. A sister can never really show you a new expression on her face. It is just that expressions which once came only in occasional unhappy flashes may become more frequent — habitual; while other expressions, once habitual, may now only flash out occasionally, in moments of lightness and snatched gaiety.
High up in the grey London apartment house, Meg looked at the telegram again. In the past minutes it had become familiar to her, part of her environment. The very folds and creases it had acquired from its journey in and out of her pocket seemed to make it, uncomfortably, more and more a part of her, less and less easy to gloss over or ignore.
Mildred needs help. Please come.
Isabel.
Meg knew already that she would go. Even if it was only one of Isabel's ridiculous flaps, she would still go. She had always gone when Isabel was in any kind of trouble, particularly if the trouble concerned Mildred. Mildred was something that she and Isabel had to cope with together; it had always been like that, even in the days when they were children, and it was Mildred who was supposed to be coping with them. ...
But Meg did not want to think about her childhood just now. Such thoughts would lead, inevitably, to that bit of her childhood which mustn't be spoken of in front of Mildred. Even after all these years, a reminder of those weeks could still throw Mildred into such a state of hysterical self-pity as might take days to soothe. In dealing with Mildred's problems it was better not even to think about that time. Better, always, to think only of what to do — of the practical details.
Such as looking up the trains to — where was it? — Southcliffe — this place where Isabel and Philip had taken the children for their holiday. Perhaps, Meg mused, as she scanned the columns of tiny, tightly packed figures, perhaps this holiday would be doing Isabel good — would be softening her mouth again, smoothing out the tiny, fluttering creases between her brows. Though how much of a holiday it could be for her, staying in a caravan with two little boys and an exacting and by no means youthful husband who still wasn't really used to the children. ...
Southcliffe. Only a two-hour journey, apparently. She could go down after work tomorrow — even get away at lunch time, perhaps — and, if it turned out that nothing much was the matter, she could be back on Sunday in time to go out with Freddy as arranged.
But, of course, she must ring Freddy, just to warn him that she might not be there, and not to wait for her if she didn't turn up. Not that he would be likely to wait for her in any case. Freddy didn't seem the kind of man who would wait for anybody. Or was there, perhaps, some kind of a girl, quite different from Meg, for whom he would wait — for whom he might even arrive punctually himself?
Well, anyway, it would only be polite to ring him. And perhaps, having got him to the telephone, she might consult him about the whole business. Tell him about Isabel, about Mildred. Ask his advice about going to Southcliffe.
Meg stared out over the rooftops at the rainy summer twilight, and thought about consulting Freddy. About dialling his number, and then waiting the long seconds while he slid languidly off his divan and strolled across the room to the telephone; and then she would hear his voice, his soft, deceptively intimate voice, saying something aggravating.
Or perhaps not answering at all. It must be nearly nine already. No time, now, for weighing up the subtle balance of pleasure and embarrassment involved in such a call. Meg hunted four pennies from the bottom of her bag and ran down the long flights of stairs to the telephone in the hall.
"Oh — Freddy! So you are still there. Listen. It's about Sunday. And I want your advice about something, it's very — What? Oh! I'm sorry — this is Meg, I mean —"
How he always managed to make one look silly! — and then, a second later, warmed one into utter forgiveness! Already the slow, mellow enticement — none the less fascinating for being almost certainly bogus — was back in his voice, and she could tell that the half mocking, half affectionate smile was beginning the flicker round his mouth. She could tell, too, that his long, musician's fingers were at this moment coiling themselves round the receiver in the only, in the most perfectly comfortable position. Other people grabbed up receivers just anyhow.
"Oh, I see. My advice." Freddy's voice, without the faintest trace of an accent, had yet somehow a faintly un-English quality that Meg could not define. "You mean," he went on, brightening, "that you are going to tell me of some decision you have reached, and to order me to agree with it. But of course, my sweet. It'll be a pleasure. I agree with it absolutely and entirely. We don't need to go through all the wearisome formality of you telling me what it's all about and me listening, do we?" he added anxiously.
"Oh, Freddy! Stop it!" Meg was half laughing, half piqued. "Something's happened. Really. At least, I think so. And I really do want your advice."
There was a little pause at the other end of the line. Meg seemed to see him shifting his position, hunching his shoulder yet more luxuriously against the instrument.
"My advice? But why mine, darling? I mean to say, there couldn't be a worse person than myself to advise a young girl living alone in the big city. My advice is usually immoral and always impractical. Anyone'll tell you."
"Yes — but Freddy — Oh please stop being like that for a minute, and listen. You see, it's the family. Isabel says —"
"Quarrel with them," came the instructions down the wire, decisively. "It's the only way with families. Quarrel with them now, while you're still young. If you leave it till you're older, you'll find that you owe them all so much money that you can't afford to. So quarrel, girl, quarrel for your life! And then come round and have a drink. In about half an hour."
The telephone clicked into silence, and Meg turned away, laughing, and knowing that she should be annoyed. It ought to be humiliating to be so taken for granted by a man whom she had known for so short a time; but it wasn't humiliating at all; it was fun; and when, a few minutes later, she stuffed the telegram into her handbag to show to Freddy, it seemed more like a ticket for some long-anticipated theatre performance than a disquieting piece of news.
The interminable wet length of summer daylight was still stretching through the almost deserted streets when Meg reached Freddy's block of flats. Freddy, like herself, lived on a top floor, but here there was a porter, and a lift, and Meg was soon hurrying along the corridor towards Freddy's door, from behind which a piano could be heard pouring forth notes with astonishing speed and exuberance, and also with astonishing disregard (astonishing, that is, to anyone unacquainted with Freddy) of the inhabitants of the adjoining flats.
"You're wet!"
Freddy, clad in a scarlet silk dressing gown, had flung open his door in a gesture of exaggerated welcome, and was now drawing back a pace in somewhat unreasonable dismay.
"And you're wearing a raincoat!" he continued, even more unreasonably. "Here I stand, my heart going pit-a-pat, my arms outstretched, waiting for my lady love, and when she arrives she's wet. And wearing a raincoat!"
Suddenly he grinned, an impish grin that lit his rather sallow, triangular face to extraordinary brilliancy, and seizing Meg's arm he pulled her into his sitting-room and switched on the electric fire.
"There! Now you can take that thing off! And first, before you tell me the long sad story of your life, tell me why you haven't come here in a beautiful dress that sweeps the floor? And high heels? And something sparkling in your hair?"
Meg glanced down thoughtfully at her brogues.
"Well — it's raining," she observed. "I mean, it would be silly to dress up to walk all this way in the rain. You'd just look a mess at the end of it."
Freddy shook his head sadly.
"What an outlook! What an attitude to life! When skies are grey, my dear — didn't any of your aunts ever tell you that one? No, I suppose not; aunts aren't like that any more, they all go out to work. But now — let me see —" Pulling the raincoat from Meg's shoulders, he stepped back and surveyed her, head on one side, with the air of a connoisseur. "I want to see you as my Ideal Woman for a moment. Green and silver, I fancy — very full in the skirt and very tight in the bodice, with perhaps a touch of lace just here. And silver shoes — no, sandals — very high heels, of course. And the hair piled high — great masses of it — a sort of Edwardian style —"
Suddenly bunching up her light brown curls between his hands, he turned her face towards the mirror. "See? It suits you. Really. Have it done that way."
For a moment Meg caught a glimpse of her own flushed, excited face in the mirror, before it stiffened into self-consciousness under her own scrutiny. Hastily she shook herself free, laughing, but a trifle brusque.
"No," she said. "No, I don't think so. It would be an awful bother to look after. And it wouldn't look like me."
Freddy sighed.
"Well — there — I never said it would," he agreed amicably. "I only said it would look like my Ideal Woman. Well, never mind. Let's hear about the family skeleton, since that's what you've come for. If we can't talk about ideal women — why, then, we'll talk about skeletons. Of course. Why not? Do you keep it in your handbag?" He added with interest, as Meg proceeded to fumble for Isabel's telegram.
"Here," she said, extracting the envelope. "Read it, and I'll explain. ..."
The explanation took a long time. At the end of it Freddy, with the air of a schoolboy going over his history homework, leaned earnestly towards her.
"Let me see," he began. "Just check that I'm getting it right, will you? Mildred is your half-sister, twenty years older than you are, and she managed your father's house and looked after you like a mother. Or, anyway, like an aunt. Or —" holding up his hand to forestall Meg's interruption — "or like a French governess. Anyway, she went through the motions of bringing you up after your mother's death. Right? And Isabel is your own sister, a few years older than yourself, only far less competent — no, don't interrupt me, please. Both these sisters of yours are, in their different ways, contrary, self-centred sort of creatures — 'Highly strung' was, I believe, the euphemism that their long-suffering little sister has just applied to them — and they have both formed the touching habit of expecting her — the little sister — to help them out of any jams they choose to muddle themselves into. And really, you know, this habit doesn't surprise me. For poor little Cinderella, in this case, is clever as well as angelic. She can manage other people's affairs much more competently than they can themselves, and so naturally the two wicked step-sisters —"
"Oh, Freddy, they aren't!" protested Meg. "They aren't my step-sisters at all. I've explained to you. Mildred's my half-sister — my father was her father too — and Isabel —"
"Spare me the family tree all over again!" cried Freddy, with an air of exaggerated suffering. "Trying to make out who is related to who in families where someone has married twice gives me pins and needles. Really it does. It's a sort of complex. They made me learn about the Wars of the Roses when I was too young, I think. Besides," he continued, returning to the attack, "your sister's done it too, hasn't she? Married twice, I mean."
"Isabel? Oh, yes, she has, of course, but —"
"And Mildred? The redoubtable Mildred, who manages so cunningly to keep you all dancing attendance? Has she any other husbands to her name? Or is there only the elderly and evanescent Hubert, whose recurrent absences from home you have been so graphically describing?"
"No — I mean, I didn't really say that Hubert — That is —"
Meg stopped. Had she been giving away too much already of Mildred's private affairs? Giving them away to a comparative stranger — a man whom she had met for the first time barely a month ago? Not that Mildred herself was particularly reticent about her problems. Indeed, she would sometimes hold forth about her wrongs in the most surprisingly assorted company, retailing, with apparent gusto, intimate grievances and slights that most women would have preferred to keep hidden. But there were other times, too, when she could be excessively touchy at any reference to her troubles, even if (or, Meg sometimes fancied, particularly if) it took the form of an offer of help. Mildred had always been perverse and difficult; had she been growing more so of late?
"But what good," Freddy was saying, judicially, "do you think you can do by getting involved in it all? It sounds to me as if there's a family row going on, and you're well out of it. Particularly if, as you say, they've only got a four-berth caravan to have it in. Whoever's side you take by day, you'll also have to take their blankets by night. You'll be a mixed blessing, my dear. Very mixed."
Meg shook her head.
"My family don't have rows, exactly," she said. "They get into states, and then somebody's got to do something. I mean, if Hubert's left Mildred again, and Mildred's gone dashing down to the caravan because she can't bear to be alone at the flat — and of course there won't be room for her at the caravan, so they'll have to find a hotel for her, and the hotels'll all be full up at this time of year, and Philip will be furious, because he can't stand Mildred in any case, even when he isn't being expected to chase round finding a room for her, and that'll make Isabel go sort of helpless the way she does when Philip's in a temper —"
"My dear child! Listen to yourself! Just listen! It terrifies me. Really it does. If you let yourself talk like that, you'll soon find yourself living like that, too. Your whole life will become a rigmarole like the one you have just recited — and with the same lack of punctuation and main verbs. I'm warning you. I'm warning you now. Keep out of it. Let them get on with it. I'll take you for a drive at the weekend instead. A hundred miles each way — with punctuation and main verbs. There. I can't say fairer than that."
Meg shook her head.
"No, Freddy. Really. I've got to go. Isabel wouldn't have sent the telegram if it wasn't important. At least, it mighn't seem important to outsiders, but —"
(Continues...)
Excerpted from Uncle Paul by Celia Fremlin. Copyright © 1987 Celia Goller. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
