Under the Skin of the Architect: Exposing the Builder's Framing Bones

“Under The Skin of the Architect: Exposing the Builder’s Framing Bones” is a pictorial showcase of the steel framing and construction phases involved with the Frank Gehry designed Walt Disney Concert Hall completed in October, 2003 in downtown Los Angeles. Photographer Marques Vickers captures images of the construction stages between 2001 and 2003 showcasing the bent steel girder framework, which formed the structural bones of the building. Gehry’s signature layer of titanium panels establishing the masterpiece project as a definitive creative icon for the early 21st century completed the framework.

Accompanying the over 80 images from the Disney construction are thirteen images from another Gehry project, the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi. The images were photographed following the devastating effects of Hurricane Katrina. At the time of the storm, the museum was only partially completed, but unlike most of the costal properties, survived generally intact despite a casino barge washing into the semi-constructed facility.

The focus of Vickers photographic work is to stress the durability and sustainability of Gehry’s project beyond its evident aesthetic appeal. Vickers notes, “The internal framing structure is as fascinating as the finished appearance. The bent and shaped grids and girders fit acutely into place as a well-orchestrated whole and then disappear completely from viewing upon the layering of external panel coating.”

1144017803
Under the Skin of the Architect: Exposing the Builder's Framing Bones

“Under The Skin of the Architect: Exposing the Builder’s Framing Bones” is a pictorial showcase of the steel framing and construction phases involved with the Frank Gehry designed Walt Disney Concert Hall completed in October, 2003 in downtown Los Angeles. Photographer Marques Vickers captures images of the construction stages between 2001 and 2003 showcasing the bent steel girder framework, which formed the structural bones of the building. Gehry’s signature layer of titanium panels establishing the masterpiece project as a definitive creative icon for the early 21st century completed the framework.

Accompanying the over 80 images from the Disney construction are thirteen images from another Gehry project, the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi. The images were photographed following the devastating effects of Hurricane Katrina. At the time of the storm, the museum was only partially completed, but unlike most of the costal properties, survived generally intact despite a casino barge washing into the semi-constructed facility.

The focus of Vickers photographic work is to stress the durability and sustainability of Gehry’s project beyond its evident aesthetic appeal. Vickers notes, “The internal framing structure is as fascinating as the finished appearance. The bent and shaped grids and girders fit acutely into place as a well-orchestrated whole and then disappear completely from viewing upon the layering of external panel coating.”

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Under the Skin of the Architect: Exposing the Builder's Framing Bones

Under the Skin of the Architect: Exposing the Builder's Framing Bones

by Marques Vickers
Under the Skin of the Architect: Exposing the Builder's Framing Bones

Under the Skin of the Architect: Exposing the Builder's Framing Bones

by Marques Vickers

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Overview

“Under The Skin of the Architect: Exposing the Builder’s Framing Bones” is a pictorial showcase of the steel framing and construction phases involved with the Frank Gehry designed Walt Disney Concert Hall completed in October, 2003 in downtown Los Angeles. Photographer Marques Vickers captures images of the construction stages between 2001 and 2003 showcasing the bent steel girder framework, which formed the structural bones of the building. Gehry’s signature layer of titanium panels establishing the masterpiece project as a definitive creative icon for the early 21st century completed the framework.

Accompanying the over 80 images from the Disney construction are thirteen images from another Gehry project, the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi. The images were photographed following the devastating effects of Hurricane Katrina. At the time of the storm, the museum was only partially completed, but unlike most of the costal properties, survived generally intact despite a casino barge washing into the semi-constructed facility.

The focus of Vickers photographic work is to stress the durability and sustainability of Gehry’s project beyond its evident aesthetic appeal. Vickers notes, “The internal framing structure is as fascinating as the finished appearance. The bent and shaped grids and girders fit acutely into place as a well-orchestrated whole and then disappear completely from viewing upon the layering of external panel coating.”


Product Details

BN ID: 2940166102591
Publisher: Marques Vickers
Publication date: 08/30/2023
Sold by: Smashwords
Format: eBook
File size: 5 MB

About the Author

Visual Artist, Writer and Photographer Marques Vickers is a California native presently living in the San Francisco Bay Area and Seattle, Washington regions.

He was born in 1957 and raised in Vallejo, California. He is a 1979 Business Administration graduate from Azusa Pacific University in the Los Angeles area. Following graduation, he became the Public Relations and ultimately Executive Director of the Burbank Chamber of Commerce between 1979-84. He subsequently became the Vice President of Sales for AsTRA Tours and Travel in Westwood between 1984-86.

Following a one-year residence in Dijon, France where he studied at the University of Bourgogne, he began Marquis Enterprises in 1987. His company operations have included sports apparel exporting, travel and tour operations, wine brokering, publishing, rare book and collectibles reselling. He has established numerous e-commerce, barter exchange and art websites including MarquesV.com, ArtsInAmerica.com, InsiderSeriesBooks.com, DiscountVintages.com and WineScalper.com.

Between 2005-2009, he relocated to the Languedoc region of southern France. He concentrated on his painting and sculptural work while restoring two 19th century stone village residences. His figurative painting, photography and sculptural works have been sold and exhibited internationally since 1986. He re-established his Pacific Coast residence in 2009 and has focused his creative productivity on writing and photography.

His published works span a diverse variety of subjects including true crime, international travel, California wines, architecture, history, Southern France, Pacific Coast attractions, fiction, auctions, fine art marketing, poetry, fiction and photojournalism.

He has two daughters, Charline and Caroline who presently reside in Europe.

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