Unspeakable: The Tulsa Race Massacre

by Carole Boston Weatherford, Floyd Cooper (Illustrator)

Overview

Notes From Your Bookseller

Carole Boston Weatherford (RESPECT: Aretha Franklin, the Queen of Soul) and Floyd Cooper (Juneteenth for Mazie) created a powerful acknowledgment of this haunting and significant moment in our nation's past. The Tulsa Race Massacre was largely suppressed and remains an overlooked chapter of racial violence. Weatherford and Cooper optimistically offer hope for a better future.

Winner of the Coretta Scott King Book Awards for Author and Illustrator

A Caldecott Honor Book

A Sibert Honor Book

Longlisted for the National Book Award

A Kirkus Prize Finalist

A Boston Globe-Horn Book Honor Book

"A must-have"—Booklist (starred review)

Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.

News of what happened was largely suppressed, and no official investigation occurred for seventy-five years. This picture book sensitively introduces young readers to this tragedy and concludes with a call for a better future.

Download the free educator guide here: https://lernerbooks.com/download/unspeakableteachingguide

Product Details

ISBN-13:	9781541581203
Publisher:	Lerner Publishing Group
Publication date:	02/02/2021
Pages:	32
Sales rank:	172,112
Product dimensions:	9.30(w) x 11.10(h) x 1.00(d)
Lexile:	1100L (what's this?)
Age Range:	9 - 10 Years

About the Author

Carole Boston Weatherford is the author of numerous award-winning books. Her picture book BOX: Henry Brown Mails Himself to Freedom, illustrated by Michele Wood received a Newbery Honor. Unspeakable: The Tulsa Race Massacre, illustrated by the late Floyd Cooper, was a National Book Award longlist title, won the Coretta Scott King Award for author and illustrator, and received a Caldecott Honor and a Sibert Honor. She is dedicated to writing poetry for children and is the 2025 and 2026 Young People’s Poet Laureate. When she's not traveling or visiting museums, Carole is mining the past for family stories, fading traditions, and forgotten struggles. She lives in North Carolina.

Floyd Cooper (1956-2021) was a Coretta Scott King Award winner and illustrator of numerous books for children including Ruth and the Green Book, A Spy Called James, and Max and the Tag-Along Moon. Unspeakable, one of his final picture books, was a National Book Award longlist title, a Sibert Honor book, and a Caldecott Honor book. He received a degree in fine arts from the University of Oklahoma and went on to develop a distinctive art technique called oil erasure.

Editorial Reviews

★ 01/04/2021

Without glossing over important facts, Weatherford (Dreams for a Daughter) tells the historical events of the 1921 Tulsa Race Massacre in language appropriate for young readers. Rhythmic free verse text highlights a thriving community in segregated Tulsa: prosperous Greenwood, also known as Black Wall Street, had “nearly two hundred businesses in all,” including two Black-owned newspapers and 15 Black doctors. Using oil and erasure to form spare backgrounds and realistic, detailed portraits, Cooper’s (Sprouting Wings) illustrations pull readers through the events, beginning with a white woman accusing a Black man of assault and resulting in his arrest, an inflammatory headline that incited an angry white mob, and the mob’s subsequent massacre of Black citizens and burning of the entire Greenwood neighborhood. By focusing not just on the attack, but also on the positive achievements of the Black business owners, lawyers, and doctors of Greenwood, the book succeeds in teaching the tragedy of the Tulsa Race Massacre and the legacy of Black Wall Street. An author’s note explains the impact of the event and a subsequent cover-up by the city. Ages 9–10. Author’s agent: Rubin Pfeffer, Rubin Pfeffer Content. (Feb.)■

Publishers Weekly

"This moving account sheds light on shameful events long suppressed or ignored. All collections should consider this title's value in providing historical context to current conversations about racism and America's ongoing legacy of white supremacy."—starred, School Library Journal

From the Publisher

★ 02/01/2021

Gr 3–6—One hundred years ago, the Greenwood district of Tulsa, OK, was a prosperous Black community. Restaurants, beauty salons, movie theaters, and dozens of other businesses thrived along "Black Wall Street." Cooper's sepia-tone illustrations depict the bustle of everyday life as people hurried to shops or churches and gathered with friends. A stark spread signals the tragic turning point that resulted in the decimation of Greenwood's Black community. A 17-year-old white woman elevator operator accused a 19-year-old Black man of assault. Incited by calls to action printed in white-owned newspapers, thousands of armed white men headed to the jail, where they met 30 armed Black men determined to stop a lynching. The confrontation resulted in the deaths of two Black men and 10 white men. Angry that they didn't get to the jailed Black man, a white mob invaded the town, looted, and committed arson. The police did nothing to protect the Black citizens. Up to 300 Greenwood residents were killed, and more than 8,000 were left homeless. Seventy-five years passed before an official investigation occurred. Cooper's illustrations are infused with a personal connection. Not only did he grow up in Tulsa, but Cooper also heard his grandpa's stories of surviving the events. The powerful photo spread on the endpapers documents the destruction and smoking ruins. Cooper's final illustrations of Tulsa's Reconciliation Park offer a bit of hope. Weatherford's author's note provides additional background. VERDICT This moving account sheds light on shameful events long suppressed or ignored. All collections should consider this title's value in providing historical context to current conversations about racism and America's ongoing legacy of white supremacy.—Kathy Piehl, Minnesota State Univ. Lib., Mankato

School Library Journal

★ 2020-11-18
A once-thriving Black community was destroyed, and the story of how it happened went untold for decades.

In the beginning of the 20th century, Tulsa, Oklahoma, was emerging as a thriving oil town, and African Americans worked to establish communities in the face of discrimination. The separate neighborhoods that grew out of segregation meant that Black businesses sprang up to serve those who could not frequent White establishments. The African American neighborhood of Greenwood had so many it became known as “Black Wall Street,” with an impressive range of services and opportunities. The tenuous nature of Black prosperity was reinforced, however, when a White woman accused a Black man of assault. White mobs, unable to reach the suspect, descended on Greenwood, looting the businesses and burning the community to the ground. With no protection or assistance from law enforcement, all that the residents had achieved was lost. Further, it took 75 years before an official investigation was launched. Author Weatherford and illustrator Cooper join forces to present this important story with sensitivity and care for younger readers. Weatherford’s measured prose depicts the events in a cleareyed, age-appropriate narrative. Oklahoma native Cooper’s muted palette and oil-erasure style effectively portray first the achievement and then the devastation that followed. The author’s and illustrator’s notes provide valuable insight and context, as does the rear endpapers’ photograph of the massacre’s aftermath.

A somber, well-executed addition to the history as the incident approaches its 100th anniversary. (Informational picture book. 8-12)

Kirkus Reviews

Music and sound effects accentuate the moods in this nonfiction picture book about the Tulsa Race Massacre of 1921. January LaVoy narrates with a range of emotions. She opens cheerfully, detailing the thriving Black community’s prosperity, reading the repeated refrains: “Once upon a time in Greenwood . . .” and “Once upon a time on Black Wall Street . . .” City sounds and bright music play. Then the listener hears the ominous thud of an elevator landing and its metal grate opening—the beginnings of a racially motivated massacre. Tense music and the sounds of chaos punctuate the ensuing violence. Against a background of discordant music, LaVoy somberly details the aftermath—hundreds dead, thousands homeless, Greenwood in ruins. Her voice turns optimistic, however, reading the author’s exhortation to “choose hope.” The author reads the illustrator’s and author’s notes. L.T. Winner of AudioFile Earphones Award © AudioFile 2021, Portland, Maine

JULY 2021 - AudioFile