Venus as a Boy

by Luke Sutherland

Overview

A novel of extraordinary power from a writer to watch.
In a small flat in London, a young man is turning to gold. But before he dies, before his skin and eyes and tongue harden into a golden death mask, he wants to share the amazing story of his life. Born and raised on the barren Orkney Islands off the coast of Scotland, his childhood is a brutal one, devoid of tenderness. It is a miracle when he meets Tracy, falls in love, and discovers his true gift: the merest touch of him is enough to induce visions of angels and orchids. The physical heights he is able to reach-and to which he can bring others-go far beyond any normal sensual pleasure. Armed with this inexplicable talent, he makes his way to London, where he falls in with a group of teens forced to make a living on the street.
Luke Sutherland's modern-day myth about the power of love veers from stratosphere to gutter, from visions of heaven to the all-too-mortal yearning for even one glimpse of it. With Venus as a Boy Sutherland has written a moving, poetic novel that manages to imbue the harsh realities of life on the street with a mesmerizing and ethereal beauty.

Product Details

ISBN-13:	9781596919167
Publisher:	Bloomsbury Publishing
Publication date:	12/18/2008
Sold by:	Barnes & Noble
Format:	eBook
Pages:	160
File size:	239 KB

About the Author

Luke Sutherland grew up in the Orkney Islands. He is the author most recently of Sweetmeat, and his first novel, Jelly Roll, was shortlisted for the 1999 Whitbread First Novel Award. He has never before been published in the U.S. He is also known for his musical collaborations with bands such as Mogwai and Long Fin Killie, and for his personal music project, Bows.
Luke Sutherland is a writer and musician. He grew up in the Orkneys and now lives in London. He is the author of two other novels, Jelly Roll, which was shortlisted for the Whitbread First Novel Award, and Sweetmeat.

Editorial Reviews

For a hot-blooded, romantic outsider, growing up wild in the remote Orkney Islands north of Scotland leads to living wild in London-as a sex worker. In his US debut, Sutherland-himself a native Orcadian-plays for us the life-story, on tape, of a fellow Orcadian dying in London. The first and stronger half of the book is set in Orkney, where D's life is bleak: Violence at home (his dad); violence on the school bus; violence at school itself. Worse yet, to curry favor with the "shitty little two-faced bastards" he hangs out with, he puts himself down and revels in their sickening humiliation of a black kid. But there are bright moments, as when he becomes friendly with Finola-until he fails to protect her from rampaging thugs and she leaves the island (he wears her abandoned knickers to console himself). He has a brief erotic encounter, at age 12, with a Danish parachutist. And then there's Tracy, his one real love: sex with her sparks visions of orchards and angels, visions he'll pass on to all his future sex partners. When she rejects him, he leaves for the mainland to work as a dishwasher and pleasure his coworkers and hotel guests indiscriminately, for D is tri-sexual (as in the old joke: he'll try anything sexual). He bares his soul in a voice that is edgy and compelling, but much of that edge disappears in the novel's London half, where D joins a "crew of queens" in a "knocking shop" run by Radu, a former neo-Nazi from Romania. It should all be juicy, but it isn't; Sutherland works better with a smaller canvas. Between the deluge of drugs and the distractions of the London scene (much voyeurism through a telescope), the clarity of vision fades and is swallowed up in melodrama.Sutherland captures the violence and desperation of the marginalized: that's where his strength, and promise, lies.

Kirkus Reviews