We Get to Carry Each Other: The Gospel according to U2

by Greg Garrett

Overview

Who among us has not experienced hearing a song that moved us deeply, that spoke to us in a truly spiritual way? Millions of fans around the world have found that inspiration in the music of U2, arguably the biggest band in the world today. This engaging and informative book examines the spirituality that drives U2, a band whose influence has spread far beyond music and whose songs encourage listeners to put their faith into action for the sake of the poor and marginalized.

Product Details

ISBN-13:	9781611640601
Publisher:	Westminster John Knox Press
Publication date:	07/08/2009
Series:	The Gospel according to...
Sold by:	Barnes & Noble
Format:	eBook
Pages:	176
Sales rank:	807,772
File size:	2 MB

About the Author

Greg Garrett is the author of We Get to Carry Each Other: The Gospel according to U2; The Gospel according to Hollywood; Holy Superheroes! Revised and Expanded Edition: Exploring the Sacred in Comics, Graphic Novels, and Film; and Stories from the Edge: A Theology of Grief. He is a novelist, a professor of English at Baylor University, the writer-inresidence at the Episcopal Seminary of the Southwest, and a licensed lay preacher in the Episcopal Church.

What People are Saying About This

Phyllis Tickle

If you care at all about the role of music in western Christianity today, you'll want to read this book. (Phyllis Tickle, author of The Great Emergence - How Christianity Is Changing and Why)

Editorial Reviews

U2 may be the most popular rock band in the world, but unlike the Beatles' John Lennon, they never claimed to be bigger than Jesus. The band does, however, engage several Christian themes in its music. Garrett, an English professor at Baylor University, plumbs the U2 catalogue to reveal the group's theological worldview. This is not a far stretch-three of the four band members were involved with a charismatic Christian community in Ireland as the group was starting out. U2 is not the only rock band to address spiritual themes in its music, but as the author adeptly illustrates, it has certainly been one of the most consistent and outspoken. Garrett rightly posits in a chapter about social justice that U2's message encourages listeners to put their faith into action for the sake of the poor and marginalized. The author is clearly a music fan, and his excitement about U2 is contagious. Rock music fans who have ever wondered if their faith and musical taste could ever be paired will be intrigued by U2's story and Garrett's theological analysis of the band's music. (July)

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