Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

by Stephen Greenblatt

Overview

Named One of Esquire's 50 Best Biographies of All Time

The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death.

A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

Product Details

ISBN-13:	9780393079845
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	05/03/2010
Sold by:	Barnes & Noble
Format:	eBook
Pages:	464
Sales rank:	320,426
File size:	3 MB

About the Author

Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters, and Arcadia—Accademia Letteraria Italiana.

Hometown:

Cambridge, Massachusetts

Date of Birth:

November 7, 1943

Place of Birth:

Cambridge, Massachusetts

Education:

B.A., Yale University, 1964; B.A., Cambridge University, 1966; Ph.D., Yale University, 1969

Table of Contents

Preface 11

Acknowledgments 15

A Note to the Reader 17

Chapter 1 Primal Scenes 23

Chapter 2 The Dream of Restoration 54

Chapter 3 The Great Fear 87

Chapter 4 Wooing, Wedding, and Repenting 118

Chapter 5 Crossing the Bridge 149

Chapter 6 Life in the Suburbs 175

Chapter 7 Shakescene 199

Chapter 8 Master-Mistress 226

Chapter 9 Laughter at the Scaffold 256

Chapter 10 Speaking with the Dead 288

Chapter 11 Bewitching the King 323

Chapter 12 The Triumph of the Everyday 356

Afterword 391

Bibliographical Notes 399

Index 417

Editorial Reviews

There are no obscure invocations of the French philosopher Michel Foucault in these pages, no pseudo-Marxist readings of Shakespeare's plays. Instead, in the opening sections of this book, Mr. Greenblatt succinctly and vividly conjures up the Elizabethan world in which young Will came of age, showing how the religious and political upheavals of the day, as well as contemporaneous aesthetic conventions, shaped his sensibility and his work.
— The New York Times

Michiko Kakutani

… Greenblatt has unusual talents. He is learned, he marshals an enormous amount of detail in the book, and he depicts the fabric of Elizabethan life, both its paranoia and festivities, compellingly. He is a masterful storyteller; his prose is elegant and subtle, if sometimes slippery; and his imagination is rich and interesting. When he focuses more exclusively on Shakespeare's texts, as he does in his chapter on the sonnets, he is a brilliant critic. One can see why Will in the World is a nominee for the National Book Award.
— The Washington Post

Arthur Kirsch

This much-awaited new biography of the elusive Bard is brilliant in conception, often superb in execution, but sometimes-perhaps inevitably-disappointing in its degree of speculativeness. Bardolators may take this last for granted, but curious lay readers seeking a fully cohesive and convincing life may at times feel the accumulation of "may haves," "might haves" and "could haves" make it difficult to suspend disbelief. Greenblatt's espousing, for instance, of the theory that Shakespeare's "lost" years before arriving in London were spent in Lancashire leads to suppositions that he might have met the Catholic subversive Edmund Campion, and how that might have affected him-and it all rests on one factoid: the bequeathing by a nobleman of some player's items to a William Shakeshafte, who may, plausibly, have been the young Shakespeare. Nevertheless, Norton Shakespeare general editor and New Historicist Greenblatt succeed impressively in locating the man in both his greatest works and the turbulent world in which he lived. With a blend of biography, literary interpretation and history, Greenblatt persuasively analyzes William's father's rise and fall as a public figure in Stratford, which pulled him in both Protestant and Catholic directions and made his eldest son "a master of double consciousness." In a virtuoso display of historical and literary criticism, Greenblatt contrasts Christopher Marlowe's Jew of Malta, Elizabeth's unfortunate Sephardic physician-who was executed for conspiracy-and Shakespeare's ambiguous villain Shylock. This wonderful study, built on a lifetime's scholarship and a profound ability to perceive the life within the texts, creates as vivid and full portrait of Shakespeare as we are likely ever to have. 16 pages color illus. not seen by PW. Agent, Jill Kneerim. (Sept.) Copyright 2004 Reed Business Information.

Publishers Weekly

Greenblatt (humanities, Harvard; Hamlet in Purgatory) here provides a vivid and plausible version of the undocumented areas of Shakespeare's life. Drawing heavily on literary studies and his impressive knowledge of cultural history to amplify the few known facts about Shakespeare, Greenblatt re-creates a life for Shakespeare that is possible; however, he provides little definitive data to support his conclusions. Short bibliographic essays for each chapter listing Greenblatt's sources are provided at the book's end. Students and scholars will be better served by Michael Wood's Shakespeare, which covers the same ground but provides better documentation of sources and more clearly indicates where the author provides his own deductions about Shakespeare's life. Still, people wanting a general biography of Shakespeare will find this intriguing. Recommended for public libraries. [See Prepub Alert, LJ 5/15/04.] Shana C. Fair, Ohio Univ. Lib., Zanesville Copyright 2004 Reed Business Information.

Library Journal

An exceptionally well-told tale, an engrossing page-turner, in fact.

Robert Hurwitt - San Francisco Chronicle

At last, the book Shakespeare has deserved: a brilliant book written by a virtual eyewitness who understands how a playwright takes the stuff of his life and his world and makes it into theater.
”

Charles Mee

Greenblatt's revelatory book pays tribute to the glorious democracy of Shakespeare's art by the openness and elegance of his own writing style.

Maureen Corrigan - "Fresh Air"

The most complexly intelligent and sophisticated, and yet the most keenly enthusiastic, study of the life and work taken together that I have ever read.

Adam Gopnik - The New Yorker

Greenblatt takes the bits we do know, nourishes them with a thorough understanding of the Elizabethan world Shakespeare inhabited, and then coaxes each bud of information to flower within our understanding of the plays.... Only a churl would be unpersuaded by it.

Laura Miller - Salon