Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas
Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life.

Finalist for the Thurber Prize for American Humor

In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes?

Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling.

Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.
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Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas
Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life.

Finalist for the Thurber Prize for American Humor

In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes?

Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling.

Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.
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Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas

Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas

by Jenny Allen
Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas

Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas

by Jenny Allen

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Overview

Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life.

Finalist for the Thurber Prize for American Humor

In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes?

Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling.

Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.

Product Details

ISBN-13: 9780374709501
Publisher: Farrar, Straus and Giroux
Publication date: 03/26/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 239
Sales rank: 878,632
File size: 793 KB

About the Author

About The Author
Jenny Allen is a writer and performer. Her articles and essays have appeared in The New Yorker and The New York Times, among other publications. Her award-winning solo show, I Got Sick Then I Got Better, has been seen in venues across the country and in Canada. She lives on Martha’s Vineyard, Massachusetts. Would Everybody Please Stop? is her first book.

Read an Excerpt

Would Everybody Please Stop?

Reflections on Life and Other Bad Ideas


By Jenny Allen

Farrar, Straus and Giroux

Copyright © 2017 Jenny Allen
All rights reserved.
ISBN: 978-0-374-70950-1



CHAPTER 1

I'M AWAKE


I'm up. Are you up? I'm not up up, not doing-things up, because I'm supposed to be sleeping. I'm trying to go back to sleep. But I'm awake. Awake awake awake.

That's what Buddha said. Buddha said, "I am awake." Buddha got that idea, that whole concept, from a middle-aged woman, I'm sure.

Not that this sleepless business ends at any time. I think you have to die first.

If you added up all the hours I've been awake, it would come to years by now. Fifty may be the new forty, but it feels like the new eighty.

Thank you, that's a very good idea, but I already took a sleeping pill. I fell asleep right away — it's bliss, that drugged drifting off — but now I'm awake again. That always happens! I fall asleep, boom, and then, four or five hours later, I wake up — like it's my turn on watch, like I've had three cups of coffee. Like I've just had a full night's sleep. But if I act as if I've had a full night's sleep, if I get up and do things, I will be a goner after two o'clock in the afternoon. I will confuse the TV remote with the cordless phone and try to answer it, I will not notice any of my typos — I will type pubic school this and pubic school that in emails to people whose public schools I am looking at for my daughter. I will scramble words as if I have had a small stroke. I will say, "I'd like the Drussian ressing," and then I will have to make one of those dumb Alzheimer's jokes.

I could take another sleeping pill, but I worry about that. I worry about becoming too used to sleeping pills. Sleeping pills always make me think of Judy Garland. Poor Judy.

It's funny about the name Judy, isn't it? No one names anyone Judy anymore — do you ever meet five-year-old Judys? — but half the women I know are named Judy. You would probably be safe when meeting any woman over fifty just to say, "Nice to meet you, Judy." Most of the time you would be right.

I am going to lie here and fall asleep counting all the Judys I know.

Thirteen Judys. Including my ex-husband's ex-wife. Who's very nice, by the way.

I'm still awake.

Some people who knew my ex-husband before I knew him used to call me Judy. "Hi, Judy, how are you?" they'd say, and I never corrected them. Who could blame them when they knew so many Judys? Although I did sort of hope that later they realized they'd called me the wrong name and made note of my graciousness in not saying anything. "I can't believe I called her Judy — and her husband's ex-wife is named Judy. She could have been really unpleasant about that, but she didn't say anything at all. What a fine and self-restrained person she is. I'm going to try and be more like her."

Are all my Judy friends up, like me? Judy in Brooklyn Heights, are you up? Judy on Amsterdam Avenue, Judy in Carroll Gardens, Judy in Morningside Heights, Judy on Riverside Drive? I'm here in my bed imagining I can see all of you outside my window — I probably could see a few of you if you waved at me; one of my bedroom windows looks out on a nice-sized chunk of the city. But I am imagining that I am seeing all of you, like the teacher on Romper Room when I was little. She used to hold a big magnifying glass the size of a tennis racquet in front of her face so that it was between her and you, and she would say, "I see Leslie, and Barbara, and Scott, and Bruce, and Judy. And I see Karen, and Peter, and Derek ..." She must have called my name, because I knew she saw me.

That is how I feel about my friends when I lie awake at night. I see them. I see all the Judys, and I see Jackie and Polly and Ellie, Naomi and Cindy and Cathy and the Deborahs (three!). I see them lying there in their nighties, their faces shiny with moisturizer. Some of us lie alone, some of us lie next to another person who is, enragingly, sleeping like a log. How can these people next to us sleep so profoundly? They snore, they shake their restless-leg-syndrome legs all over their side of the bed, they mutter protests in their dreams — "I didn't say Elmira!" and "It's not yours!" They're making a regular racket, and yet they sleep on.

Sleepless friends, I am thinking about you. Judy on Riverside Drive, are you worrying about your rewrites? Bina, are you thinking about your new twin grandchildren? Are you worried about your daughter getting worn-out taking care of them? Mimi, are you up thinking of whom you haven't had lunch with lately? You're 86 years old. That's 237 in wakeful-woman years. Congratulations for hanging in there.

Sometimes, when I first go to sleep for the night, I fall asleep to the television. And this is a strange thing: No matter what I have fallen asleep watching, when I wake up, what's on is Girls Gone Wild. I never turn the channel to Girls Gone Wild, let alone turn up the volume, but the volume is earsplitting. How have I slept for even one minute with the volume so high? Am I going deaf? My goodness, those girls must sleep well, when they finally do sleep. I have to change the channel right away when I wake up to Girls Gone Wild because — well, of course because I don't want to watch it, but also because I always think about the girls' mothers, and that upsets me. I worry about their mothers, up in the middle of the night, waking to Girls Gone Wild on the television set. "That looks just like Melanie — oh, my God."

Look: Law & Order is on. I've seen this episode. Do they run the same ones over and over, or is it just that I have seen every single episode that exists? What a scary thought. Fortunately I never remember what happens after the opening scene when they find the body, so I can watch them all over again.

That was a good one.

I'm still awake.

When did I last sleep well? That sleep when you touched your head to the pillow and slept so soundly you woke up wondering how it could be morning when you hadn't even fallen asleep yet? My children sleep like this sometimes, especially the younger one. "Did I go to sleep yet?" she asks on occasion. I didn't appreciate it when I was young, naturally. "Did you sleep well?" people would ask me in the morning, and I would think, Of course I slept well. Isn't "sleeping poorly" a contradiction in terms?

Friends, are you all still up? It seems inefficient somehow for us all to be awake separately. Wouldn't it be great if we could pool all our separate little tributaries of wakeful energy into one mighty Mississippi, and then harness it — like a WPA project, like the Hoover Dam? We could power something. We could get the other awake women in other cities and light up the entire Eastern Seaboard. And have huge middle-of-the-night parties for all the women who are awake.

I should read. No, reading is too hard for the dead of night. It has too many words in it. Including words I might not know. If I read a word I don't know, I will feel compelled to scrawl it on whatever piece of paper is on my bedside table and then hope I'll be able to read my writing tomorrow. If I am too lazy to write down the word, I will have to decide whether to dog-ear the page — bad reader citizenship! — and I don't want the burden of that choice now, in the middle of the night.

Also, even if I do look up a word tomorrow, I won't remember the definition next week. I keep looking up the same words over and over. Fungible. Heliotrope. How many times am I supposed to look up the same words? I used to remember the definitions, but I haven't for years. I still know a lot of words, though. Cleave is a funny word because it means "to sunder" and, strangely, it also means "to stick to." Ouster is a funny word. Ouster sounds like it should mean a person, a person who ousts other people, but it doesn't. It means the act of getting rid of someone, not the person who does the getting rid of. Temerity sounds like it means "timid," but it doesn't. It means the opposite, it means "brave"!

Timorous is another word for timid, but why not just say timid? Timmy was the name of the boy in Lassie, the television show. The theme music for the show was melancholy, shockingly so. It made you yearn, it made you homesick, even as you watched it in the den in your home. When was Lassie on? Bonanza was on Sunday nights, I think. There were three brothers in Bonanza: Adam, Hoss, and Little Joe. My sister was quiet and liked Adam the best. My brother wore clothes from the Husky department and so liked Hoss, who was hefty, the best. I liked Little Joe because I was the youngest and so was Little Joe. Also, I was a scamp, and cute, like Little Joe.

I'm still awake. Only now everything is sort of blending together. It's the time of night when I think I may finally be losing my mind for good. Here's a snatch of the theme song from Lassie, but it's blending into the Brownie song, the one about "I've got something in my pocket, that belongs across my face," about a Great Big Brownie Smile. Where's my older daughter's Girl Scout badge sash? Why didn't the younger one ever do Girl Scouts? What's in that pot roast recipe besides a cinnamon stick and horseradish and a can of cranberry sauce? What was my old zip code when I lived on Third Avenue? Why didn't I submit that expense account worth a thousand dollars nine years ago?

Instead of going crazy, maybe I will just lie here and regret things. Let's see, can't I blame the really big mistakes on others? Didn't they fail me, didn't they provoke me, didn't they drive me to it? Didn't they just really strain my patience? Didn't they expect too much of me?

No, face it, you did all those things, all the bad and regrettable things. Now you have to sit with it, as Buddha would say. In your case, of course, lie with it.

Not exactly the path to Slumberland.

Oh, look. The sky is purple now, not black. It's going to be daylight. Dawn! How are you, Dawn? How's it going? As long as you're up, I might as well get up too. We can keep each other company.

CHAPTER 2

SECONDS


I'm afraid there's no way to say this without sounding pitiful, so I'm just going to say it.

I used to eat cookies out of opened packages on supermarket shelves. I was a child, but still, it was an odd thing to do. I'd go to the supermarket with my mother and ditch her as fast as I could, to hang out in the cookie aisle. In my adult life, I've rarely seen an opened package of cookies in a supermarket, so I can't explain why I seemed to see them all the time as a child, but I did. And when I found an opened box or torn cellophane wrapping, I would stand in the aisle and furtively shove the cookies into my mouth, pop pop pop.

The thrill of finding the packages was like one of those dreams when you find twenty-dollar bills blowing all over the sidewalk — only better, at least to a child, because it was Mallomars and Oreos and gingersnaps and Nilla Wafers. Pecan Sandies. Vienna Fingers. Whatever they called the spicy ones shaped like windmills, studded with slivers of almond. Oh, the joy of it.

I told a friend about this the other day. I thought she was going to tell me she'd done it too; I'd always assumed this was one of those childhood pastimes that most children engaged in but didn't bother to mention as adults, like biting their toenails or picking their scabs.

She looked like she was going to cry. "That is so sad," she said.


* * *

I had to wonder: Why had I spent my childhood trolling for food in the cookie aisle at Gristedes?

Ah, that's right. My mother didn't feed me.

That's not entirely true. She fed us — my brother, sister, and me; my parents were divorced — but that's about all you could say. My mother was overwhelmed, my mother had been handed some real lemons in life, my mother was doing the best she could. But, boy. We had food, three or four different dinner entrées — fried hamburgers and lima beans, corned beef hash with an egg on top, fried lamb chops, liver and bacon. That was it, that was the repertoire.

And so little of it! I don't remember being offered seconds, although, really, who wanted them anyway? I remember staring at refrigerator shelves, empty except for milk and eggs and celery sticks poking out of a glass of ice cubes and a jar of green olives, there to be made into cream-cheese-and-olive sandwiches for my school lunch, which I hated and which mortified me. Things can't have been this bad; there must have been more food around — I remember now that she liked to make Rice Krispies Treats when the spirit moved her — but honestly, the cupboard was pretty bare.

You never knew when you were getting fed. You weren't allowed to ask, you weren't even welcome in the kitchen half the time. She needed it to herself, the better to curse my absent father and burn things. This was as unpleasant as the sameness and not-enoughness of the food — the tension around it, the joylessness with which it was served.

College food was like a dream. I couldn't believe it: Every day, three times a day (the same three times a day!), cheerful ladies in hairnets produced food so delicious it made me want to weep with gratitude. London broil one day, Swedish meatballs the next, barbecued ribs, roast chicken, fish not in a stick. Food cooked with spices! Garlic, tarragon, curry! And that was just lunch. Five hours later, amazingly, they did it again. I couldn't believe the variety — it took weeks before they repeated an item, and you even had a choice of main dishes: fillet of sole or Salisbury steak; shepherd's pie or macaroni and cheese. And sometimes there would be a theme — Chinese Banquet (water chestnuts! crunchy noodles!), South of the Border, Mangia Italiana. The other kids made fun of Theme Nights, but I thought they were thrilling. I couldn't believe we were being made such a fuss over.

Incredibly, there was dessert every night — Jell-O with little ridged minarets of whipped cream, tapioca pudding and rice pudding and bread pudding and chocolate pudding. Chocolate cake. Chocolate cake! Just on any old Tuesday night! It was like a party every day, a party celebrating us for no reason other than that we existed.

And there were seconds. "Sure, honey, just hand me your plate. You must really like broiled scallops." Yes, I surely do, and may I have a little bit more of that butter sauce on top, please?

And the next morning there would be bacon and French toast, and a choice of scrambled or fried eggs, and bagels and muffins. I never ate the fresh fruit — why fill up space in my stomach that could be better served with six or seven slices of bacon?

It took me about three weeks to gain twenty pounds. I didn't care. I was in heaven.

I am in heaven just writing about it, just remembering it. It's not like I'd never experienced big, tasty meals before I went to college — my father and his new family loved to eat, and I had many delicious meals at their house. But college food, the orgy of it, was the antidote to the food at my mother's house. It just kept coming at you, and you didn't even have to worry about whether you were quick enough to offer to help do the dishes. It was just given to you — well, not given, but it felt that way.


* * *

I graduated from college eventually, but that excitement about eating has stayed with me every single day of my adult life. Three times a day — more, if I feel like it — I can choose things I like to eat, and eat them in peace. I never take this freedom for granted, I never get tired of it. I never don't anticipate eating with pleasure.

This is how much I love eating: The first time I ate soft-shell crabs — an experience so sublime that if you have not yet had it, I urge you to as soon as possible — I broke out in hives, head to toe. It is the only time I have ever had an allergic reaction to something I've eaten. The second time I ate soft-shell crabs, I — you know, I think that's all I need to say. That there was a second time, that I tried them again, hoping against hope that the hives had been a freak event, sort of says it all, doesn't it?

You are wondering how fat I am. Let me say this: If I lived in most places in the United States, where the all-you-can-eat restaurant is part of the landscape, I would probably weigh 350 pounds. But until recently I lived in Manhattan, where the ridiculous rents won't allow for "family-style" restaurants, so I'm usually about twenty pounds overweight. At the moment, I weigh 150 pounds. I am tallish — five feet eight — and "big-boned," so I carry it off, more or less. I try to lose five pounds sometimes, and sometimes I do, but then I forget I'm trying to do it and order the tartufo.


* * *

I have been heavier than I am now, but I thought I looked okay then too. For a few years, I generally weighed about ten pounds more than I do now, and it was not unusual for me to need a size 16. I'm a little surprised when I look at the pictures of me from that time; I've wondered if I have the opposite of that phenomenon that afflicts anorexic girls, the one where they think they look fat when they are actually skin and bones. I think I look normal when I am on the pudgy side.


(Continues...)

Excerpted from Would Everybody Please Stop? by Jenny Allen. Copyright © 2017 Jenny Allen. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Title Page,
Copyright Notice,
Dedication,
Epigraph,
I'm Awake,
Seconds,
Ask the Answer Lady,
Canonize Me,
Me, Flirting,
How to Tie-Dye,
Dream On, You Motherfucking Mother,
Would Everybody Please Stop?,
An Affair to Remember,
When I Meditate,
My Gathas,
Swagland,
Nothing Left to Lose,
Tawk Thewapy,
I Can't Get That Penis out of My Mind,
It's About Time,
Take My House, Please,
Faking It,
Can I Borrow That?,
My Gratitudes,
My New Feminist Cop Show,
Scary Stories for Grown-Ups,
L. L. Bean and Me,
Hair Today, Gone Tomorrow,
I Have to Go Now,
The Trouble with Nature,
Speak, Memory,
Can I Have Your Errands?,
How to Take Dad to the Doctor,
What I Saw at the Movies,
What I've Learned,
Salt and Pepper,
Roger Ailes's New, Enlightened Code of Sexual,
Conduct,
Falling,
Please Don't Invite Me,
Acknowledgments,
Also by Jenny Allen,
A Note About the Author,
Copyright,

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