Crime writer Julia Gooden has just completed the most important story of her life—a book about her beloved brother’s childhood abduction and how she found his killer after thirty years. But that hasn’t taken her focus off her day job—especially with what looks to be a serial killer terrorizing the city. Female runners are being snatched off jogging trails, then slaughtered in abandoned churches.
As Julia begins investigating, with help from Detective Raymond Navarro, she realizes just how personal this case has become. The murders, planned and executed with uncanny precision, are of women who share traits with Julia. Now he’s contacting her directly, insisting things will get much worse unless Julia makes him famous through her writing.
But no matter how skillfully she plays along, her opponent’s ultimate goal is clear. And only by unraveling the threads that link a killer’s twisted mind to her own dark past can Julia prevent herself from becoming his final victim . . .
Praise for Worth Killing For
“This exciting third installment in the series effectively mixes gritty crime and involving domestic drama.”
“A complex, highly suspenseful tale of murder, revenge, and redemption.”
“Fans are certain to enjoy the complex plot and Julia and Ray’s evolving relationship.”
About the Author
Jane Haseldine is a journalist, former crime reporter, columnist, and newspaper editor, who also worked in politics as the deputy director of communications for a governor. Jane resides in Southern California. Readers can visit her website at www.janehaseldine.com.
Read an Excerpt
Heather Burns coiled her perfectly highlighted blond hair into a tight bun and frowned as she gave her face a brutal inspection in the mirror of her parked yellow Range Rover.
Dissatisfied with her appearance, Heather pulled the skin back from the corners of her jawline and took in the wistful reminder of what she used to look like when age meant nothing because the onset of its ravages hadn't yet struck.
God, getting older really was the ultimate bitch, the thirty-nine-year-old thought, and scanned the empty parking lot of Mayberry State Park in Northville, a suburb of Detroit, where she and her teenage daughter, Carly, lived.
Heather gave up on her face momentarily and spun around to the backseat to make sure she remembered the four FIND YOUR NEW HOME HERE! signs dotted with cheerful red-house emojis for her nine AM open house, her day's next order of business after her early-morning run. Satisfied when she spotted the signs poking out from underneath her briefcase, Heather took to the rearview mirror to resume her search for any new wrinkles.
She needed new headshots for her latest batch of business cards and beat her French-manicured fingernails against the dashboard as she fretted over the stone-cold fact that a pretty face sold more houses and raked in bigger commissions. She had learned early on that looking good was a job requirement for a successful Realtor. And Heather had already bore catty witness to a younger crop of thinner and blonder girls already jockeying at her RE/MAX office for a chance to snag her clients.
Heather dug her hand deep inside her bag and retrieved a business card her friend had given her over drinks at a downtown Detroit bar during a recent girls' night out. Heather studied the phone number on the card and recalled how her friend swore to her with the enthusiasm of an infomercial host that if Heather just made an appointment, she'd feel so much better about herself. Presto chango, renewed self-esteem courtesy of a couple syringes of Botox and assorted fillers stuck in her face.
Heather tossed the card back in her bag and decided she'd stick with her crow's-feet. At least for now.
The sharp bite of the early-October Michigan morning hit Heather as she exited the Range Rover and she began to shiver. Heather worked through her usual series of stretches and felt a renewed pang of guilt for giving Carly a new phone. Her daughter had ultimately worn her down, complaining about the sheer humiliation of being the only person in her group that had a flip phone. Carly had hammered home the injustice that even elementary-school kids had iPhones, and there she was, a ninth grader, forced to use a relic.
Carly was a good girl, a straight-A student, and a solid athlete who excelled on her county-rec baseball and soccer league teams, despite the grenade Heather's dad had thrown into their lives after he walked out on his family to take up with a pharmaceutical sales rep he met at his physician's practice. After her ex had bailed on his latest weekend with Carly, Heather had caved on the phone as some sort of half-baked consolation prize to make her daughter feel better.
She was sure her good girl would never abuse the privilege of the phone. But three weeks later, Heather soon learned that phones with cameras, where images could be quickly snapped and texted to boys or girls who fluidly changed their allegiance of friendship in a teenage hormonal nanosecond, were dangerous toys, not modern-day commodities for kids to communicate.
One stupid slip of judgment and the selfie of Carly in her underwear had spread like wildfire around the school. But Heather would make it right. She hated confrontation and usually choked under pressure, her voice melting into a quaking stutter when she had to face down a hostile encounter. But this was for her little girl, so Heather had made an appointment to talk to the principal after the open house.
Moms would go to any length for their kids.
A cool gust of wind sent the fall leaves scattering like a swirl of bright copper pennies across the ground. Heather ignored her chattering teeth and took a quick glance at her watch: 6:00 AM. Her Range Rover was still the only car in the parking lot. But Heather wasn't worried about running alone. The park was an old friend, one that she had discovered during her sophomore year of high school when she first ran track. A sad smile played on her lips as she recalled the state record she set senior year for the eight-hundred-meter race, a crowning residual jewel she sometimes pulled out as a reminder of a time when she believed the world was brimming with endless possibilities just waiting for her with a beckoning hand.
Glory days, baby.
Heather's feet found their pace as she started her run. She completed her first loop around the lake, the one-mile mark of her four-mile run, and pushed herself faster and harder for her second round.
Running for Heather was like meditation. Her mind was usually clear of any worries or regrets when she ran, and the sound of her sneakers slapping against the pavement was a soothing white noise, a temporary respite from memories of her last date with her ex-husband who announced over a plate of shared pasta puttanesca that he wanted a divorce.
She discovered later that his new lady was at the restaurant waiting for him, watching the scene unfold from a seat at the bar.
Heather felt the tears come, but she forced herself not to cry. She was fine. Just fine.
The sun crested its way up to the top of the tree line and Heather checked her watch again: 6:45. Time to head home for a quick shower and to make Carly lunch before she went to school. Heather slowed her pace to a fast walk and made her way back to the empty parking lot, where she spotted another vehicle cutting around the corner, breaking her solitude.
As the car got closer, Heather could see that it was an older-model tan Buick driven by a gray-haired woman, who gave Heather a quick, friendly wave with a mittened hand as she passed. The Buick stopped at the other end of the park by the duck pond, where Heather frequently saw a group of people from the senior center do tai chi.
Heather did her usual routine and headed to the public restroom before she left the park. She always downed a large bottle of water before she ran, so the women's room was her final stop before her twenty-minute car ride home.
The door to the women's room creaked as she opened it. Heather hurried inside, grabbed a handful of brown paper towels from a dispenser near the sink so she wouldn't have to touch the icky bathroom door handle, and entered the stall closest to the door.
Heather began to come up with her strategy on how she could steady her nerves during her meeting with Carly's principal, when the bathroom door opened, the rough screak, screak, screak of its hinges sounding like a rusty nail being dragged across the floor.
Plodding footsteps thumped past Heather and then a stall door banged shut on the far side of the room.
Heather flushed the toilet with the toe of her sneaker and approached the sink. She did a quick look in the mirror and saw the reflection of someone's feet planted underneath a stall. The wearer had on a set of black orthopedic shoes and tan pantyhose that poked out from the elastic bottom of a pair of gray sweatpants, the outfit likely belonging to the older lady in the Buick, Heather figured.
Heather finished washing her hands and decided to slip a note in Carly's lunch box before she left for work, letting her daughter know she loved her and that everything was going to be all right. Something along the lines of, "I know this all seems terrible now, but it will be okay. I promise."
"Oh no," a woman's voice creaked. Heather turned to see a roll of toilet paper drop onto the floor from inside the occupied stall and then make a slow crawl in her direction, the tissue unwinding in a wide strip until it abruptly stopped and landed on its side next to the garbage can.
Heather started to move to the door, thinking she had to hurry if she was going to get Carly to school on time, but stopped when she realized she needed to do the right thing.
"Are you okay?" Heather asked.
"Just old age," the woman answered with a dry laugh. "I have arthritis and my hands don't work as well as they used to. Can you hand me the roll if it's not a bother?"
"Sure," Heather said. Something in the woman's voice niggled in the back of Heather's head, but she quickly moved on to the upcoming open house, hoping to God she'd get some actual prospects instead of the neighborhood looky-loos who usually showed up.
She carefully picked up the toilet paper, thinking how gross the outer layer was, since it rolled its way across God knows what was teeming on the gray cement floor. She wound a few loops of tissue off until the spots of wetness and dirt were gone and then shoved the wad of soiled tissue into the garbage.
"Here you go," Heather said. She bent down and reached her hand up under the woman's stall.
"Thanks so much, Miss Burns."
The thin chime of a warning bell went off inside Heather over the sound of her name being spoken so intimately by the stranger.
Heather tried to quickly retract her arm from under the stall door, but the vise grip of an unseen hand latched itself around her wrist.
"Hey! What is this?" Heather cried out. "Let go!"
The lady was senile, she had to be, Heather reasoned as she fought to keep her balance from her crouched position and free her hand, figuring the old woman inside the stall would be no match for her. Heather reared backward to try and break away, but her arm was pulled forward with such force, Heather was sure it would rip out of the socket.
"Help! Please! Somebody help me!"
Heather felt a second hand wrap around her forearm and she pitched forward, slamming her face into the gray stall door.
A sharp pain pulsed like a jackhammer from her nose as Heather's thoughts screamed out to her, Don't give up, can't give up! She started to cry and wondered how this old woman could be so strong.
"Please, I have money in my car. And my credit cards. You can have them. Just let me go."
An unexpected surge of hope spread through Heather as her attacker released their grip and Heather's arm slipped free.
This was her chance. She knew she needed to run, to get out of the confined space as fast as she could. But Heather Burns, the queen of choking under pressure, kept her title and froze in place as the stall door banged open.
Her attacker ran a large hand across their mouth, leaving a smeared trail of bright pink lipstick down their chin. Heather slowly crabbed her body toward the door and spotted the tendrils of a gray wig spilling out from a small trash can in the back of the stall.
Two minutes too late, Heather realized she made a critical mistake by ignoring the off-sound of the woman's voice as a tall, well-built man with sandy-blond, short-cropped hair and a smile so wide, it almost split his face, exited the stall and loomed over her.
"Don't fight," the man said. "It's going to be much easier if you just give up."
"Please, I'll give you my money. You can have everything. I swear."
"I don't want money," the man said. He pulled out a folding knife from underneath a bulky dark blue sweatshirt and snapped open its six-inch blade. "On your stomach. Now."
Heather felt a sickly panic move through her as she stared at the weapon, which had a green-fatigue, military-like handle and a black blade with an inch of serrated teeth by its base.
The man was going to rape her. She was sure of it. She closed her eyes and wondered if it would be better if he just killed her instead.
"On your stomach, I said."
Heather thought of her daughter, who would be waking up for school about now and wondering where her mother was. She mustered a reticent nod, knowing she needed to do anything to get back home, and flipped over on her stomach in a prone position.
She shook as she waited for the man to pull off her running shorts. But he reached for her hands instead, roughly pulling them behind her back and then binding her wrists together with something that felt to Heather like hard plastic that bit into her skin.
"Let's go," the man said, and pulled her up. "We're going to take a ride."
* * *
Heather had stopped trying to find the emergency release latch in the trunk of the Buick, where the man had stuffed her. After realizing the car was an older model and didn't have a release pull, she had resorted to pounding her feet against the top of the trunk in a futile effort to get it open.
During the beginning of what Heather thought was so far a thirty-minute ride, she could hear what she decided was city traffic. But for the past ten minutes, the honks and revved engines of aggressive Detroit commuters had ebbed and all Heather heard now was the Buick's wheels humming underneath her as she sat, crammed in a fetal position in complete blackness.
The Buick came to a sharp stop and Heather tried to scramble to come up with a flight plan. She cursed herself for not leaving Carly a note to tell her where she was jogging, so her daughter could call the police with a location when Heather didn't come home.
Daylight flooded the Buick as the trunk swung open, and Heather squinted to see her attacker looming over her.
"If you try to run, I'll kill you," her abductor said, and flashed his ugly black and camouflage-green knife from the pocket of his sweatshirt, as if Heather really needed a reminder.
Heather could smell the sour musk of the man's sweat not quite masked under his cologne when he pulled her out of the trunk. He wrapped his arm around her waist, and Heather felt the dampness of his sweatshirt on her back.
Heather took a quick mental snapshot of her unfamiliar surroundings to come up with an escape route if she could get away. The Buick was parked on a desolate side street next to an old brick church that looked like it was about to crumble. A sliver of the remote Detroit skyline was visible from the side of the church, which meant the man had likely driven them to one of the city's run-down, left-for-dead neighborhoods that skirted Detroit. What that meant to Heather was, the likelihood of anyone stumbling by to help her was going to be as likely as her winning the lottery or getting crowned Miss America.
"Move," the man whispered in her ear.
In lockstep, the two entered the abandoned church. The depressing, cavernous space was littered with a few ruined leftovers of the church's likely golden era when parishioners filled its now-gutted pews. A splintered, keyless organ lay hangdog on its side in the middle of the aisle, and what was left of a broken stained-glass image of Jesus on the cross framed the rear wall of the church.
Heather shivered when she reached the end of the aisle, where someone had tagged I love weed in black graffiti letters, and she turned slowly around. She did a quick mental picture of the man's face so she could describe him to the cops if she was able to get free, and was struck by the odd realization that the man who abducted her was good-looking.
"Please. I have a daughter."
"No, you don't. You have two sons."
"You're wrong! This is some kind of mistake."
"No mistake. But you're not right yet. I need to fix you."
The man pulled out his knife, reached behind Heather, and sliced apart the twist ties. He then dug into a green-fatigue duffel bag and pulled out a long, dark wig and a piece of blue clothing.
"Put these on."
"Jesus, what is this?" Heather cried.
The man looked through Heather as if she weren't there. "I'll dress you."
Heather screamed and her voice echoed through the lonely belly of the church, a haunted cry to no one, as the man carefully arranged the dark wig over her blond hair. He took his time and teased out a few long strands so they cascaded down to the tops of her breasts.
"Better. But still not right. Put the dress on."
"Will you let me go if I do?"
The man continued to look through Heather and slid his tongue over his lips.
Heather grabbed the dress from his hands. She'd play along. He had to be a freak is all. If she just did what she was told, maybe he'd let her go. If he was going to kill her, he would've done it by now, Heather convinced herself. She looked at the piece of clothing she was supposed to wear. It was a bright blue dress, which was sleeveless, with a scooped neck, a fitted high waist, and an A-line skirt.
"Take off your shorts and shirt. It needs to be perfect," the man said. He turned around as if to give Heather privacy so he wouldn't see her in her underwear.
"Don't look," Heather said. She undressed and then pulled the garment over her head. "Okay. It's on."
The man cocked his head to the side as he took in his creation. He rearranged a few locks of the long, dark wig so they framed Heather's face, and, seemingly pleased with himself, smiled.(Continues…)
Excerpted from "You Fit the Pattern"
Copyright © 2019 Jane Haseldine.
Excerpted by permission of KENSINGTON PUBLISHING CORP..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Terrific, gripping novel. I recently had the luxury of reading the whole thing on a cross country flight. I thought I had the killer pegged a couple of times, but Ms. Haseldine was too crafty for me! I loved the down to earth and real references as far as a mother and her child. "A mother always knew her son." It was also satisfying to see the growth in the character of Julia as she took her lessons to heart from the last book where she'd been so overprotective and chose to live her life in fear. On another note, as a teacher, I really appreciate the warm nod given to public schools and as a rock fan, totally dug the Jack White, Third Man Records plug! Kudos to Jane Haseldine. I'm looking forward to her next Julia Gooden book!
Jane Haseldine's You Fit the Pattern is the fourth book in the Julia Gooden series but can be read as a standalone. With the discovery of what happened to Julia's brother Ben happening in the last book, this one finds Julia involved in a very different investigation. There is a serial killer on the loose in Detroit and he is targeting size 2 women who run and are single mothers. The victims found were wearing a long brown wig and blue dress, looking eerily like journalist Julia Gooden. The murders are vicious, the victims unrelated, except that they are all joggers with the same build as Julia. There are also clues left behind that incorporate elements of voodoo and black magic. When Julia starts getting calls from the Magic Man Killer, things heat up. With a friend of Julia's missing and her body not yet found, the clock is ticking to find the killer. I found this book even better than the first three in the series. It was fast paced and drew me in right from the opening chapter. I liked that there was more than one suspect and I was kept guessing until the last quarter of the book. I did figure out who the killer was before it was revealed, but the final showdown was still gripping. The characters in the story are well-developed and as Julia's boys get older, the Ms. Haseldine has given them more involvement in the plot. I like how the relationship with Julia and Ray is developing and that her children and housekeeper like him. I love her housekeeper Helen. She is quite outspoken and takes care of Julia, the boys and the house well. She played a nice part in this story. Overall a wonderful story that I really enjoyed.
I did like this book. It was interesting and had a nice plot development. The reason I only gave it 3 stars is the book needed a lot of editing. Too many unimportant details that added nothing.at least 1/3 of this book was unnecessary. I would like to thank NetGalley for allowing me to read and review .
Thanks to the author for sending me a free copy of the book. You guys, I freaking love this series. I can’t even be cool about it. Julia Gooden is one of my favorite characters, and these books are my happy place. Ok, so every time I talk about one of these books, I rave about how much I love the character of Julia, and that hasn’t changed. What I especially loved about her this time is how much growth I’ve noticed in her character since the beginning of the series. She’s finally overcoming some of her emotional hurdles breaking down her walls. (And based on where the story ends, I think we’re going to see even more big things for Julia in the next book and I can’t wait!) As for the mystery in this book: I loved it. I love how there’s always a “creep” factor to both the perpetrator and the crime itself, and that it always makes me squirm a little. I’m a reader who prefers intensity in the books I read, so I appreciate that the crimes aren’t downplayed or overshadowed by the rest of the story. Haseldine makes it clear that there’s a real and dangerous threat in these situations, and Gooden continues to throw herself into the center of it all to figure it out. But she’s not a vigilante character. She’s a reporter who’s experienced trauma and loss in her own life, so she wants to ensure whomever is on the receiving end of it “this time” gets the answers they deserve. So now I’m back where I started: that point where I just want to start rambling and gushing over how much I loved this book and this series, and my cool factor is going right out the window. (Ok, fine. Maybe I never had it to begin with, but at least I was putting on a good show, right?) This is a fantastic mystery series for anyone looking for one led by a strong, smart, impulsive, real female character. I obviously recommend reading the entire series because you get Julia’s entire story and you understand her more as you read along. However, I do believe you could read them as stand-alones if you don’t mind not having all the info nuggets and having to piece some of the history together as you go. It just adds to the fun of the mystery. This one is a “highly recommend” from me!
While thus is the 4th book in a series I was able to pick this one up and read it without getting confused at all. However, everything felt overly predictable to the point it was no longer entertaining and I was just having to wait until the author got to the point, After looking at some other reviews I am apparently the only one that feels this way and see that most people have enjoyed this book. I think a person that is newer to the thriller genre would enjoy this book but if you are a seasoned thriller reader it may be a little too cookie cutter for you.
Detroit investigative crime reporter Julia Gooden is back in the fourth installment of author Jane Haseldine's series, You Fit the Pattern. After solving her brother's murder thirty years after he disappeared, Julia has written a book about the case. But now a serial killer is on the loose in Detroit, targeting female runners. The killer abducts the women from their jogging trail, and then kills them and stages their bodies in abandoned churches. When Julia's boyfriend, Detective Raymond Navarro, and the Detroit PD begin investigating the cases, it becomes clear that the killer is obsessed with Julia. All of his victims share traits with Julia, and the murderer contacts Julia directly, threatening that things will get much worse unless Julia makes him famous through her reporting of the story. Julia convinces the Detroit police chief to embed her in the investigation -- with specific caveats -- in order to assist the detectives. But Julia is playing a dangerous game because no matter how skillful and careful she is, the killer's ultimate goal is clear. Julia must unravel the threads linking the killer’s twisted mind to her own dark past in order to escape becoming his final victim. Haseldine has once again crafted a taut, complex thriller with the beloved Julia at the center of the action. She is moving cautiously forward with Navarro, her young sons' welfare always her prime consideration. She has finished the most challenging project of her career -- the telling of the story of her beloved brother Ben's abduction, killing, and how Julia finally found his killer thirty years later. However, her editor is less than thrilled with a project and the criticism is difficult for Julia to hear. She does not have time to dwell on the necessary rewrites, however, when a series of grisly, precisely planned killings of female runners put Detroit citizens on alert. The killer's motive is a mystery -- none of the victims are sexually assaulted. However, they are found wearing the same blue dress and a long, dark wig, and their bodies are left in abandoned inner city churches. Haseldine takes readers into the mind of the killer. In alternating chapters, she narrates Julia's work with the police -- and her tendency to go rogue -- while describing the thoughts and motivations of the killer. Along the way, several characters are potential subjects, but Haseldine expertly keeps readers guessing, as clue after clue brings their guilt into question. As always, the cast of supporting characters, including Navarro, his fellow detectives and the chief, Julia's children, and her devoted but beleaguered housekeeper, is both eclectic and endearing. The action is nonstep, and the book's pace builds to a frantic level as Julia, et al. zero in on the killer's identity and location. You Fit the Pattern is another exciting and entertaining chapter in the beloved Julia Gooden adventures series that keeps readers guessing about the killer's identity right up to the very end. However, as satisfying as it is, it also leaves readers clamoring for the next book in the series, especially to check back in on Julia's relationship with Navarro, as well as see what her next big story will be about! Thanks to NetGalley for an Advance Reader's Copy of the book.
This is the first in the Julia Gooden series that I have read. In fact I had no idea this one the first in a series which means this author has the ability to give readers everything they need without them becoming lost or wondering this if this book is part of a series or stand a lone novel. Which as a reader I find impressive. You Fit The Pattern is a dark gritty story with characters who are real, flawed and strong. The Author pulls readers in from the first page having them wondering who will be next. The murders a frighting, real and has readers looking over their shoulders. I love how the police worked with the journalist who wants to bring peace to families who lost loved ones. While writing the news. You Fit The Pattern is very human the characters their back stories as well at the side story creates a world that readers will not want to leave util they find the answers that Julia is seeking. Jane Haseldie created a characters who will have readers wanting more from her. Julia is strong passionate and real to the point a reader could be running on the same trail as her. Thank you to Netgalley and the publisher Kensington Publishing for an advance copy of Jane Haseldie You Fit The Pattern
Love this Series - -Can't say enough good things about Haseldine and this Julia Gooden Mystery Collection. Julia lives with memory of loosing her brother at an early age. She is a mother of two sons with a live in "Hazel" maid. Her Journalist job and savy detective skills puts her working with the police to solve a string of murders. Well written characters and twist and turn crime plot. Oh yes some romance sprinkled in. "A copy of this book was provided by Kensington Books via Netgalley with no requirements for a review."